Tag: History

Articles

The Last Gun of Tiburcio Vasquez

by Georgia Jeffries

From Boom Fall 2012, Vol. 2, No. 3

Whose California?

The ancient rifle of a long-dead Californian arrived without warning. Unsolicited. Uninvited. A surprise bequest from an elder cousin who earned his master’s in history from Claremont College and took pride in his role as the family archivist. The weapon, empty of shells and unexpectedly elegant, is sequestered in our upstairs closet. To protect the oak stock and copper case, it came cradled in soft white bunting, which we have unwrapped only a handful of times. A shrouded ghost, it stands in a dark corner behind winter coats and a faded bridesmaid dress as one year, then another, flows by.

Five years now since it arrived. A sobering time for family and neighbors faced with the ills of our state’s recession. Almost 136 years have passed since the gun killed game or human beings. No longer used for the reason it was created, the gun still serves a purpose. Like all trophies collected after armed struggle, it is a symbol. A symbol of danger contained, loss justified, greater crisis averted. And like all sacred relics saved by the generations that came before, it comes with a story.

This handsome Henry rifle, one of thousands of repeating firearms first manufactured during the Civil War, was taken from Tiburcio Vasquez after his capture by Los Angeles Sheriff William Rowland on 14 May 1874. A public servant eyeing his odds for reelection, Rowland presented the rifle as a “token of friendship” to Judge Stephen C. Hubbell, one of the leading citizens of the anglicized El Pueblo de Nuestra Senora de los Angeles who had urged authorities to put a stop to the robber’s raids on new settlers’ ranches. After two infamous decades robbing banks and rustling horses in the northern part of the state, Vasquez had traveled south. Many feared he would target downtown Los Angeles next.

Judge Hubbell, my husband’s great-grandfather, was an Ohio native who came west to prosper, serve society, and raise a family. All historical accounts indicate he fulfilled his dream. A cofounder of the University of Southern California, he was elected the school’s first treasurer. Also a respected philanthropist, he donated a substantial portion of his land, Westlake Park, to city fathers (who would later rename it MacArthur Park in honor of the World War II general). He was a generous man, once his property was secured and no longer under threat by a notorious, lawless “Mexican,” as Vasquez was called in the press coverage of the time.1


Tiburcio Vasquez. PHOTOGRAPH COURTESY OF CALIFORNIA ETHNIC AND MULTICULTURAL ARCHIVES, DEPT OF SPECIAL COLLECTIONS, DONALD DAVIDSON LIBRARY, UNIVERSITY OF CALIFORNIA, SANTA BARBARA, CA.

Along with the rifle, we received original front-page clippings from the 29 December 1889 edition of the Los Angeles Times. Dry and amber with age, “The Robber Vasquez” headlined columns had been pasted with care on sturdy cardboard. The article profiled eyewitness “reminiscences” of San Francisco Chronicle correspondent George Beers, who accompanied Rowland’s posse on its historic adventure. Beers interviewed Vasquez, only thirty-nine, shortly before his death in San Jose on 14 March 1875. Convicted of murdering three unarmed men while his band robbed a general store in Tres Pinos, he had been sentenced by a jury of norteamericanos to hang on the gallows. (Accounts differ as to whether Vasquez or members of his gang bear responsibility for the actual killing. He admitted the robbery, but denied committing murder on that occasion or at any other time during his twenty-three-year outlaw career.)2

“I had a good opportunity to study his character,” Beers reported. “A remarkable man … his original boyish idea was that he could incite a revolution among the Spanish-speaking population and recover Southern California from the United States… .”

Truth? Romantic revisionism from the lips of a man about to die? A blending of both? When I look at Vasquez’s rifle, preserved by Anglos he once terrified, I consider Faulkner’s admonition: “The past is never dead. It’s not even past.”3 And I wonder what the bandido would think of his beloved homeland now.

A net of despair

Outsiders, outcasts, and outlaws have always been the real creators of the California dream. When there is less to lose, it is often easier to make the risky move. Like our ancestors, contemporary residents will need courage to transform a less than happy present into a better tomorrow. They will also need a bold vision, one that trades the historical glory of rugged western individualism for pragmatic commitment to the larger common good.

The despair that has always danced among the have-nots in the hills and valleys of California is expanding its dark net. Since 2005 more people have left California than have arrived from the rest of the country.4 And for good reason. The state of our state is foreboding.

According to the Los Angeles Times, six million Californians, 16.3 percent of residents, already live in poverty, and many more are perilously close.5 Twenty percent of the population has no health insurance, and extreme cuts to Medi-Cal are planned.6 Over 2.2 million are unemployed.7 In 2010 the state’s median household income fell 4.6 percent, the largest decline in a single year since record keeping began. According to a recent poll by the Public Policy Institute of California, nearly half of California adults now consider themselves among the have-nots.8 These figures are even more alarming because, as the pundits often note, ours is a bellwether state. As California goes, so goes the nation.


Typical Henry Rifle. PHOTOGRAPH COURTESY OF COTTONE AUCTIONS.

This is not what my parents would have predicted when they left Illinois to take an intercontinental gamble on the long road west in the sixties. Everybody was making the trek and making good, according to a dreamy Technicolor cover story in the LOOK magazine prominently displayed on the mahogany coffee table—a table that, as it happened, did not make the cut when our small U-Haul was packed to the ceiling with heirlooms, china, and three toys from my childhood bedroom. (Only three, my mother insisted.) The rest were sold at our suburban front yard auction along with sofas, chairs, an antique rolltop desk, patio furniture, and assorted tools. Like the pioneers who had gone before, my parents thought it wise to lighten the load. Our family was moving to the Golden State to better ourselves.

Better, that was the word. So powerful it serves as both verb and adjective. Better climate, better health, better job for my father, and better educational opportunities for me at the University of California in the years to come. No one leaves ancestral foundations to fall backward. But for many who arrived during the great California migrations of the last half-century, that “better” life has become a nightmare of diminishing returns.

Not everyone is suffering, of course. Multimillionaires formerly of Silicon Valley have reinvented themselves in the hot, new tech Valhalla of San Francisco, and bling-obsessed, reality-programmed “real housewives” are cropping up south of Beverly Hills in the McMansions of Orange County. What has gone missing in the last decades is the California middle class. Granted, there were many gradations in this vast middle—“almost” lower-middle, “about to be” middle-middle, “not quite yet” upper-middle—but there was only one acceptable direction on the ladder of prosperity: up. Hard-working, law-abiding, tax-paying folks could rely on collecting their just rewards in a rosy and very near future. Every few years, a new car, a new house and—yes!—a better job with a bigger salary and more benefits. That way of life went down the drain with five-figure entry-level first homes and tuition-free education for in-state residents at the best state college and public university systems in the country. (UC’s annual undergraduate tuition is expected to rise to $22,068 within the next four years.)9

Aristotle argued that true virtue lies in the median between extremes.10 Within that virtue blooms happiness. The great philosopher was no economist, but the principle holds: how can happiness exist without a certain level of balance and stability? Certainly, the California middle class loomed as the ideal for generations of immigrants from Dust Bowl Okies to post-World War II aerospace factory workers to displaced Vietnamese, Armenians, and Afghans seeking political asylum. Getting rich might be nice, but a solid middle-class niche, affordable mortgage, and college-educated children embodied the sweet smell of success. Eden has been lost. Again.

On 17 June 2011, the Pasadena Star-News reported that a group of homeowners, at risk of foreclosure, appealed to Los Angeles County Sheriff Lee Baca for help.11 Representatives of the Alliance of Californians for Community Empowerment called for Baca to place a moratorium on foreclosure evictions. Unfortunately, the sheriff was out of town, and there were no later news reports that he might mount a posse on behalf of the frightened citizenry desperate to protect their property from forces they could not fight alone.

On New Year’s Day in Pasadena a few years ago, before the real estate market tanked and gave our state the dubious distinction of leading the nation in foreclosures,12 I was walking home among a large crowd of Rose Parade revelers after the last marching band headed north on Sierra Madre Boulevard. The air was clear and crisp, the view of the San Gabriels spectacular. A glorious January morning flooded with California sunshine and the fragrance of fresh blossoms. This is what our ancestors had traveled thousands of hard miles to enjoy. That’s when I overheard two women talking behind me. One was complaining to the other: “We finally get California back and then the Chinese come in and take it away from us. Who do they think they are?” As I turned the corner, I noticed the ladies were Latina. And I was pretty sure they were talking about the influx of Asian families moving into San Marino, Monterey Park, and other parts of the San Gabriel Valley.

Who do they think they are?

Well, “they”—whoever “they” are—assume they are entitled to carve out as large a wedge of the California pie as they can beg, borrow, buy—or steal—for themselves. Vasquez’s ancestors were immigrants too, loyal soldiers of the Spanish crown who occupied the fertile valleys that belonged to the original indigenous Californians, Tongas and Chumash, here long before European interlopers descended. Victorious conquistadores and pious mission priests made no apologies for taking what they wanted. They determined their needs came before other lesser beings, and after all, there was enough. Surely there would always be enough for the people that mattered.

The villains change. So do the innocent. The story does not. Bandidos or banks. Latinos or Asians. White or Black. Somebody somewhere is trying to take what we have … what we can no longer afford … what we cannot save because the forces we battle are too large and we are too small.

Or are we?

Anger—and the fear that fuels it—can do more than close ranks. It can also activate change and broaden the playing field. Witness the power of unified rage within the Occupy movement. Occupy Oakland. Occupy Los Angeles. Occupy the 2012 Pasadena Rose Parade? Yes, yes, and yes. To paraphrase Paddy Chayefsky’s furious prophet of the airwaves in the Hollywood film Network, some Californians are mad as hell about the state’s inequities and refusing to take it anymore. Between 1987 and 2009 more than one-third of California’s income gain went to the top 1 percent wage earners. Some of those remaining 99 percent are no longer simply festering in their discontent. They are organizing, protesting, “occupying” public property, demanding equal justice, and launching Facebook campaigns to challenge the abuses of corporate power.

A young California woman living in Echo Park, indignant about Bank of America’s announced plan to charge a five-dollar monthly debit card fee, spearheaded a national campaign to encourage people to move their money from large US banks to local nonprofit credit unions. Not only did thousands of depositors follow her lead, Bank of America abandoned their proposed fee hike a month later.13 The message? If you can’t beat the 1 percent bastards, join with like-minded instigators and call a new ball game.

Novelist James Cain, the East Coast transplant who became a master of California literary noir, once predicted that the “vaulting ambitions” of the Golden State would surely generate interesting social progress. “Streams are meeting here that ought to churn up some exciting whirlpools.”14 Indeed.

Riding out of the rocky hinterlands at the helm of a guerilla band of outlaws, Tiburcio Vasquez left a legacy that eclipsed his earthly crimes. A hero of resistance to his admirers, a thieving killer to his enemies, there is no question he made his mark on a land still divided today by discrimination, language, color, and class. Even the state map acknowledges his presence: Vasquez Rocks, a region in northern Los Angeles County where his gang used to hide out, is now a park named in his honor.

Vasquez Rocks. PHOTOGRAPH BY JEFFREY TURNER.

In 1939 Judge Hubbell’s daughter loaned the Vasquez rifle to her new son-in-law, Fred Runyon, a young publisher who wanted to display the historic firearm in the windows of his Pasadena Independent newspaper offices to impress readers. Sure enough, the bandit was still a headliner sixty-five years after his hanging. And yet, despite a notoriety that has stretched across three centuries, the man is long gone. It is the place that inspired his passion which endures. Ultimately, all of us who call ourselves Californians are merely visitors. Only the land, this vast earthquake-veined land of disastrous faults and breathtaking beauty, is eternal. The land …

… and the hope that one day there will again be enough.

Notes

1. George Beers, “The Robber Vasquez,” Los Angeles Times, 29 December 1889.

2. John Boessenecker, Bandido: The Life and Times of Tiburcio Vasquez (Norman: University of Oklahoma Press, 2010).

3. William Faulkner, Requiem for a Nun, Act I, Scene III.

4. Gale Holland and Sam Quiones, “Waving California Good-bye,” Los Angeles Times, 27 November 2011.

5. Alana Semuels and Duke Helfand, “6 Million in State Live in Poverty,” Los Angeles Times, 14 September 2011.

6. Noam Levy, “State’s Ills May Weaken Health Reform,” Los Angeles Times, 15 September 2011.

7. Alana Semuels, “Jobless Rate Hits 12.1% in California,” Los Angeles Times, 17 September 2011.

8. George Skeleton, “Lumps of Coal All Around,” Los Angeles Times, 19 December 2011.

9. Larry Gordon, “UC Tuition May Rise to 16% a Year,” Los Angeles Times, 15 September 2011.

10. Aristotle, Nichomean Ethics.

11. Erick Galindo, “Group Seeks Foreclosure Justice,” Pasadena Star-News, 17 June 2011.

12. Alejandro Lazo, “Housing Defaults Up In August,” Los Angeles Times, 15 September 2011.

13. Stuart Pfeifer and E. Scott Reckard “Interest Grows in Bank Transfer Day,” Los Angeles Times, 5 November 2011.

14. James M. Cain, “Paradise,” American Mercury, March 1933.

Articles

The People’s Sidewalks

by Bess Williamson

From Boom Spring 2012, Vol. 2, No. 1

Designing Berkeley’s Wheelchair Route, 1970-1974

A story of Disability Rights, although rarely included in accounts of the Sixties in Berkeley, runs alongside the history of protest against University of California policies, the War in Vietnam and the establishment in general. During these tumultuous years, a community of mostly young disabled persons, many of them students or graduates of the University, left a mark not only on the politics of the city, but the physical landscape as well. From 1970 to 1974, the City built the first planned, wheelchair-accessible route in the United States. These sloping curbs—varying in design over time—created the physical foundation for one of the largest and most active communities of disabled people in America.

Cover of The Independent showing Berkeley’s “Wheelchair Route” designers: from right, Hale Zukas; his attendant and collaborator Eric Dibner; community organizer Kitty Cone; and an unidentified helper. COURTESY OF THE CENTER FOR INDEPENDENT LIVING.

Berkeley was host to a growing populace with disabilities in the 1960s, including people with significant paralysis due to spinal cord injuries, cerebral palsy, and polio. This community centered around a small group of students who lived in a special dormitory within Cowell Hospital, the only building on the University campus that could accommodate wheelchair users. In an era before government requirements for “accessible” design, these students made their own ways through the hilly terrain of campus and city. They rumbled through town on hefty, rudimentary motorized wheelchairs, wheeling in the street or relying on friends to drag them up steps and over curbs.

For these young people, the rebellious spirit of Berkeley in the Sixties was infectious. The Cowell residents banded together, lobbying for greater accessibility on campus, more housing options and their own wheelchair repair shop. By the end of the decade, recalled one student, “everything began happening at once.” The campus was charged with political spirit as protesters clashed with authorities on campus and in the city. In this historical moment, Berkeley’s disabled community sought a space for themselves in the broader cityscape.

Center for Independent Living director Phil Draper at the corner of Telegraph Avenue and Blake Street in 1984, Going Where You Wheel on Telegraph Avenue (op. cit.).

The first move to build curb cuts on Berkeley sidewalks came out of a coincidence of 1960s politics. In 1969, Berkeley erupted in riots over the University’s plans to build on an untended lot near campus that functioned as a “People’s Park.” After riots that brought the National Guard to town, the City renovated the Telegraph Avenue business district, widening sidewalks in a gesture towards local street life. In keeping with a brand new building code, these renovations included wide, flat curb “ramps” positioned at the corner of the sidewalk.

Curb cut diagrams by Yoshiaki Imafuku, in Going Where You Wheel on Telegraph Avenue (Berkeley, CA: Center for Independent Living, 1984).

While Berkeley’s wheelchair users greeted the new cuts with pleasure, they also noted concerns about accommodating a range of disabled persons. The wide, flat curve where the sidewalk flattened into the street caused problems for blind pedestrians who relied on a sharp curb to detect the edge of the sidewalk. Even for wheelchair users, the cuts’ diagonal position caused a conflict with turning cars. A visiting Japanese student, himself a wheelchair user, sketched the pros and cons of various curb cut designs, showing how the curb cut that angles into the street can push wheelchair users into traffic.

For a second round of curb renovations, the disabled community of Berkeley took an active design role, mapping more than 100 sites for cuts along Telegraph south of campus, and along Shattuck Avenue in downtown Berkeley. They also offered a new design: a steep, sharp cut set outside of the main pedestrian intersection. These new cuts were steep for wheelchair users, but represented a compromise for a range of pedestrian needs—foreshadowing the “universal” ideal of later planning and design projects.

Berkeley’s Wheelchair Route, drafted by Ruth Grimes. Dots indicate the location of 125 new curb cuts. Map from City of Berkeley, Resolution No. 45,605-N.S. (February 13, 1973).

The early changes on Telegraph and the surrounding area were the first in a series of design projects to accommodate Berkeley’s large disabled population. Since the 1970s, Telegraph has been renovated and resurfaced many times over. In place of the original flat “ramps” are curbs with textured concrete slabs to identify the change in surface for the blind, often marked with bright yellow inserts with bumps. Designed decades before recent projects such as the Ed Roberts Campus (see article by David Serlin), these curb cuts were low-profile, but nonetheless important elements of an accessible city.

Raised curb cuts at Telegraph and Dwight avenues, 2011. PHOTO BY AUTHOR.

Articles

Hayakawa Among the Conservatives

by Gerald Haslam

From Boom Winter 2011, Vol. 1, No. 4

Stranger in a strange land

When the famed author, editor, and lecturer Dr. S.I. “Don” Hayakawa, joined the faculty at San Francisco State College in 1955, his presence seemed to elevate the college’s reputation. It also led to a series of events that would make Hayakawa arguably not only America’s best-known citizen of Japanese ancestry but also, according to journalist Ed Salzman, “The only folk hero to have emerged from American higher education.” My own acquaintance with Hayakawa stretched over decades, in a relationship that never quite revealed who or even what he was, other than controversial.

The professor, a Canadian native who had only recently become a citizen of the United States, much impressed his colleague Manfred Wolf, who wrote: “It was fitting that after years in the Midwest he should have come to perform on the brighter, brasher stage of California.”

Hayakawa’s unusual academic specialty, general semantics, stimulated considerable buzz in the Bay Area, and his evening course in the subject enrolled an overflow 300 students. General semantics had been formulated by Count Alfred Korzybski as “an integrated science of man” through the understanding of symbols and their use in human affairs.

By 1973, Hayakawa was an ex-president of San Francisco State University contemplating a political run. COURTESY OF HAYAKAWA FAMILY ARCHIVE

There was far more to Hayakawa than “GS.” Over the years he had been a poet, a columnist, an editor, a jazz maven, and even a fencing coach. Most of all, he and his talented wife, Margedant Peters, had been noted liberals, quick to embrace causes and eloquent in defending them, whether endorsing co-ops and racial equality or attacking anti-Semitism and price gouging, they seemed to be exemplars of progressive politics.

But Don Hayakawa, who had not been confined, was also a sometimes apologist for the World War II internment and relocation of Japanese Canadians and Japanese Americans. “Whatever the heartbreaks and losses created by the wartime relocation, there were unforeseen benefits… . almost all Nisei and many Issei were thrown out of their ghettoized Japan-town existence into the mainstream of American life… . “1 That position, and the frequency with which he repeated it, troubled many.

The “brighter, brasher” stage of California turned out not to have as much room for general semantics as originally seemed possible. As a result, Hayakawa’s dream of a “GS” major at San Francisco State was frustrated due to the opposition of colleagues. By 1966, when an editor of San Francisco State’s student newspaper wrote a column making fun of efforts of SFSC’s professors to organize a union, Hayakawa, who was then teaching only part-time, wrote him a note saying, in part, “Basically, I agree with you … . there are a lot of lazy, oververbalized bores in any college faculty, including our own—people unfit for any other work but drinking coffee and chewing the fat with their juniors.” He, of course, refused to join the union, and some colleagues wondered if he was festering over earlier rebuffs.

Sensator SIH and President Reagan at the White House in 1981. COURTESY OF HAYAKAWA FAMILY ARCHIVE

As student dissent began to crest in 1968, Hayakawa helped form a campus group called Faculty Renaissance that urged resistance to student demands. He contacted Chancellor Glenn Dumke then and, as a result of events that have never been fully explained,2 Hayakawa was offered an appointment as acting president of San Francisco State. Conservative Governor Ronald Reagan reportedly said, “If he’ll take the job we’ll forgive him for Pearl Harbor.” It was a statement that would not have surprised Hayakawa, who felt Reagan had great political instincts but was often poorly informed. He took the job, and on December 2 of that year, Hayakawa (and his signature plaid Tam’-o’-Shanter) became symbols of resistance to student rebellion when he ripped out speaker wires on a sound truck and stopped an illegal demonstration—or denied First Amendment rights—or both. Many faculty opposed his actions, but the public, sick of academics capitulating to rude students, embraced him as the only college administrator with guts.3 Meanwhile, many in the general public also asked for the first time, who is this guy?

Samuel Ichiyé Hayakawa was born to immigrant Japanese parents in Vancouver, B.C., Canada, on July 18, 1906. When he and his younger brother were in their teens, their parents returned to Japan, leaving the boys in Canada.4 Samuel eventually graduated from the University of Manitoba in 1927, earned an M.A. from McGill University in 1928, and completed a Ph.D. at the University of Wisconsin in 1935.

In that time of anti-Japanese sentiment,5 he could not find a tenure-track college teaching job, frequently losing out to white candidates who had no doctorates. He didn’t bother to complain, but dug in and by 1938 had published enough to be considered a solid literary scholar and a promising poet. The young Canadian, then an instructor at the University of Wisconsin Extension, read Stuart Chase’s book The Tyranny of Words and was enthralled. He then read Chase’s inspiration, Alfred Korzybski’s Science and Sanity, and decided to study general semantics with its developer, setting in motion events that would lead him to fame, to fortune, and finally to frustration.

Left to right: Otoko Hayakawa, Marge and Alan Hayakawa, Great-Grandmother Hayakawa, SIH; Marge, Alan and Don visit Don’s family in Kusakabe, in Yamanashi City, Japan, 1953. COURTESY OF HAYAKAWA FAMILY ARCHIVE

In 1941, only days before the Pearl Harbor attack, his own book on general semantics, Language in Action, was a Book-of-the-Month Club selection and became a best seller. He embraced the sudden notoriety and would no longer be considered a literary scholar or a poet; he was a “famed semanticist.” What he couldn’t know is that GS would never penetrate the academic mainstream and neither would he, despite enjoying a degree of celebrity.

During World War II, while Japanese Americans on the West Coast were being interned and relocated, he was on the faculty at Illinois Tech in Chicago, where he and his wife remained prominent on the cultural scene. In the 1940s he became a popular lecturer nationally, the editor of a quarterly journal, ETC.: A Review of General Semantics, and a columnist for the Chicago Defender; his wife was a major figure on the co-op scene and an editor at Poetry magazine, as well as the mother of three young children.

By the 1950s, though, all was not well. S.I. Hayakawa had resigned his tenured position at Illinois Tech and was unhappy teaching only part-time for the University of Chicago evening division. Then his wife discovered that he was involved romantically with one of her associates at Poetry. Hayakawa had a standing offer of a professorship at San Francisco State College, where he had taught summer classes. Despite reservations about California’s anti-Asian history, and with his marriage on the line, he relocated to SFSC in 1955.

Six years later, my new bride and I drove to San Francisco State College from the Central Valley where I’d been working as a roughneck on a drilling rig. We hoped to begin a life that would offer more choices than the oilfields did. I met the famous professor in 1963 as a first-semester graduate student enrolled in his seminar on general semantics, a course based on a reading of the daunting Science and Sanity, which we discussed in detail. The professor listened intently to students, and then his comments revealed what seemed to me to be an extraordinarily broad base of knowledge.

In 1966, the strike erupted at SFSC. Hayakawa had favored some of the reforms demanded by students, such as the development of an Ethnic Studies program, but he opposed the tactics of strikers and their demand for total autonomy. Many of his colleagues, in turn, opposed Hayakawa’s efforts, and each felt betrayed by the other. When the smoke finally cleared after 167 days, the immediate winner in the strike settlement was Hayakawa, whose great popularity among the general public—not merely conservatives—opened doors. But the tide of history was on the side of the young; eventually they would be the establishment, and many of their best ideas would be implemented while they outgrew others.

Senator S. I. Hayakawa with the Cambodian refuge kids at the holding center for Kampucheans in Thailand, in 1980. COURTESY OF HAYAKAWA FAMILY ARCHIVE

Hayakawa was for a time rudderless, due to rejection by his old liberal and progressive allies, but he had to decide how to use his popularity. Earlier in his life he had considered politics, and by 1973 his ambitions matured. When his aide Gene Prat asked Hayakawa what he hoped to accomplish in office, he replied, “To be a statesman.” To accomplish that, he switched parties, becoming a Republican in 1975, and the next year ran for the United States Senate against Democratic incumbent John Tunney, even though he still held some of the liberal positions that had once led him to be called a “pinko.”6

In what seemed to be his greatest triumph, he won the Senate seat. During the years that followed I sent him letters complaining about this vote or that, and at first he replied, but finally I no longer heard from him—although I kept sending missives, because it seemed to me that he had become, politically at least, a mirror image of the man I had admired.

His largely conservative voting record in the Senate was deceptive. He at times seemed to be voting against liberals rather than for anything. Never really active in California’s amorphous New Right, he soon learned that lone wolves accomplish little in Congress, so he joined the luncheon caucus of the Senate’s New Right, with colleagues such as Jake Garn, Orrin Hatch, Paul Laxalt, and Jesse Helms. Still, he was not easy to categorize, since his positive votes on public funding for abortions and on returning the Panama Canal to Panama, as well as his insistence on the privacy of behavior between consenting adults, perplexed liberals and conservatives alike. A few journalists began to refer to him as a libertarian.

During his stint in Washington, an unacknowledged sleeping disorder undid his image. Friends had long noticed that he seemed to doze at unlikely times; I once saw him fall asleep mid-conversation. Johnny Carson soon picked up the sleeping-Senator theme. Carson, whose Tonight Show dominated late-night television, began joking about Don—”What would S.I. Hayakawa’s personalized auto license plate be?” “ZZZZZZ.” But Carson also offered the new Senator the opportunity to appear on the show in 1977. In addition to his skill as a speaker, Don was an engaging personality and on the national A-list of lecturers then. Members of his staff advised against an appearance on Carson’s show, a decision that would haunt them. One aide later explained to Hayakawa, “I think it was felt [by staff] that as a US Senator, it would not be appropriate for you to be going on ‘The Tonight Show’ as a guest.” As a result of that decision, many in the public came to know only the caricature.

When his Senate term ended, Don acknowledged that it was not considered successful. Asked what he’d be remembered for, he told Los Angeles Times reporter Cathleen Decker, “Sleeping, I guess.” An unlikely chain of events had brought Don Hayakawa the possibility of great success, and he had grasped it only to become its victim. This irony, of course, gave Hayakawa’s considerable list of enemies reason to rejoice and to mock him.

His post-Senate activity as spokesperson for US English and its campaign to declare English the national language resonated with a segment of the public. He perhaps exaggerated the need for a national language because he had seen his own immigrant mother trapped by a lack of English skill. Hayakawa’s more important work as special advisor for Secretary of State George Schultz, especially on MIAs in Southeast Asia, went largely unnoticed, subsumed under chuckles about “sleeping Sam.”

Nevertheless, Hayakawa never ceased promoting diversity and assimilation. As he once explained, “Who said being American—or Canadian—meant being white? Look at our vocabularies, look at our dining habits, our styles of dress, and increasingly our theological and philosophical concepts … look at our children and our grandchildren … those are by no means exclusively Anglo-Saxon.” He remained committed to a multiethnic American identity.

By the late-1980s, the ex-senator was a spokesman for U.S. English, an advocacy group. COURTESY OF HAYAKAWA FAMILY ARCHIVE

In the late 1980s, I received a phone call from him and, sounding as though we’d played poker just the night before, he said, “Gerry, would you and Jan like to join Marge and me for lunch next Wednesday? I have something I’d like to discuss with you.” I was surprised, but also intrigued, so we accepted, and enjoyed a “reunion” meal. He asked if I’d like to collaborate with him on a new edition of Language in Thought and Action, but I had to defer because I was at work on a book on the Central Valley. Nevertheless, that lunch reestablished our relationship.

In 1991, I was reading from a new collection of stories at The Depot Bookstore and Café in Mill Valley when I noticed the Hayakawas slip into the back of the room, Don pulling a portable oxygen tank. Following the festivities and with two of my old SFSC professors, Thurston Womack and John Dennis, who had been strikers at San Francisco State, I greeted Don and Marge. That led to an invitation to their nearby home for a drink, which we three accepted.

Once there, though, Womack was startled when Don, who was clearly failing, looked up and asked, “Who are you, again?” Thurston, once Hayakawa’s commute partner, identified himself, and then Don said, “Thurston, do you know I wasted six years of my life in the United States Senate?” That was the last time we three ever saw him.

S.I. “Don” Hayakawa was undone by a combination of his own limitations and by events beyond his control. He had a kind of hubris; his son Alan said S.I.H. could never understand why everyone didn’t agree with him if he was given a chance to explain his position. He also put all his eggs in the general semantics basket, and they ended up broken due to lack of acceptance in the academic mainstream. The success of his first book made him famous but limited his academic options, and his term in the Senate revealed flaws that bordered on caricature. Nevertheless, the sum of his accomplishments marks him as memorable; exactly how he’ll be remembered in the long run may depend on which version of his life one cares to believe.

Notes

1. Written in “‘Farewell to Manzanar: An unorthodox view of the World War II internment of Japanese-Americans,” TV Guide, 6 March 1976, 13.

2. Including the resignation of President Bob Smith.

3. Apparent capitulations at schools such as Columbia, UC Berkeley, SUNY, etc., were creating a negative image of administrators and faculty alike. Herb Wilner and Leo Litwak, both pro-strike professors at SFSC, acknowledged that “it was a revelation to discover that we were among the bad guys, damned by eighty percent of the public … .”

4. SIH’s father had offices in Japan and Canada. He kept a mistress in Japan, and his wife in Canada found out, so she took her two young daughters to Japan to confront him, leaving the boys (who were barely able to speak Japanese). The senior Hayakawas remained in Japan thereafter.

5. The 1930s were a period of growing anti-Japanese sentiment in the United States and Canada as Nippon became ever more aggressive: 1931—occupied Manchuria; 1933—withdrew from League of Nations; 1937—invaded China (Rape of Nanking followed); 1940—invaded French Indo-China.

6. Even two FOIA requests (one supported by the ACLU, the other by Representative Lynn Woolsey) could not force the US Department of Justice to open its files on Hayakawa. His kin, friends, and old neighbors reported that he had been called names, especially after he wrote a devastating critique of arch-conservative Superintendent of Schools Max Rafferty. He was also identified with Friends of KPFA, the co-op movement, and racial integration. This author personally heard him called “comsymp,” “parlor pink,” “pinko,” and other epithets in the late 1950s and 1960s.

Reviews

Checking In

by Michael Ziser

From Boom Winter 2011, Vol. 1, No. 4

Karen Tei Yamashita’s I Hotel
Coffee House Press (Minneapolis, 2010)

Many members of this year’s multiethnic college-freshman class were born in 1993, the year before Newt Gingrich and John Boehner’s Contract with America, the blueprint for today’s interlinked and seemingly unstoppable abandonment of the public welfare investments of the New Deal, the civil rights achievements of the 1960s, and the sexual revolutions of the 1970s. Even the most precocious and politically aware of these students will likely date their political awakening to sometime during the second term of George W. Bush. They will not be able to vote in their first national election until 2012. When they arrive on campus, however, many will encounter syllabi in American culture and politics courses shaped by the culture wars of the 1980s and 1990s, that bitter era of reckoning with the new attitudes toward race, class, gender, and sexuality that bloomed with the coming-of-age of the Baby Boomers. What their older professors regard as existential questions about the validity and utility of the multicultural accommodation forged in those years, today’s freshmen are likely to view as a mystifying archive of arguments with few clear connections to their own historical context of national economic decline, global warfare, and the surveillance state. For them, the New Left might as well be the Wobblies.

Although few would suggest that the new generation should simply get with the Aquarian program, the loss of political and personal memory from one generation to another presents a serious challenge for the fragile American tradition of leftist political dissent, and the gap between the Boomers and Generation Z is one that must be carefully bridged in the few years left before the Boomers retire from public life. This is not a question of persuading freshmen to declare allegiance to the politics of Soul on Ice (Eldridge Cleaver), Sexual Politics (Kate Millet), or The Revolt of the Cockroach People (Oscar Zeta Acosta); rather, it is the more difficult task of freeing them from the flattened and narrowed representations of their parents’ politics as retailed in pop culture while encouraging them to imagine themselves as similarly empowered political agents.

So, despite the evident surplus of superficial and self-congratulatory Boomer memorials to their youthful radicalism, there is still a crucial place for writing that captures both the feel and the historicity of a politically open moment. Karen Tei Yamashita’s I Hotel, in a genre all its own somewhere between historical fiction and creative nonfiction, is an inventive attempt to re-present such an era in a way that is simultaneously heuristic and available to the imaginations of the young.

The historical core of the book comes out of Yamashita’s decade-long research into the rise of multicultural politics, particularly the Asian-American Movement, in the San Francisco Bay Area of the late 1960s and early 1970s, gathered out of various libraries, archives, geographies, and living memories. From that material, Yamashita has produced a sort of roman à clef of the major and minor figures responsible for the consolidation of Asian-American identity and political power from 1968 to 1977. Readers knowledgeable about the place and time will easily recognize many of the figures thinly disguised behind her pseudonymous and composite characters (Ling-chi Wang, Takeo Terada, Florence Hongo, Richard Aoki, Mo Nishida, S.I. Hayakawa, and dozens of others) as well as actual events (the student protests at San Francisco State, the demolition of the International Hotel, the occupation of Alcatraz, etc.). Those for whom this history is new will be drawn toward traditional historiography of the period (Erika Lee and Linda Yung’s Angel Island; Michael Liu, Kim Geron, and Tracy Lai’s The Snake Dance of Asian American Activism; and Estella Habal’s San Francisco’s International Hotel would make a great trio of background reading).

Reminiscent of her two previous historically-based works about Japanese diaspora communities in Brazil, Brazil-Maru (1993) and the Circle K Cycles (2001), I Hotel naturally lacks the zanier plot elements of Yamashita’s early magical-realist novels, Through the Arc of the Rainforest (1990) and Tropic of Orange (1997)—no mysterious plastic substances, trialectics, or portable latitude lines here! What I Hotel lacks in the fantastic, however, it more than recoups through its unorthodox form. Composed of ten independent but interlinked novellas, one for each year from 1968 to 1977, I Hotel tells its story through an astonishing variety of technical means, ranging from first-person narration to screenplay to graphic novel (the last achieved with the aid of illustrators Leland Wong and Sina Grace). The multitude of perspectives may preclude the deep psychological insights readers sometime expect from novels, but on the other hand it is not difficult to read I Hotel as a radical form of autobiography (Yamashita was born in Oakland) limning the rooming-house consciousness of the author herself.

Rather than try to locate a single dramatic narrative that condenses the entire experience of the time, as less venturesome novelists might, Yamashita opts to tell ten distinct but overlapping narratives, each involving three different main characters and each told from differing narrative points-of-view, with subchapters delivered in different styles ranging from first-person limited to teleplay script to surveillance file. Each section is primarily set in its given year, beginning with the 1968 tale of a Chinese young man, Paul Lin, whose father has died and left him to inherit the seemingly irreconcilable traditions of San Francisco’s Chinatown and the Bohemian intellectual and political scene coming to prominence in the 1960s. As it turns out—in both Yamashita’s narrative and in the history upon which it is based—the cultures of Portsmouth Square and Sproul Plaza are not so incommensurable after all. This Paul learns when he meets Chen Wen-guang, a Chinese ex-pat professor of Chinese literature at San Francisco State University (then State College). The professor serves as a connection between the young Paul and many of his fellow SCSF students (Edmund Lee and Judy Eng most prominently) and as a link to the radical politics of the 1940s. (After being expelled from the United States for his connections to Communism, Chen headed to China to fight alongside Zhou Enlai during the early Chinese revolution; in the 1960s he remains, despite small misgivings, committed to Maoism). His political experience makes him a natural mentor for students caught up in their own smaller moment of rebellion, and it opens Yamashita’s novel to the broad back-story of the Chinese diaspora in California and its complicated transnational status.

But Yamashita well understands that her story must embrace ideologies outside the Left and Asian-American ethnicities beyond the Chinese. In the first chapter, the complexity of the moment is expressed through the figure of S.I. Hayakawa, the semanticist and traditional Republican Japanese-Canadian-American president of San Francisco State. His crackdown on student protesters, including the infamous incident in which he literally pulled the plug on a student PA system, helped propel him to a single, troubled term in the United States Senate on a wave of the same antiradical and antistudent sentiment that made Ronald Reagan into a nationally recognized conservative leader. He too is a part of the story of Asian California, albeit ultimately a marginal one.

In later chapters, Yamashita goes on to explore the Japan-Town Collective, a radical San Francisco community organization, and the Third-World Liberation Front, a Berkeley student group advocating curricular changes in support of the world’s indigenous peoples. For 1970, we are thrown into the International Hotel of the title, an aging single-room occupancy hotel (at the edge of San Francisco’s old Manilatown and Chinatown) catering mainly to aged Filipino farmworkers and dockworkers. Slated for demolition by its Japanese conglomerate owner to make way for the construction of the massive highrises that now house the firms of the Financial District, it becomes a squat and an important mixing place for Yellow Power and Black Panther radicals. Later chapters range from a highly experimental meditation on the enmity between the twin origins of contemporary Asian American literature, Maxine Hong Kingston and Frank Chin; the connection between the organized Filipino Left and the budding Mexican farmworkers movement; the Native American occupation of Alcatraz; the advance guard of Vietnamese refugees; the Coit Tower murals painted by a Nisei Communist who was for a time the roommate of Paul Lin’s father; and an uproarious pig-roasting contest between Filipino and Pacific Islander cooks.

The novel ends with the forcible eviction of the International Hotel residents and activists and the leveling of the building itself. By this point, the symbolic significance of the hotel is clear: it serves as the crucible in which the many varied traditions of Asian immigrants were temporarily united in defense of the poorest among them. As one activist with a strong sense of the novelty of the “Asian-American” identity produced in that moment remarks: “Goes to show, you can weld anything to anything” (p. 480). Although there is a utopian moment of solidarity, when the I Hotel (wired up with microphones as part of the public protest) becomes a “gigantic organic voice-box of our own making,” Yamashita’s book is equally committed to presenting the shearing and centrifugal forces at work, the divisions and disagreements that remain part of the structure of any particular history and of any individual psyche that emerges from it (p. 580).

And in time we may remember, collecting every little memory, all the bits and pieces, into a larger memory, rebuilding a great layered and labyrinthine, now imagined, international hotel of many rooms, the urban experiment of a homeless community built to house the needs of temporary lives. And for what? To resist death and dementia. To haunt a disappearing landscape. To forever embed this geography with our visions and voices. To kiss the past and you good-bye, leaving the indelible spit of our DNA on still moist lips. Sweet. Sour. Salty. Bitter. (p. 605)

Here, as elsewhere in the novel, Yamashita manages to capture the combination of continuity and contingency in the making of cultural and political identities, offering dozens of historical rooms (taken, abandoned, and unclaimed) into which her readers, especially younger ones looking for a way to connect to the political past without being smothered by it, might check the unfinished fragments of their own lives.

Articles

Demise and Ascent

by Todd Holmes

From Boom Winter 2011, Vol. 1, No. 4

The career of Thomas Kuchel and the advent of the Reagan right

Thundering applause pierced the frigid Connecticut air on the evening of February 23, 1965, echoing from the brownstone gothic building that towered on the edge of Yale’s central campus. Inside, Senator Thomas Kuchel addressed a sea of navy blue blazers otherwise known as the Yale Political Union, discussing the state of the Republican Party and the “suicidal tragedy” he deemed Barry Goldwater’s 1964 presidential nomination. “Republicans lost because they did not keep faith with their basic principles,” the senator declared, taking pointed aim at the rising influence of the GOP’s far-right contingent. Characterizing the November election as a “repudiation of a party which … [had] forgotten its heritage,” Kuchel warned that the rightward drift of the party must be stemmed at all costs. “If the grand old Republican Party were to become a shriveled, shrunken, impotent political haven for an anachronistic few, then vast changes, and not for the good, would enter our way of life.”1

Kuchel’s statement presages the significant shifts in the Republican Party since 1965. Not long after his remarks, voices of critique and concern within the GOP became persecuted and then silenced. By the end of the 1960s, a liberal consensus was giving way to the conservative phenomenon known as Reaganism. At the forefront in fighting America’s right turn were traditional Republicans like Kuchel.

In his thirty-two-year political career, Thomas Kuchel was a California Republican in the Hiram Johnson and Earl Warren mold—a progressive who championed reform, responsible government, and a bipartisan politics of moderation. In today’s era of Reagan centennials, Fox News, and Tea Party marches, Republicans like Kuchel stand all too forgotten in the political consciousness of twenty-first century Americans. His 101st birthday this past August offers an opportunity to reflect on both the current Republican Party and the proud progressive tradition of California Republicanism that was fought for and lost amid the rise of Reaganism.

California Congressional Delegation Breakfast, March 23, 1955. Courtesy of the Bancroft Library University of California Berkeley

Born and raised in Anaheim, California, Thomas Kuchel began his Republican political career fresh out of University of Southern California law school at the young age of twenty-six. First elected to represent Orange County in the State Assembly in 1936, Kuchel would continue to climb California’s political ladder, serving as State Senator (1941–1945), State Controller (1946–1953), and finally United States Senator upon Governor Earl Warren’s 1953 appointment. In the Senate, Kuchel wore the progressive stripes of California Republicanism proudly—a stark contrast to the suburban warriors who would later make his home region of Orange County identifiable with the Conservative Right. “Progressive Republicans,” he recalled, “brought to politics the philosophy of governing for the many.” Over the next fifteen years, Kuchel followed this principle by playing key roles in the passage of the Interstate Highway Act, the 1963 Nuclear Test Ban Treaty, the 1964 Civil Rights Act, and the 1965 Voting Rights Act. Leading a “baker’s dozen” of progressive Republicans in the Senate, Kuchel even helped provide the necessary margin for passage of Lyndon Johnson’s Social Security and Medicare programs. As the ranking member of the Senate Interior Committee, he sponsored numerous laws to create and expand wildlife refuges and national parks, including Northern California’s Redwood National Park. Indeed, Kuchel enjoyed strong support in both California and the US Senate. He was the last Senate nominee in California to win all fifty-eight counties and the only senator elected Assistant Minority Leader five consecutive times.2

Kuchel’s brand of progressive Republicanism claimed deep roots in the political soils of California. Contrary to the liberal-Democrat persona often ascribed today, the Republican Party commanded an influential majority in the Golden State for most of the twentieth century, guiding much of California’s development in the areas of industry, education, conservation, and social reform. At the forefront of the state’s GOP stood Hiram Johnson, the two-term governor (1911–1917) and long-time US Senator (1917–1945) for California. Considered one of the founders of American Progressivism, Johnson crafted a type of Republicanism that balanced conservative and liberal ideals, championing responsible economic development and fiscal policy on one hand, and an agenda of social-political reform, conservation, and state funded programs on the other. Just as Johnson created the foundation of California’s Progressive Republicanism, Earl Warren (governor 1943–1953) helped guide it through the Democratic era of Franklin D. Roosevelt and the New Deal. Indeed, Warren continued to champion the balanced politics crafted by Johnson. Yet in the age of Roosevelt, he also pushed to have bipartisan cooperation brought into the fold of the state’s GOP—a moderate political thrust Warren trumpeted as “independent,” “nonpartisan,” and placing “citizenship above partisanship.”3

It was upon this California landscape, and among these influential progressive Republicans, that Thomas Kuchel grew up and cut his political teeth. In his youth, he read both the Congressional and State Legislature records daily to his father, studying the politics of Hiram Johnson as well as adopting his strong independence and calculated style of debate—a style that on the high school debate team helped Kuchel defeat an opponent from Fullerton named Richard Nixon. Under the mentorship of Earl Warren as both state legislator and Controller, Kuchel also learned the art of balanced politics and bipartisan compromise that had long guided California’s GOP majority. To be sure, it was this brand of Republicanism that Kuchel brought to the United States Senate, and others like Dwight Eisenhower sought to adopt on the national level. As Kuchel later defined it in a televised speech, Progressive Republicanism was a “combination of liberal and conservative … conservative in dealing with the people’s money, liberal in dealing with human problems.”4

Thomas Kuchel with Dwight Eisenhower. Courtesy of the Bancroft Library University of California Berkeley

By the early 1960s, however, Thomas Kuchel began to confront what he deemed as an “evil and offensive” danger to both America and the traditional principles of his beloved Republican Party. The menace he fought was neither communists nor the counterculture, but the conservative right and groups like the John Birch Society who threatened the balanced politics of Progressive Republicanism. Charging to the Senate floor in May 1963, Kuchel in his characteristic independence issued one of the first Republican denunciations of right-wing extremism, warning his colleagues to heed the rising “danger of hate and venom, of slander and abuse generated by … [a] handful of zealots, in the ranks of self-styled ‘I am a better American than you are’ organizations.” To Kuchel, these “fear peddlers” of the far right not only “degraded America … [but also] defiled the honorable philosophy of conservatism.” Undoubtedly, far-right corrosion of the GOP stood at the heart of Kuchel’s concern. In a July 1963 letter to Congress, the California senator stressed his intention to defend the traditional principles of the Republican Party from right-wing co-option. “I shall continue to speak out against those who call themselves ‘Republicans’ but who … would change our Grand Old Party from one of constructive reason … into a zany and dangerous voice espousing abolition of the income tax, white supremacy, preventative war, the break-up of NATO, or similar nonsense.”5

Kuchel’s stance in 1963 was a heightened defense of the traditional Republican principles he had advanced since the late 1950s. He had publicly defended his mentor, California Governor-turned-US Chief Justice Earl Warren, against red-baiting slurs and right-wing threats of impeachment, and roundly condemned Birch Society founder Robert Welch for calling President Eisenhower a communist. In the 1962 California gubernatorial race, Kuchel even refused to endorse GOP candidate Richard Nixon due to his rightward stray from the party’s center. Such political abstention, however, reached new heights in 1964. After an unsuccessful attempt to deliver the GOP presidential nomination to fellow moderate Nelson Rockefeller, the California senator shunned conservative nominee Barry Goldwater. Labeling Goldwater’s nomination a “tragic interlude” of “intellectual sterility,” the independent Kuchel premised his silence on the continued defense of traditional Republicanism. “I consider myself the Republican,” he declared. “I consider what Barry Goldwater was saying hardly Republican doctrine.” Kuchel cited similar criteria for his refusal to endorse conservative George Murphy in his successful run for California’s other US Senate seat that same year, underscoring the chasm between party loyalty and Republican principles. In Kuchel’s words, “I never coveted public office enough to become a wholesale hypocrite.”6

By 1966, Kuchel’s fight to protect the Republican Party from far-right corrosion collided head-on with the gubernatorial aspirations of conservative candidate Ronald Reagan. Well financed and directed by a consortium of corporate conservatives, Reagan’s campaign trumpeted a new version of Republicanism—one that spurned the traditional ideal of progressives like Kuchel. It was a corporate conservatism whose tenets of pro-business, antilabor, antireform, and the racial status quo Reagan articulated on a range of issues, from Watts and Open Housing (Proposition 14) to Berkeley and César Chávez’s farmworker movement. Aghast at a Republican candidate he deemed extremist, unqualified, and well outside the GOP mainstream, Kuchel threw his political weight behind San Francisco’s moderate Republican Mayor George Christopher. Upon Reagan’s primary victory, however, the progressive senator touted his Warren-like independence and settled back into the familiar posture of political silence. Kuchel’s refusal to endorse Ronald Reagan’s bid for the California governorship scored national headlines and further placed the thirty-year Republican veteran in the crosshairs of the New Right. Just two months before Reagan announced his candidacy, Kuchel had continued to publicly censure the “so-called Republican groups in California,” characterizing right-wing demands like privatizing Social Security, abrogating the Nuclear Test Ban treaty, and repealing the federal income tax as “far more in keeping with Fascism than Americanism.” Now refusing to support the New Right’s favorite son saddled him with an ultimatum from conservatives and party loyalists alike: “support the party’s nominee in 1966,” one newspaper paraphrased, “or face political extinction in 1968.” Such threats emanated particularly from California GOP chairman Gaylord Parkinson, causing an indignant Kuchel to demand “who the hell is Parkinson” to attempt such “intimidation.” Speaking to reporters two weeks before the election, Kuchel announced that he would take his chances in 1968, affirming he would not under any circumstances endorse Ronald Reagan.7

Thomas Kuchel on television, March 15, 1960. Courtesy of the Bancroft Library University of California Berkeley

Kuchel offered no apologies for his lack of support in the wake of Reagan’s victory. “I called my signals as I saw them,” he told reporters after the election. “No one leads this senator around with a ring through his nose.” Yet, as Kuchel pledged to continue advancing a “forward-looking Republicanism,” the corporate conservatives amassing under the new Reagan Administration in Sacramento held other plans. Labeled the Kitchen Cabinet by the press, the consortium of conservative businessmen backing Ronald Reagan—Holmes Tuttle, Henry Salvatori, A.C. Rubel, Leonard Firestone, and Justin Dart—set out to eliminate, in Reagan’s words, “that damn Tommy Kuchel.” Within a year, Reagan’s backers had propped up conservative Max Rafferty to challenge the incumbent senator, waging a primary campaign that some pundits deemed “vicious” and “far below minimum standards of decent political behavior.” Red-baiting slurs and ferocious fabrications emanated from the Rafferty camp, all propelled by a war chest of over $1 million—an insurmountable sum for Kuchel, who often remarked that his refusal to stomach the pageantry of campaign fundraising was his “Achilles’ heel.” In the face of the conservative onslaught, the senator continued to cling to his political roots. “There are certain elements of the Republican Party who have seen fit to denounce me,” Kuchel wrote one constituent, “but I have no intention of compromising the political principles I have followed for thirty years.” The primary election of June 5, 1968, proved one of California’s darkest days. While gunshots had taken the life of Democrat Robert F. Kennedy, the corporate conservatives had defeated Thomas Kuchel, sounding the death knell of California’s progressive Republicanism. In New York for Kennedy’s funeral days later, an aging Earl Warren embraced his younger protégé, telling Kuchel “I just feel so badly about your defeat. I can’t talk about it.”8

In assessing the impact of Kuchel’s primary loss, the Los Angeles Times observed that California “will suffer from the short-sightedness of those who voted against him.” Indeed, the Times’ words, like the many warnings of Kuchel, have proved prescient. In today’s GOP-fueled landscape, the “fear peddlers” still operate, the corporate interests still dominate, and the moderate, progressive stripe of California Republicanism now only emanates as a historical artifact from the political graveyard. In remembrance of Thomas Kuchel’s 101st birthday, let us pause and reflect on a tradition lost and an honorable public servant who stood as one of the most costly political casualties of Reaganism’s rise.9

Notes

1. “Sen. Kuchel Asks Students to Help Build ‘Viable’ GOP,” Yale Daily News, 24 February 1965, 1; “Chafee, Kuchel, Scott Talk to Students on GOP,” Yale Daily News, 24 February 1965, 1; “The Choice is Yours,” Kuchel Speech at Yale University, 23 February 1965, Political Folder, Box 245, Thomas H. Kuchel Papers, Bancroft Library, University of California, Berkeley.

2. Rep. Stephen Horn, “Honoring A True Public Servant: Senator Thomas Kuchel,” Congressional Record, 107 cong., 10 October 2002, E1856–59; “O.C. Politician and Ex-Senator Kuchel, 84, Dies,” Los Angeles Times, 23 November 1994, 1; “Thomas H. Kuchel Dies at 84,” New York Times, 18; Thomas Henry Kuchel, Biographical Directory of the United States Congress, http://bioguide.congress.gov/scripts/biodisplay.pl?index=K000335 [accessed May 2011]. For more on the far right in Orange County, see Lisa McGirr, Suburban Warriors: The Origins of the New American Right (Princeton, 2001). Kuchel is mentioned only three times in the book.

3. Democrats did not gain a majority in California politics until 1959. See Olin, Spencer. California’s Prodigal Sons: Hiram Johnson and the Progressives, 1911–1917 (Berkeley, 1968); William Deverell and Tom Sitton, eds., California Progressivism Revisited (Berkeley, 1994), especially Jackson Putnam, “The Progressive Legacy in California,” 247–63. Warren for Governor Non-Partisan Committee memo, 20 July 1942; Warren Campaign Ad, 1942, 1942 Gubernatorial Campaign F3640:443; Warren Reelection Announcement, 15 March 1946, 1946 Gubernatorial Campaign Files F3640:572, Earl Warren Papers, California State Archives.

4. “Thomas Kuchel—Class of 1928” Anaheim High School Alumni Association, http://www.anaheimcolonists.com/hall-of-fame/2009-inductees/thomas-kuchel [accessed 22 July 2011]; “O.C. Politician and Ex-Senator Kuchel, 84, Dies,” Los Angeles Times, 23 November 1994, 1; Stephen Cummings and Patrick Reddy, California After Arnold (New York, 2009), 64; Thomas Kuchel 1968 speech, NBC Television, http://www.nbcuniversalarchives.com/nbcuni/clip/5110206AA2082_035.do [accessed 22 July 2011].

5.Thomas Kuchel, “Fright Peddlers,” Congressional Record, 88 cong., 2 May 1963, 7636–42; Kuchel Letter to Congress, 29 July 1963, Political Folder, Box 245, Kuchel Papers.

6.”O.C. Politician and Ex-Senator Kuchel, 84, Dies,” Los Angeles Times, 23 November 1994, 1; “Chafee, Kuchel, Scott Talk to Students on GOP,” Yale Daily News, 24 February 1965, 1; “Who’s the Republican Extremist?” Riverside Press, Goldwater File, Box 262, Kuchel Papers.

7. “Republicans Warn Kuchel to Support Reagan,” Houston Tribune, 23 June 1966, GOP 1966 Folder, Box 262; “Kuchel Letter to Republicans,” 6 October 1965, Political Folder, Box 242, Kuchel Papers; “Sen. Kuchel Out on Limb in California,” Boston Globe, 17 July 1966, A5; “Angry Kuchel Assails State GOP Chairman,” Los Angeles Times, 4 June 1966, 4; “Kuchel, Will Not Aid Reagan,” New York Times, 25 October 1966, 22; “UPI Release,” 25 October 1966, Reagan Folder, Box 263, Kuchel Papers.

8. “Reagan Non-Support Upheld by Kuchel,” Baltimore Sun, 2 December 1966, A7; “Kuchel Indicates He’ll Ignore Critics,” Los Angeles Times, 2 December 1966, 3; “Dump Kuchel Plan by Reaganites,” Sacramento Bee, 21 September 1966, Reagan Folder, Box 263, Kuchel Papers; “Reagan to Goldwater,” 11 November 1966, Folder 5-Reagan, Box 18, Barry Goldwater Papers, Arizona Historical Society, Tempe, AZ; “Tom Moore Political Analysis,” 21 August 1968, Kreps Folder, Box 515, Alan Cranston Papers, Bancroft Library, University of California, Berkeley; “Rafferty Lists Election Spending of $1 Million,” Los Angeles Times, 10 July 1968, 27; “Kuchel to Rosenberg, 29 February 1968, Campaign ’68 “R”, Box 271, Kuchel Papers; “O.C. Politician and Ex-Senator Kuchel, 84, Dies,” Los Angeles Times, 23 November 1994, 1.

9. “Sen. Kuchel: A Loss for California,” Los Angeles Times, 7 October 1968, A4.

Articles

King of the Road

by Chris Carlsson

From Boom Fall 2011, Vol. 1, No. 3

A movement founder explains the deep roots of Critical Mass

“If the increase continues, the time is not very distant when not to own and ride a bicycle will be a confession that one is not able-bodied, is exceptionally awkward, or is hopelessly belated.”

“The Bicycle Festival,” New York Times, July 13, 1895

boom_contestedground4

California is world-famous as the home of car culture, the place that gave birth to freeways, cruising, hot rods, and the whole mash-up of beaches, girls, convertibles, and teenage fun. That’s one story and it has some truth to it, but it’s a story of the twentieth century. The successful marketing of this image in films and literature—branding California as a car-obsessed state in which life unfolds mostly behind the wheel—has profoundly shaped the aspirations of people around the world. But it has also obscured another story that both precedes and succeeds the rise of the private automobile—the bicycle.

Given the rising tide of climate chaos rooted in fossil fuel combustion, it’s urgent that we tell ourselves other stories about our lives here in the Golden State. Such stories can point us toward viable alternatives that, coincidentally, are well-rooted in the state’s own history.

In September 1992, after months of tentative and speculative conversation about bicycling and politics among a couple of dozen friends (only a year and a half after the bombastic but fragile New World Order emerged in the first Gulf War), the first Critical Mass took place in San Francisco. I was one of those first forty-eight riders and had been intimately involved in the informal discussions that gave rise to it. The first ride didn’t yet have the name; they called it “Commute Clot.” Two months later, the more compelling “Critical Mass,” taken from a casual description of Chinese traffic patterns in Ted White’s documentary “Return of the Scorcher,” was adopted. The ride began with a simple goal: to fill the streets with bikes so completely that they would displace cars, and in so doing would create a new kind of mobile, temporary public space. The obvious irony of the concept lay in the fact that the streets of our cities are the closest thing we have to a genuine public space, but they are so dominated by the parking and movement of private automobiles that the use of the space is predetermined and markedly antisocial.

Nineteenth-Century Bicycling
The second bicycling club nationally and the first on the west coast was the San Francisco Bicycle Club, founded on December 13, 1876. The club petitioned the Park Commission for permission to ride their new-fangled devices in Golden Gate Park. The park commissioners, overcoming their astonishment that there was actually a club for wheelmen, allowed them to “enter Golden Gate Park at the Stanyan Street entrance to the South Drive before 7 A.M. only.” Intensive self-policing kept the wheelmen within the bounds of the variance, and before too long the “privileges were extended.”1 But it was in the next decade that bicycling began its precipitous takeoff. In the words of one contemporary:

The first competition for the SF Bicycle Club was “The Bay City Wheelmen,” founded in 1884. It raised enthusiasm to the highest pitch. Each man was eager to find opportunities for the keenest rivalry, for the honor of his club was at stake, and in those days wheeling was a clean sport. Sport for the true love of sport. There were none of the sordid motives which follow in the train of professionalism. To become a professional was to place one’s self outside of the social pale.2

The mass of nineteenth-century cyclists in San Francisco were not narrowly focused on bicycling alone. They became the backbone of a broad movement for improved streets and “Good Roads.” On July 25, 1896, thousands of cyclists filled the streets in the largest demonstration seen in the city’s history. In that century’s last decade, San Francisco was a muddy, dirty town, long past its glory years as a boomtown, but still one of the ten largest cities in the United States. The streets were full of horseshit, and between the ubiquitous cable car slots and the tangled web of streetcar rails, pedestrians and bicyclists had a hazardous course to traverse en route to their destinations. After months of organizing among the thriving bicycling clubs of the city, a huge parade was organized that drew as many as 100,000 spectators. Hank Chapot re-creates the scene:

“A five-year wheelman named McGuire, speaking for the South Side Improvement Club stated: ‘The purpose for the march is three-fold; to show our strength, to celebrate the paving of Folsom Street and to protest against the conditions of San Francisco pavement in general and of Market Street in particular. If the united press of this city decides that Market Street must be repaved, it will be done in a year.’ Asked if southsiders were offended that the grandstand would be north of Market, McGuire exclaimed, ‘Offended! No! We want the north side to be waked up. We south of Market folks are lively enough, but you people over the line are deader than Pharaoh!'”3

The movement for Good Roads would dovetail with the early progressive efforts to recalibrate government to provide services to the citizenry. After decades of parsimonious government expenditures in a climate that eschewed taxation in favor of privatization through franchises to provide public benefits (water, electricity, telephones, streetcars, etc.), new political actors in the 1890s turned against the big corporations and trusts. San Francisco politicians embraced the bicyclists’ demand for Good Roads along with a growing interest in public water, electricity, and transportation.

Meanwhile, in Southern California, an elegant bikeway was built along the Arroyo Seco corridor north of the Los Angeles River in 1900. It was the keystone of a plan to link Los Angeles and Pasadena with an eight-mile “great transit artery.” Pasadena Mayor Horace Dobbins dedicated public funds to an elevated, multilane, wooden cycleway, including streetlights and gazebo turnouts. The fifteen-cent toll didn’t dissuade hundreds of cyclists who showed up to the opening, going on to ride through a beautiful pre-urban Los Angeles landscape. More than 20 percent of the population were already regular bikers in 1900, and of course the weather was ideal. Cycleways were going to crisscross the area and provide a stylish and modern system for personal transport.4

As the twentieth century unfolded, the automobile rushed into the picture. Within a few years, bikeway expansion was scrapped and even the Arroyo Seco Cycleway was soon turned into a motorway (now better known as the Pasadena Freeway). As thousands of Californians became motorists, patterns of city life began to change. The chaotic crisscrossing of pedestrians, horses and horse-drawn wagons, streetcars, cable cars, and steam railroads, already joined by increasing numbers of bicyclists, now saw an influx of private automobiles.

The crowded, diseased, and dangerous streets of the nineteenth century were an additional motivation for progressive leaders who sought to ameliorate these conditions through efficient city planning, then a new discipline. As city centers choked with traffic congestion and automobile injuries and deaths soared, a struggle to reshape city streets took place. Police and parents wanted to control speeds to promote safety. Highway engineers wanted to widen and streamline city streets to promote through traffic at higher speeds. Auto companies promoted the “freedom of the open road” and claimed that street improvements must properly be directed to bettering driving conditions, since most of the money for road building and maintenance was derived from gasoline taxes. Bicycles and pedestrians were the obvious losers in this era as highway engineers—reinforced by auto industry propaganda—focused on widening streets, increasing parking, and creating parkways and highways (later freeways), while society subtly shifted the blame for car-related fatalities to careless pedestrians and cyclists, or individual bad drivers.5

In the late 1960s, after decades of car ascendancy, with the bicycle reduced in popular imagination to a children’s toy or an obscure sport, the bicycle began to assume its modern significance. An early breakthrough came in the bucolic university town of Davis, California, where in 1965 five locals formed a vaguely named “Bicycle Safety Committee” to save the imperiled cycling community. Davis was growing by 10 percent a year, and bicyclists were diminishing as the population was growing. The committee mapped a bike lane system for Davis, and after being thwarted by a hostile City Council managed to elect a pro-bicycling Council in 1966. Davis’s reputation as California’s best-known cycling town dates from that time, when local government gave a green light to a new network of bike lanes. Interestingly, during the first few years of trial and error, a separated bike lane between parked cars and the sidewalk was tried and discarded as unsafe, a system that has been successfully implemented in Copenhagen, Berlin, Amsterdam, and other European cities.6

A few years later, in 1969, hundreds of cyclists gathered in the first “Smog-Free Locomotion Day” demonstration on Telegraph Avenue in Berkeley. For the next few years, this ecological protest bike ride rolled through the East Bay before sputtering out in the wake of the first oil crisis and the slow unraveling of the protest era.

In the 1980s, bicycle activism hit a low ebb until the end of the decade when San Francisco bike messengers organized a mass ride to encircle City Hall. The messengers were protesting the mayor and police threats to crack down on scofflaw messengers and force them to register and become licensed. The protest succeeded, and the plans to license messengers were abandoned. In 1990 a new group, Bay Area Bike Action, organized a bike ride through Golden Gate Park to advocate for a “park, not a parking lot!” During the first Gulf War in 1991, dozens of cyclists appeared at the periphery of large antiwar demonstrations in the city and pioneered a role for themselves as scouts, rolling ahead of marchers to see where police might be waiting for them. Finally, a group of fifty cyclists rode together from Santa Cruz to San Francisco during this same period, protesting the invasion of Kuwait and the bombing of Iraq.

Critical Mass Is Born in San Francisco, 1992
From these many threads through time, the first Critical Mass rode in San Francisco in September, 1992. While few of the first riders, if any, knew of their complicated legacy, they were resuming an honorable, century-old tradition of combining bicycling with politics. The several dozen Critical Mass initiators had different tastes, ideas, politics, and experiences. Some of us had been active in ecological efforts, others in antiwar and antinuclear campaigns of the 1970s and 1980s, a few were bike messengers, while others still were people who simply chose bikes as their preferred transportation. We made no effort to arrive at a consensus explanation for our action, but hoped that in the space we planned to open, many ideas could flourish and many purposes find their expression. We all agreed that the maltreatment and second-class citizenship we suffered as isolated everyday cyclists deserved a robust response; and if nothing else, by gathering and riding en masse, we would make our presence felt as it hadn’t been felt before.

It was obvious that if any formal organization took responsibility for the event, city authorities would most likely insist they have a permit and probably liability insurance, so we proceeded anonymously. We chose not to approach the police or the local government, defining the gathering as “an organized coincidence.” That proved to be a fortuitous decision, since no one could be held personally responsible for the gathering of dozens, then hundreds, and eventually thousands of citizens, all determined to use the public thoroughfares to “ride home together,” paralleling the utterly banal and normalized traffic jams that clogged the streets every day with cars. The slogan that emerged after awhile was “We aren’t blocking traffic, we ARE traffic!” (This also became the title of Ted White’s 1998 documentary on Critical Mass.7) Moreover, since no individual or organization “owned” the ride, it was easy for anyone to feel it was theirs as much as anyone else’s.

What none of us could know in that dry autumn and winter of 1992–1993, as the police took no notice of us and our numbers swelled toward a couple hundred riders by February, was that the idea had become a classic meme, spreading from person to person through phone calls, through letters, through visitors who rode with us and took the idea back to their hometowns. (A Polish expat in San Francisco told his old friends in Poznan, Poland, who may have had the first ride in Europe.) About eight of us put together a small pamphlet, “How to Make a Critical Mass,”8 which we sent out to anyone who requested it, only a couple of dozen by the end of 1993.

Coincidentally, 1993 was also the year that the World Wide Web began to have a real presence in our lives, especially in San Francisco, so email, listserv discussions, and eventually websites began to proliferate. Other Critical Mass rides were started across the bay in Berkeley; in New York; in Austin, Texas; Madison, Wisconsin; Portland, Oregon; and Montreal. The idea began to snowball that year, and people in dozens of other cities and towns started their own Critical Mass rides. They all followed similar ideas to the ones that animated our San Francisco ride from the beginning: no leaders, ideas communicated by way of “xerocracy” (using ubiquitous photo-copying machines, anyone could put their ideas out on a flyer and have influence over the culture and experience of the local ride); sticking together in dense masses of bikes, even if it meant running red lights, for it was safer to stick together than to get spread out and mixed with autos; “corking” side traffic by having one or a few cyclists stop in front of rows of cars to prevent them from encroaching on the Mass; and so on.

In time, dozens of major cities around the world would have Critical Mass bike rides, from Rome and Milan in Italy (along with twenty other cities), to London (and two dozen other United Kingdom locales), Chicago, Los Angeles, San Diego, São Paulo, Toronto, Vancouver, Budapest, Berlin, Sydney, Melbourne, Paris, Lyon, Madrid, Barcelona, Mexico City, Guadalajara, Quito, Santiago, and many more. Each city’s ride took some of the wider concept and made it their own, adapting as needed to local conditions. Some were tightly organized, others less so. Chicago contributed the “bike lift” to the culture, which was later best demonstrated in a Budapest ride of over 40,000 cyclists, all holding their bicycles aloft while cheering wildly. (Budapest had a recent history as a heavily policed “Communist” city; therefore, organizers chose to negotiate with the authorities rather than risk a violent confrontation and decided to hold Critical Mass rides only at the end of April and September, twice a year. This has led them to hold the record for most riders, recently topping 50,000.)

Everyday Bicycling Returns
Critical Mass was, and is, just a starting point. It’s a place where people meet and further projects begin to find adherents, often but not only bicycle-related. In the last decade, dozens of bike “zines” have been published (Mudflap, Bike Love, Chainbreaker, Sin on Wheels, Mercury Rising, to name a few). Lately such quality periodicals as Boneshaker magazine from Bristol, England, Bike Monkey from Santa Rosa, California, Dandyhorse from Toronto, and Momentum from Vancouver, Canada, have given the new bicycling culture aesthetically beautiful, editorially thoughtful media of its own.

Do-it-yourself bike shops, anchored by volunteer labor, have proliferated, too. In Los Angeles, the triumvirate of the Bike Kitchen, the Bike Oven, and the Bikerowave, has helped thousands of Angelenos become daily cyclists. Most recently, the Los Angeles Bicycle Coalition helped spawn La Bici Digna, a do-it-yourself bikeshop for Spanish-speaking day laborers in metropolitan Los Angeles. Similar kinds of efforts are running in San Francisco, Toronto, Chicago, and New York, and they have really taken off in Italy, where they’re called “ciclofficine,” and have found ready homes in the network of squatted social centers around the country (Rome alone has at least six such spaces, providing tools and spare parts to all comers to fix—or make—their own bikes). Another half-dozen free bike spaces have emerged in squatted buildings in Madrid.

In recent years, other kinds of rides have also begun, sometimes as deliberate efforts to start social bike rides that don’t have Critical Mass’s anarchistic reputation. This reputation, proliferated by the mass media, is sometimes deserved: a San Diego Critical Mass on Black Friday 2010 rode into a mall and through the aisles of a Target store. Midnight Ridazz in Los Angeles attracts huge crowds of middle-of-the-night riders. A San Jose Bike Party, designed to be law-abiding and respectful while fun and social too, started only a couple of years ago and is attracting thousands of riders to its monthly 8:00 P.M. rides through various Silicon Valley burgs. The East Bay and San Francisco have inaugurated Bike Party rides, in 2010 and 2011 respectively.

In the wake of all this social riding, formal advocacy groups are gaining political power. The San Francisco Bicycle Coalition, with its couple of dozen volunteers and occasional meetings in restaurants, is now 12,000 dues-paying members strong, and considered by most to be a serious political force in local politics. Similar advocacy groups in Marin County, the East Bay, Silicon Valley, and Los Angeles, with more modest memberships, have grown in influence during the past decade. Bicycle boulevards and traffic-calmed streets have been established throughout Berkeley and Davis, and are beginning to get attention from larger cities too, including LA and SF. A long-abandoned railroad tunnel linking Mill Valley to Corte Madera has just been refurbished and opened to bicyclists in Marin County.

Riding alongside mainstream groups are many other activists and initiatives, from CicLAvia in Los Angeles to the Bikes on Board campaign on Caltrain along the San Mateo peninsula, and the new Sunday Streets program in San Francisco. Less than a decade ago Bogotá, Colombia, established Sunday street closures, which have spread to dozens of major cities in South America and are now being adopted in San Francisco, too. Bikeshare programs are also being started. From the well-known Vélib program in Paris to similar bike shares in Copenhagen, Milan, London, and other European centers, the idea has taken hold in Mexico City and is slated to open in San Francisco soon.

Critical Mass captures a larger moment in history, a time when great numbers of people are searching for ways to make personal and political changes in their everyday lives in response to the multiple crises of energy, ecology, economy, and general anomie. Bursting on the scene in cities across the world over the past nearly twenty years, reinvented again and again by dozens of people in widely divergent geographic areas, Critical Mass emerges from a commonality of experience and resonates with popular imagination in a surprisingly wide range of cultures and languages. Dozens of other organizations and initiatives have been launched, sometimes directly from the milieu of Critical Mass cyclists, other times merely as further independent manifestations of the same shifting cultural zeitgeist of which Critical Mass is such a bright signifier. At its simplest level, Critical Mass has led untold numbers of people to abandon their former commute patterns and embrace the bicycle as their everyday transportation. I’ve heard hundreds of anecdotal accounts over the years, from San Francisco to New York, Rome to São Paulo, of people becoming regular bicyclists after trying it first in Critical Mass. But if Critical Mass seems to be a starting point, it’s vital to remember the great antecedents that took place long before anyone riding now was even alive.

“When you have attained a proficiency which enables you to take out your handkerchief, wipe your nose and replace the mouchoir in your pocket without slackening your pace, you have fairly graduated … For fun there is nothing like cycling, and before many years two or three family wheels will be as much a part of the ménage as the modern range and sewing machine are now.”

San Francisco Chronicle, 1896

The bicycle is the personal vehicle of the twenty-first century. It is an antidote to oil wars, carbon emissions, the obesity epidemic, and tens of thousands of annual highway fatalities. Bicycling puts us into the life of our streets and connects us to friends, neighbors, and strangers in ways that the car culture has blocked for so long. Thousands of Californians have chosen the bicycle, and millions more will as we alter our urban landscapes to welcome and facilitate that choice. Citywide and intercity systems of dedicated bikeways are long overdue. Imagine how many more people would ride if there were safe thoroughfares to make bicycling the most pleasant and direct way to get from anywhere in the city to anywhere else—point A to point B, smelling the flowers, the clean air, hearing the birds, and enjoying your friends and neighbors. Why not?

Notes

1. Ida L. Howard, “When San Francisco Was Teaching America to Ride a Bicycle,” San Francisco Chronicle, 26 February 1905.

2. Ibid.

3. Hank Chapot, “The Great San Francisco Bicycle Protest of 1896,” Processed World 2.001. http://www.archive.org/stream/processedworld2001proc#page/64/mode/2up. Accessed 11 December 2010.

4. http://www.sierraclub.org/sierra/200803/bikeway.asp.

5. Jane Holtz Kay, Asphalt Nation: How the Automobile Took Over America and How We Can Take It Back (Berkeley: University of California Press, 1997), 148–164.

6. Dale Lott, “How our bike lanes were born,” http://www.runmuki.com/paul/writing/lottarticle.html. Accessed 31 March 2011.

7. http://www.tedwhitegreenlight.com/critical_mass_film.htm.

8. This document appears in the appendix of the book Critical Mass: Bicycling’s Defiant Celebration, ed. Chris Carlsson (Oakland CA: AK Press, 2002) and is available online at two or three websites.

Excerpts

Anti-Democracy in California

boom_analyses

From Boom Fall 2011, Vol. 1, No. 3

October 8, 1911 New York Times Editorial

In 1911, the state of California amended its constitution to create the ballot initiative, the referendum, and the recall. In response, the New York Times published the following, remarkably prescient warning.

We have received the official statement of questions submitted to the people of California in connection with the recent special election, setting forth the amendments to the Constitution to be then voted upon, together with arguments pro and con. The statement is in more senses than one monstrous. It is printed in small and nearly unreadable type on both sides of an immense sheet, the reading matter covering in all twelve square feet. The amendments are twenty-three in number. Four of them are really important—woman suffrage, the initiative, the referendum, and the recall. Most of them are not fit for constitutional enactment at all, but should be within the scope of the powers of the Legislature.

The number, complexity, and minuteness of the propositions submitted to the popular vote make it physically impossible that the ordinary voter shall understand their nature and effect or the actual consequences of his own act. And the process of confusing and practically paralyzing the faculty of discretion and discrimination in the mind of the voter is, of course, a continuous and cumulative one. The multitudinous changes in the “fundamental” law wrought at one election invite and, indeed compel, further changes, correcting the mistakes made, or adding to them. Consistency, stability, and continuity are simply impracticable under this process. The rights and interests of the community are involved in a perpetual flux. Human experience has shown that certainty, simplicity, clarity, and reasonable uniformity are the prime safeguards of justice and reason in the making and in the application of the laws affecting the public. These cannot be had in a State where the Constitution is made to meddle with details innumerable and where its provisions are subject to the passing whims of popular feeling and opinion.

This new method of handling the basic law of the State is advocated in the name of democracy. In reality it is utterly and hopelessly undemocratic. While pretending to give greater rights to the voters, it deprives them of the opportunity effectively and intelligently to use their powers. They receive the right to vote much oftener and on a larger number of matters than before, but the number and variety of the votes they are called on to cast does away with all chance of really using sense and discretion as to all of them. The new method is proposed as a check on the machines. But the strength of the machines lies in the inattention and indifference of the voters, and the voters are sure in the long run to be more inattentive and indifferent in proportion to the number of the questions forced upon them at one time. When the machine managers get familiar with the working of the new method, they will work it for their own ends far more readily than they work the present method. The average voter, muddled and puzzled and tired by the impossible task of really understanding and deciding on a mass of matters, will give it up, and then the politicians will get in their fine work.

The remedy for the undoubted evils of machine politics is not in multiplying, confusing, and making more troublesome the duties of the voter, but in simplifying and restricting them and making the discharge of each of them more effective. So long as we make our political business so difficult that common men cannot, will not, and ought not to give to it the time and labor absolutely needed for success in it, so long there will be professionals to attend to it. It would be as easy to run the business of a big railway by leaving every detail of its management to a vote of the shareholders as it will be to run the business of a State under the new system. And the results in the latter case will be as mischievous as those in the former would be sure to be.

Reviews

Framing Farm Labor

by Michael Ziser

From Boom Fall 2011, Vol. 1, No. 3

Coming into focus

Richard Steven Street, Everyone Had Cameras: Photography and Farmworkers in California, 1850–2000 (Minneapolis: University of Minnesota Press, 2008).

Jan Goggans, California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative (Berkeley: University of California Press, 2010).

Rick Nahmias, The Migrant Project: Contemporary California Farm Workers (Albuquerque: University of New Mexico Press, 2008).

We are all familiar with California’s privileged relationship to the visual technologies that captured the twentieth century—photography, film, television—but less well-known is the fact that during the same period the state was at the vanguard in the production of equally influential forms of invisibility. As large landholdings were snatched up by wealthy and often absentee owners in the late nineteenth century, California’s agricultural sector became a key site in the broader American shift from reliance on relatively small resident farmers to the post-Civil War reconfiguration of farmwork into a form of wage labor paid by distant corporate owners of land and equipment. The corporate ownership/wage labor model has come to dominate our agricultural landscape so thoroughly that most middle-class Californians today have no personal experience of agricultural labor, regarding it (if at all) as something outdated and alien. Indeed, farmwork is now largely performed by “aliens,” migrants from Mexico and Central America who speak languages other than English and carry Latino cultural traditions.

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Chronically impoverished, politically disenfranchised, and largely excluded from the dominant culture, California fieldworkers in the nineteenth and twentieth centuries—historically hailing from China, the Philippines, India, and Japan, as well as Latin America—found themselves in the curious position of living and laboring unseen at the very epicenter of what another immigrant, Theodor Adorno, famously described as “the culture industry.” In the unprecedented concentration of technological and human resources dedicated to producing and distributing visual images, there was a powerful tension between farmworkers’ material presence and their social absence. Still photography, which emerged just as California agriculture was getting established, was particularly well-suited to capturing this paradox, and the long, mostly underground tradition of photojournalism in California’s agricultural interior is a prime study in the relationship between politics and aesthetics.

The three books reviewed here all focus on the century-plus tradition of documentary and artistic photography centered on farm labor to explore its role in the history of professed American ideals like shared economic prosperity and the democratic mediation of cultural difference. Richard Steven Street’s Everyone Had Cameras is a historically comprehensive survey of visual records of farmworkers over the past 150 years; Jan Goggans’s California on the Breadlines pursues a narrower and deeper engagement with the most effective photojournalist in that tradition, Dorothea Lange, and her economist husband, Paul Taylor; and Rick Nahmias’s The Migrant Project exemplifies the ongoing personal and political value of taking a camera out among the furrows.

Street’s Everyone Had Cameras is the comprehensive history of the subject, and it is difficult to imagine it ever being superseded. Street has devoted more than thirty years to the history and continued chronicling of farmworkers in California, and his long immersion in the subject shows in the astonishing level of historical detail and analytical good judgment he brings to this crowning work. Richly illustrated with 149 photos, Street’s book spans the entire post-contact history of California. Opening with a discussion of Spanish painters such as Padre Ignacio Tirsch and José Cardero, who recorded distant images of native Californian field hands laboring at coastal missions in the mid-1700s, Street moves on to the drawings produced by American military artists from the 1830s forward. Those panoramic images are geographic and documentary in intent, aiming to inform distant audiences of the geology, people, and agricultural practices of what was then an isolated outpost of European civilization. When photography first came to California, its application was limited to portraiture by the heaviness and delicacy of the equipment and the long exposure times required. During this period, Euro-American (and occasionally Native Californian) farmworkers on trips into town sat for their portraits in one of the studios to be found in every city of size, purchasing prints in the form of small cartes de visite or slightly larger cabinet cards.

As technological changes allowed the camera to move outdoors, California landscapes began to appear in the works of entrepreneurs who took the images on touring exhibitions through the United States and also in the collections of wealthy landowners who commissioned a photographic record of their holdings. Among the most significant of these patronage relationships was the one between Jonathan Bixby, a wealthy landowner with land in Los Angeles, Orange, and Monterey counties, and William Godfrey, a stereographer from the then-tiny town of Los Angeles. In 1872 Bixby invited Godfrey to document his Los Cerritos Ranch (near present-day Long Beach), and the stereographs of the land he produced, featuring Chinese and Mexican ranch-hands, are some of the earliest in situ photographic records of farm labor in California.

The pattern of commissioned work combined with retail stereograph sales persisted through the latter third of the century with Eadweard Muybridge, the technical master and colorful pioneer of moving-image technology. Like Godfrey, Muybridge did not limit his photography to white subjects, taking many neutral and even sympathetic images of the mostly Chinese field hands who brought in the grape harvest at Buena Vista, the massive and storied Sonoma vineyard of Agoston Haraszthy. In the 1880s, photographer Carleton Watkins was drawn into the infamous Lux v. Haggin irrigation dispute when he was hired by the attorney for Miller and Lux, Hall McAllister, to document the Kern River and its associated sloughs. Watkins later returned to Kern County, where he advertised his services to local farmers who wanted images of their operations. His photos from this commercial tour, which number over 750, contained many images of the Chinese and Mexican workforce, and his negatives were printed and perhaps also captioned by his Chinese American colleague, Ah Fue, in a San Francisco studio. Godfrey, Muybridge, and Watkins never intended anything in the way of an overt political statement by such inclusions, but in retrospect the mere presence of these poor and nonwhite faces is of great significance, given the rise of anti-Chinese sentiment and the resulting systematic exclusion of the Chinese from California society and from much of the historical record of the late nineteenth century.

Photographers became more firmly allied with the perspectives of big growers and their marketing associations as commercial demand for their work grew alongside the expanding national markets for California produce and the accompanying advances in printing and packaging technology. The major images from 1890 to 1910 tended to be promotional rather than documentary, and they downplayed the social questions associated with the modern farm economy. Instead of an exposé of conditions in the raisin-packing sheds, for example, we see the carefully managed image of Lorraine Collett, a packer who became the face of Sun-Maid raisins. Mexican workers, who by the 1910s had largely replaced the legally excluded Chinese, often appeared on marketing labels of the era in the form of caricatures of malingering campesinos purportedly representing the obsolete culture of the region before annexation. (“Lazy Peon” was one brand of avocados in the era.) Women, who in this pre-bracero era contributed significantly to the agricultural work force, especially in the sorting sheds, also found themselves represented in cartoonish, highly sexualized images emblazoned on the fruit crate labels of brands like “Buxom,” “Squeeze Me,” and “Nudist.” These images were part of a larger branding of California as a wealthy, fertile, and white agricultural paradise during the first half of the twentieth century.

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“Migratory Mexican field worker’s home on the edge of a frozen pea field. Imperial Valley, California” by Dorothea Lange, 1937. (photograph courtesy of Library of Congress, Prints & Photographs Division, FSA/OWI Collection)

Contradicting this image were photos of much more limited circulation, such as those associated with the trial of the 1913 Wheatland hop rioters, or the series of criminal mugshots and case histories recorded by Clara Smith between 1900 and 1908. These photos reveal the racial diversity, extreme poverty, and poor living conditions of a California demimonde the agricultural marketers were eager to suppress. The advertising men were aided in their effort by the outbreak of the first World War, when agricultural labor shortages were met with government campaigns to bring women (The Women’s Land Army) and children (The Boys’ Working Reserve) from the cities into the fields at key points in the growing season. These atypical workers were frequently photographed in the smiling attitudes of picnickers in the countryside, a living version of the illustrations of contented laborers on boxes of fresh fruit shipped eastward decades before. Beneath this veneer, however, was the advent of the labor system we know today: in 1917, immigration restrictions and taxes that had somewhat restrained the northward migration of Mexican workers were lifted, and these workers, fleeing the disruption caused by the Mexican Revolution, came by the thousands to work in California fields. The racial and cultural divisions between the Mexican agricultural labor force and the Anglo middle class deepened over the next thirty years, so that by the mid-1920s a subgenre of newspaper photography emerged that recorded lurid images of the rural poor whose lives and deaths increasingly took place beyond the experience of the average newspaper reader.

The Great Depression both interrupted and ultimately reinforced the disappearance of the migrant labor force from the concerns of the urban public. In the aftermath of the worldwide economic downturn after Black Friday, two remarkable German immigrants, Otto Hagel and Joanna (“Hansel”) Mieth, emigrated to California and began to tumble aimlessly across the American Southwest, travelling and working with migrant laborers, documenting their lives with an intimacy and sympathy unmatched by their American colleagues. But it was a transplanted Iowan, Paul Taylor, who first exploited the power of the photographic image in the service of a larger vision of social and economic justice. A WWI veteran who came to California in the 1920s to rehabilitate lungs damaged by mustard gas, Taylor was driven by a now-rare sense of patriotic obligation to his less fortunate countrymen. Pursuing an academic career in labor and agricultural economics at UC Berkeley, he put the plight of the largely Mexican migrant population at the center of his research. Taylor sought early on to record some of his field experiences in California and Colorado, and as photography became a more common element in academic social science publications he included his images to illustrate the more abstract principles and data sets in his essays.

Hagel, Mieth, and Taylor were being swept along in a greater change in the relationship between workers and their employers. In the 1930s, the laboring classes in California began to assert their political, economic, and physical power, organizing across agricultural and industrial lines to put pressure on the ownership class. The Cannery and Agricultural Workers Industrial Union, formed in 1930, called for a farmworkers’ strike in 1931 after a grower-imposed wage cut. This was followed by a large and bloody cotton strike in 1933. Such strikes, key moments in the consolidation of both union and anti-union organizing, were directed by Communist organizers aiming to create solidarity among workers of all types and backgrounds in order to secure higher wages, better conditions, and greater control over decision-making from the politically powerful owners of land and capital. In the summer of 1934, dockworkers in the San Francisco office of the International Longshoremen’s Association called for a waterfront work stoppage and, eventually, a general strike. Although violently put down by private corporate militias, city police, and the National Guard, the strikes heralded a new balance of power between labor and capital that would play out in New Deal policy debates. Recognizing their significance, Taylor coauthored an article in the progressive journal Survey Graphic offering historical context and political analysis of the strikes. While waiting for an editorial response, he attended a photography exhibition in Oakland, where he was struck by a set of images depicting workers during the 1934 General Strike. At the last moment, and without knowing the photographer, he sent photos of the strike from the Oakland show to the publisher as replacements for his own illustrations. The photographer responsible for the photos was the young Dorothea Lange, a transplant from New York, studio photographer, and budding chronicler of life on the streets of Depression-era San Francisco, and this conjunction of the photographer’s art with the economist’s science was just the first chapter in what would become a lifelong professional collaboration and personal romance between Taylor and Lange.

While Street’s book devotes much of seven chapters to Lange and Taylor, providing crucial historical details about the context of their ascension as national spokesmen for the poor, Jan Goggans’s California on the Breadlines tells their remarkable tale with a storyteller’s ear for all of its human dimensions—as a key moment in the development of activist art, a rare and inspiring example of political ideals being realized in one’s work, a major chapter in California’s long-running struggle over how to pursue agricultural development, and as the subtitle suggests, an important prelude to national reforms implemented by President Franklin Delano Roosevelt during the New Deal. This last element, which perhaps owes its prominence to the publisher’s need to address a national audience, is in fact the least original and convincing strand in Goggans’s argument, as the evidence points toward a fortuitous convergence among Lange and Taylor’s interests and the needs of Roy Stryker, head of public relations for Rexford Tugwell’s newly established Resettlement Administration, tasked with reconstructing the country’s devastated farm communities from 1935 forward. As much as we now associate Lange’s famous photos with the Depression and the New Deal programs designed to alleviate it, the evidence is thin that the photos led to any major coalescence of public opinion, or that Taylor’s work was picked up by FDR’s Brain Trust and incorporated into national policy. These were largely parallel phenomena that are all too easily read, in retrospect, as cause and effect.

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“In a carrot pullers’ camp near Holtville, California” by Dorothea Lange, 1939. (photograph courtesy of Library of Congress, Prints & Photographs Division, FSA/OWI Collection)

Fortunately, Goggans provides a wealth of other interpretive handles for us to take hold of, the most striking and unexpected of which relates to the gender roles and sexual mores at work beneath the surface of the Taylor/Lange collaboration. Their advocacy of better physical living conditions for migrant laborers had, of course, a common-sense rationale: social justice includes indoor plumbing, access to clean water, and protection from the elements. But as Goggans makes clear, Taylor’s politics in particular were deeply informed by a domestic ideology that went beyond a simple pragmatic interest in physical conditions, to the point that he regarded the traditional household as the moral basis for egalitarian social relations. His embrace of this ideology may have stemmed in part from the updated Jeffersonian ideal so often invoked by farm and labor activists of the time, but it was also reinforced by contemporary factors operating in the society at large. During the Depression, when pressure rose on women to leave the work force so that male breadwinners would face less competition for scarce jobs, the traditional domestic “women’s work” that had been increasingly outsourced to the market was now reabsorbed into the informal, and unpaid, economy. The vision of a self-sustaining family farm, operating smoothly along old gender divisions of labor, became all the more broadly appealing. There were also strong aesthetic conventions at work for Lange. The documentary photography of earlier urban reformers, like Jacob Riis or Margaret Bourke-White, often had relied on images of decrepit or incomplete houses to compel the attention of audiences, and many of Lange’s photographs of migrant camps followed suit in highlighting the relation between maternal subjects and their distressed or dysfunctional homes.

This element of Taylor and Lange’s photojournalistic project becomes more complex and interesting when we broaden our scope to include their own romantic entanglement. At the same time that they were making strategic use of traditionalist iconography to broadcast the plight of farmworkers, Lange and Taylor began an affair that would culminate in their marriage in 1935. Lange’s first marriage was to Maynard Dixon, the bohemian scion of an established California family and an artist whose long painting expeditions Lange subsidized with her studio portraiture. There was a long foreground to Lange’s decision to engage in an affair with Taylor: frequent separations, difficulties at home, and political differences wore down the Lange-Dixon marriage until at the end it was little more than an economic partnership. Taylor’s situation was even less traditional. His wife, Katharine Whiteside (his college fiancée), aware of their sexual and temperamental incompatibilities, proposed that they establish an open marriage. Taylor, however, could not abide so radical a challenge to the domestic structure that organized his world view, and after an awkward period of quasi-open marriage, he insisted on a divorce (and marriage to Lange).

An undercurrent of feminist liberation and a halting revision of sexual mores is thus a significant part of the Taylor/Lange story, and with a little imagination we can use these currents to enrich our understanding of Lange’s iconic images. Take Migrant Mother, the most famous of her photos. The most common version of the photograph shows an intent migrant woman from Oklahoma clutching her two shy children and staring anxiously into the distance. Other images from the same roll of film show the context of the portrait (a worn tent in a temporary pea-pickers’ camp). The most striking image, however, is of the woman, Florence Thompson, preparing to breastfeed her youngest child, a pose in which Lange often placed her subjects. It is an allusion to the Madonna, of course, but Goggans argues that it partakes in another visual tradition, that of the glamorous modern woman whose sexuality is a part of her strength rather than a defect in her character. If Goggans’s hunch is right, then images like Migrant Mother draw their power in part from the contrast between an ancient image of traditional femininity and a heterodox image of a strong, unrepressed woman unaccompanied by any males, a figure often demeaned as a “whore” but here celebrated and promoted. Lange’s frequent identification with her female subjects may go beyond their shared interest in economic reform to an underlying feminism that is not usually stressed in treatments of the period. Of her encounter with Florence Thompson, Lange recalled that “there was a sort of equality about it.”

Paul Taylor’s major academic focus had always been on Mexican migrant farm labor, which had risen in the first decades of the twentieth century to become the linchpin, alongside large irrigation projects, of dramatic growth in the Western and Southwestern agricultural sector. Almost alone among economists in studying what would become a lasting phenomenon, Paul Taylor integrated cultural and ethnographic insights into his more traditional economic methodology. He learned Spanish and recorded corridos during his trips into the field in California and Colorado. The presence of white farm laborers in California fields was an anomaly of the 1930s created by the economic and environmental catastrophes of the Dust Bowl and the Great Depression, which led to the deportation of vast numbers of Mexican migrants (regardless of their immigration status) and the influx of immigrants from Oklahoma. Even then, the rural work force was significantly nonwhite, and a substantial proportion of the “Okies” were themselves of native, Mexican, and/or African American ancestry. Florence Thompson, the woman pictured in Migrant Mother, was born on an Indian reservation, was married to a native man, and perhaps—there is some dispute about this—was herself part Native American.

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César Chávez addressing strikers at DiGiogio’s Sierra Vista Ranch, March 1966. (photograph by Gerhard Gscheidle, courtesy of University of Minnesota Press)

As Goggans reveals, the apparent whiteness of the iconic images of Depression-era poverty was deliberate, a strategy to disassociate the white Okies from the “gypsy field hands,” whose race, culture, and domestic habits (conditioned by legal discrimination) kept them from becoming viable objects of sympathy for the middle-class voting public. John Steinbeck, whose Grapes of Wrath and In Dubious Battle are to the literary history of Depression California what Lange and Taylor’s works are to the photojournalistic tradition, was quite explicit about this, frequently drawing sharply racialized distinctions meant to benefit whites at the expense of nonwhite migrants. After public and private publishers passed over many images of native and Latino workers, families, and children in Lange’s early work, eventually Lange herself obliged this appetite by seeking out young, white, often very beautiful mothers for extensive portrait sessions.

During and after WWII, the Bracero program radically altered established patterns of Mexican migration to the fields of California. Although they had a laundry list of rights on paper, braceros proved readily exploitable. Delivered in groups to isolated farms where they had no independent means of shelter or sustenance, no family or social support, and no recourse against those who would short their pay, overcharge on rent, or ignore unsafe conditions, they represented the legal codification and institutionalization of the farmworking underclass. The photographic record of this era is relatively thin, owing in significant part to an increasingly aggressive campaign by growers to sue or otherwise punish photographers, filmmakers, magazines, and distributors guilty of what they termed “libel by visual innuendo.” The most famous of these campaigns was pursued by the DiGiorgio Company against the makers and backers of Poverty in the Valley of Plenty, a National Farm Laborers’ Union film that was shown to pro-labor audiences and aired on a few public television stations before being suppressed and destroyed per court order. With the DiGiorgio case, a new era of sophisticated visual campaigns began, culminating with César Chávez’s careful cultivation of news photographers in his successful attempts to organize and advance the United Farm Workers.

Street’s history carries us all the way up to the end of the millennium with more images and anecdotes than can possibly be conveyed here, and the visual chronicle of farm labor has continued to evolve in the work of contemporary photographers drawn to what Street calls the “picture of how the system of farm labor developed [and] . . . the price it extracts from a class of people.”

Rick Nahmias’s contribution to this body of work, The Migrant Project, is notable not for any special aesthetic achievement or unusual subject matter, but rather its sheer lack of artistic or sociological distinctiveness. Struck by his deep ignorance of the sources of California’s famous food culture, Nahmias set out on an adventure of self-discovery in the fields of his home state and underwent a conversion from blithe consumer to impassioned advocate for the people he found there. The photos he took along the way might have been taken by anyone with a camera, a roll of black-and-white film, a smattering of Spanish, and the desire to cross the boundaries that history has made. By the time one has finished leafing through The Migrant Project, one grasps that in our moment the mediocre snapshots and secondhand history are beside the point, and what really matters is only that last quality—the interest in finding out how our fellow Californians are faring.

The power of the photographic image to produce icons and influence policy appears to be on the wane, the victim of the dilutive power of a fragmented public sphere so saturated in arresting images that even the most effective photos often find no significant audience. But if Nahmias’s work suggests that the value of twenty-first-century agricultural photojournalism lies not in the images produced but in the photographer’s experience of crossing the linguistic, cultural, economic, and geographic lines that separate most of us from migrant farmworkers, the democratic access enabled by cheaply available digital cameras may be something to embrace. Everyone really does have a camera now: the average Californian has on his or her person a pretext for undoing the century-long isolation and invisibility of California farmworkers. You, too, can become a part of a tradition that is as much about sharing a world with the disempowered and keeping them in your thoughts and actions as it is about capturing the perfect image. Because they have few political rights and exist in innumerable jurisdictions, migrant farm laborers will never be able to directly secure their own just treatment, social inclusion, and prosperity. But those visual images of them in our cell phones and on our hard drives might, if we let them, act through us at the ballot box, the grocery store, and the meeting hall.

Articles

Foreclosures

by Susan Straight
photographs by Lucy Puls
From Boom Summer 2011, Vol. 1, No. 2

Susan Straight is Boom writer-in-residence for 2011.

The empty houses I see everywhere—foreclosures that happened to my friends and neighbors and family—left me for many mornings bereft. That is the word. Reverse mortgages gone wrong, refusals to renegotiate bad loans given to people who kept getting turned down for regular loans, and again and again, people who lost their jobs—teachers, air conditioning salespeople, pest control men, custodians, contractors, landscapers, day laborers. My neighbors and relatives—gone.

Five on my own block, twelve more on my way to work. Yes, I counted them, because I was so shocked at the boarded-over windows, like blank eyes, and the milkweed and foxtails standing in the front yards, tall as purposefully grown crops. And then the countless others I saw while driving around southern California—all those homes that were no longer home broke my heart.

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Marquette 24, 2009 © Lucy Puls

I became obsessed with looking at them. In my inland community, as in Lucy Puls’s haunting, elegiac farewells to rooms once lived in, the houses range from contemporary mansions to old wood-frame bungalows. Foreclosure, toxic loans, bundled mortgages, underwater, short sale, repo—such clinical, bloodless words, an entire language now familiar to Americans, and it doesn’t matter whether wealthy or not. Abandoned is the word. The empty shell.

Rich, poor, in the middle—wholesale blind-eyed windows for everyone because of “robo-signed” foreclosure papers, because banks so often lent inattention and indifference. Recently, a couple trashed their sumptuous custom-built home in a brand-new tract northeast of San Diego; they had been foreclosed on, and they stripped the house of fixtures, bashed holes in the walls, destroyed the rock façades, filled the pool with uprooted trees and bushes, and even took off the garage door. The house had resembled a castle, the drawbridge gone now.

But down my street, no one had bought beyond their means. The longtime owners lost their jobs. These were two-bedroom homes built in the 1920s and ’30s and’40s, and my neighborhood looked like every other older community in a California city—narrow streets lined with bungalows and stucco cottages, gravel or cement driveways, fruit trees and porches and palm trees wearing shaggy girdles of ivy.

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La Canyada 18, 2009 © Lucy Puls

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Idola 10, 2009 © Lucy Puls

I peeked inside the house next door to me, and it looked exactly like some of Puls’s photos. Hard living had made the carpet into earth, and the haunting of pictures left clean rectangles on the dirty walls. Curtains like gauze shrouds.

All over southern California, people left behind black plastic bags in driveways and rooms, like slugs piled upon themselves. Inside had to be clothing, pots, toys—things I’d seen held, worn, and loved. Choices made to leave them behind.

I felt a feral conquering was just at hand. In the dead brown yards, where sprinklers were turned off and the lawns and tended shrubs withered, the neo-native, invasive plants of California began to assert themselves in the winter rains. Filaree with tiny purple flowers and corkscrew seeds; wild oats like shivery spangles of green and then gold in the wind; tumbleweeds big as Volkswagens that were no longer parked there.

Then an entire shadow corps began to descend upon the homes—mattresses on the porches (pillows stolen over and over off my own porch furniture) and homeless men sleeping on back steps. Wild cats inside the crawl spaces. New industry—the caretakers of the discarded—came in trucks with men who hauled off dead trees, cut man-high weeds and drained black-water pools. On the next block, a squatter sold off a rock wall, stone by stone. Who bought them?

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Longbranch 120, 2009 © Lucy Puls

Next door, the century-old avocado tree lived because I watered it over the fence; the foxtails were so lush they sent thousands of sharp gold spurs over the sidewalks, a few always attaching to my dog’s paws. Sometimes, I took the dog up a cement walkway, past the filaree gone to seed, saying the word in my head—filaree! My favorite wildflower in the vacant lots of my 1970s childhood, when no houses around me were ever empty, when California was building mile after mile of modest ranch houses like mine and all were filled with children. My dog and I walked around the porch so I could see into a side window, see the inside of the house where my neighbor lived for thirty years, a woman who bought Girl Scout cookies from my daughter, just so that I could remember the built-in china hutch from the 1930s, from the last Depression, from a different time.

Articles

Silicon Valleys

by Margaret O’Mara
From Boom Summer 2011, Vol. 1, No. 2

Making the wars that never came

In June 2010, Russian President Dmitry Medvedev came to the United States with two big priorities in mind: meeting with President Obama and touring Silicon Valley. Earlier in the spring, Medvedev’s government unveiled plans to build its own version of California’s high-tech capital in a woodsy area outside Moscow. The announcement made a splash, with slick presentations of buildings designed by celebrity architects and an appearance by Hollywood actor and prolific Twitter user Ashton Kutcher. For a Russia whose economy remained heavily dependent on oil-and-gas extraction, and who had lost its brainiest engineers to the more entrepreneur-friendly tech regions of the US and Europe, coming to Silicon Valley to learn its secrets became a first, essential step towards economic transformation.

Fifty years before, another foreign leader made the same kind of Silicon Valley pilgrimage. Visiting the United States in 1960, French President Charles de Gaulle asked to tour the research parks emerging amid the farms and orchards south of San Francisco. As his motorcade rolled through the California sunshine, de Gaulle noted the area’s distinctive combination of science-based industry, university research activity, and quiet suburban neighborhoods that formed a self-contained innovation ecosystem. By the last year of de Gaulle’s presidency, France had established its own high-tech city, Sophia Antipolis, along the Côte d’Azur.

From de Gaulle to Medvedev, California’s Silicon Valley has been a place to which the world has looked for inspiration. The runaway economic success of a region that venture capitalist John Doerr once called “the largest legal creation of wealth in the history of the planet” has spawned countless imitators. Many have tried to reproduce the look and feel of the low-rise, lushly landscaped world of Silicon Valley in unlikely places. The globe has become dotted with nouveau Silicon Valleys, Forests, Hills, Orchards, Seaboards, and Fens. In the process, the Valley joined Hollywood as a powerfully alluring symbol of California, becoming global shorthand for innovation, entrepreneurship, and striking it rich.

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Stanford officials display model of the university’s research park to a potential tenant, c. 1951. © Margaret O’Mara

Some of these overseas efforts to recreate a little piece of the Golden State became successful, although success came slowly. Many others did not. And despite a half century of attempts to build the next Silicon Valley, no other region has managed to dislodge the original Valley from its place atop the high-tech food chain.

Silicon Valley’s preeminence springs from its origins in a very particular time (the early Cold War) and place (northern California), where a combination of national military spending and suburban infrastructure investment brought huge new flows of money and people to what had been a sleepy landscape of orchards and commuter towns. Add into this mix the presence of powerful research institutions—most notably Stanford University—and an unusually risk-tolerant business culture that welcomed and nurtured iconoclasts and dreamers, and a high-tech capital was born.

Others, not fully recognizing the importance of these cultural and historical frameworks, have assumed at their starting point that all they had to do was “build a research park, and they will come.” Yet no government or individual consciously set out to build a science city in Silicon Valley; it was the result of national economic transformations, local capacities, and a few lucky accidents. It’s little wonder that its magic has been so difficult to replicate.

What the quixotic global quest to build the next Silicon Valley has managed to do, however, is to export a distinctive architectural aesthetic and business culture to other parts of the world. In doing so, the process has underscored the degree to which the Valley’s success was not only an American phenomenon, but a Californian one—rooted in this state’s history, its politics, and its culture.

Take all those research parks, for example. The reflexive first step in building any would-be high-tech capital has been to develop self-contained and verdant industrial real estate, preferably adjacent to or affiliated with a research university. Research parks are not a California creation, but the idea of creating a university-connected park certainly is. It sprang from the minds of Stanford University administrators in the early 1950s, who concocted the idea in large part because the university owned a ranchero-size parcel of adjacent land that it was unable to sell.

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Global headquarters of Chinese networking giant Hua Wei, outside Shenzhen, China. © Margaret O’Mara

The architecture in the Stanford research park echoed both the Mission Revival campus buildings and the sun-drenched, Eichler-style modernism of adjacent residential neighborhoods. The manicured grounds and their ample parking channeled the automotive golden age of mid-century California. The park’s success as an early incubator of technology firms led other regions and nations to adapt this particular design aesthetic, often with few alterations. Red- tile roofs and palm trees dot the global technology landscape today, from Southern England to Southern China, evocative visual cues that these are places where innovation happens.

Global Silicon Valleys have encouraged the adaptation of a Californian aesthetic beyond the research park as well. Taking note of the Valley’s location amid an affluent residential suburb, many imitators of the past six decades have incorporated similarly deluxe residential developments of single-family villas and ranch houses into their plans. Today, subdivisions catering to high-tech workers, like Bangalore’s Palm Meadows and Shenzhen’s Mission Hills, not only evoke California in their nomenclature but also in the appearance of their houses, the layout of their streets, and the amenities offered their residents. Upstart Silicon Valleys are hardly the only places worldwide that feature these landscapes of wealth, but they often functioned as the leading edge of this type of development, and they reinforced the powerful cultural connection between the affluent California suburb and the technology economy.

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Palm Meadows residential subdivision, outside Bangalore, India. © Margaret O’Mara

Another California export is the laid-back, egalitarian, and highly networked business culture for which the Valley is famous. This, too, has deep roots. From the San Francisco Gold Rush on, the Bay Area has been a magnet for the brilliant and the odd. By the time commercial opportunities for technology began to open up in the late 1960s, it was home to a cohort of investors who were unusually tolerant of risk and willing to bet on untested talent. No other place in the country or the world has been able to reproduce this entrepreneurial ecosystem on the same scale. Top-down, government-fueled efforts to build silicon cities proved notoriously bad at doing so. Instead, the fluid, rapidly moving, technophile ethos of the Valley spread through the movement of people and the globalization of firms.

Again, characteristics unique to the Golden State played a role here. California’s significant Asian and South Asian populations, a large number of whom came here as foreign students, played a major role in the blossoming of the original Valley and in exporting its products and its culture elsewhere. As India and China liberalized their economies after the 1980s, immigrant entrepreneurs increasingly moved back and forth across the Pacific, playing instrumental roles in “new Silicon Valleys” from Shanghai to Chennai. Ultimately, the regions that have been among the more successful in creating high-tech clusters of their own are ones with a little bit of California—and quite a few Californians—in them.

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Mission Hills, a residential golf resort in Guangdong Province, China. © Margaret O’Mara

They also are places that entered the high-tech race with a set of regional advantages much like the Bay Area’s. Take Bangalore, for example. Long before it became known as “India’s Silicon Valley,” Bangalore already had a reputation as a low-rise garden city with a pleasant climate, strong technical universities, and a concentration of public- and private-sector research activity—the result of two generations of concerted government effort to make the Bangalore region a hub of scientific activity. Bangalore isn’t alone. Other high-tech success stories have urban histories with strikingly similar characteristics. In California and beyond, new-economy triumphs usually have old-economy roots.

The bad news for those who would like to become “the next Silicon Valley” is that the Valley has proven remarkably resilient. Ultimately, the secret of Silicon Valley is that it wasn’t a consciously planned silicon city. It exists because of big things—like Cold War spending patterns, sustained GDP growth, and large-scale migration and immigration. It also exists because of unique local characteristics like risk-tolerant capital, entrepreneurial leadership, and good weather. It grew organically. It had room for happy accidents and lucky breaks.

The good news is that it is no longer the 1950s. Technologies that came out of the Valley allow global communication and collaboration on an unprecedented scale. There is no longer a lone high-tech capital where all stages of production occur. Silicon Valley is a network. It is a global supply chain in which many different cities play a critical role—from Bangalore to Bucharest, São Paulo to Stockholm.

These cities also happen to be doing some exciting things to reinvent the silicon city model. For Silicon Valley may be a unique ecosystem for technology creation, but it falls short on many fronts in terms of functioning well as an urban place. It is haphazardly planned and economically polarized. It is crowded and car-dependent to a degree that lowers its quality of life and degrades the natural beauty that lured people there in the first place. Effectively, Silicon Valley succeeded because it created a bubble of high-tech prosperity that kept other uses and other people at a safe distance. It also succeeded because it was good at disguising the less attractive and more polluting aspects of its business.

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University Town, Shenzhen, China. © Margaret O’Mara

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Microsoft campus, Redmond, Washington. © Margaret O’Mara

The exciting thing about the globalization of technology is that it is opening up space for new kinds of urban models—ones that are in turn shaping the original Silicon Valley’s urban future. Denser, walkable high-tech corridors in Singapore and Seoul are providing design inspiration for policymakers and planners in Palo Alto and San Jose. Architects are joining techies and CEOs in moving back and forth between California and the rest of the high-tech world, and redefining the technology workplace in the process.

So while other countries should not give up on the quest to become the next Silicon Valley, they should take its history seriously. And they might want to look to places other than the Valley for design inspiration. High-tech innovation doesn’t need a sleek suburban office building, and the knowledge worker might not want to live in a California-style subdivision. True high-tech magic comes from other things.