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Before Amazon: Land, Labor, and Logistics in the Inland Empire of WWII

Brinda Sarathy

On August 25, 2015, the Moreno Valley City Council in Riverside County, California green lit the World Logistics Center (WLC) in a contentious 3-2 vote. Slated to be the largest inland port in the USA, the WLC envisions more than 40 million square feet of warehouses built atop 2,610 acres of now open fields on the city’s far-east side, south of the 60 Freeway. Once completed, the massive complex will span the equivalent of 700 football fields and is estimated to generate 68,712 vehicle trips daily, of which 14,006 will be made by majority diesel trucks.[1] For those less familiar with this area of the Golden State— often referred to as the “Inland Empire”—picture once largely citrus-growing and Kaiser steel-producing Counties of Riverside and San Bernardino as now ground zero for the nation’s goods-movement industry. Over the past two decades, Inland Valley politicians and developers have pushed an aggressive growth agenda which has seen the construction of over 159 million square feet of industrial warehouse space in Riverside and San Bernardino Counties between 2000 and 2008,[2] and a dramatic increase in truck and rail transportation of goods from the ports of Long Beach and Los Angeles to the rest of the country.[3] As warehouses carpet vast alluvial valley floors and high deserts alike, the Santa Ana, San Bernardino, and San Jacinto Mountains trap the fumes of economic “progress” generated by diesel transport. This is the 21st century terrain wrought by e-commerce giants such as Amazon, FedEx, and UPS, who have set up shop in the Inland Empire, to make good on everyday consumers’ desires for one-click and same day delivery services.

Aerial of World Logistics Center site, Moreno Valley, California

According to Iddo Benzeevi, the developer in charge of the mammoth WLC undertaking and, not incidentally, a key donor behind the successful races of several Moreno Valley City Council members, the project will be a boon to the region and result in 20,000 permanent jobs, 13,00 construction jobs, and $2.5 billion a year in economic activity.[4] Such promotion of the WLC as a solution for regional employment is not new. As the region’s demographic and political makeup have shifted over the past two decades—from an older white and Republican population to predominantly working-class Latinx immigrants—local economic boosters have promoted warehouse construction and employment in the logistics industry as the main path for their modestly educated populations to achieve the middle-class.[5]

Racial Composition of Workforce in Inland Empire, UCR CSI, p. 3

Between 2013 and 2016, Amazon alone invested $4.6 billion in San Bernardino and Riverside Counties, and built a total of 15 fulfillment and distribution centers in the predominantly Latinx communities of San Bernardino, Riverside, Rialto, Moreno Valley, and Eastvale. Moreover, of the over 15.1million square feet of warehouse space currently occupied by Amazon in four counties of the Southland, fifty percent is located in San Bernardino County, with another forty-four percent in Riverside County.[6] When asked why the IE was such a “great place to have so many Amazon fulfillment networks,” a company spokesperson noted that “It’s a perfect mix of valuable things — an exceptional workforce, thoughtful partners, great locations and strong customer support.”[7]

Square feet of Warehouse Space by City and County, Flaming and Burns, 2019. p. 25.

Scholar Juan De Lara, by contrast, has compellingly argued in his recent book Inland Shift, that the region as a hub for logistics is, instead, about the “territorialization of race” and frictions between labor and capital from the 1970s onward.[8] As a fundamentally spatial process, territorialization in the Inland Empire has involved the “fixing” of racialized groups in particular places and within certain occupations. De Lara expertly chronicles how labor was made flexible through differences in race, gender, and immigration status; the dismantling of defunct industrial plants; specific practices that facilitate just-in-time production; and the ongoing discursive formations that make such transformations possible in a post-Keynesian world. His analysis, moreover, undergirds long-standing contentions on the part of environmental justice activists that the WLC and similar warehouse complexes present not a boon, but rather an economic, ecological and public health boondoggle. Organizers and researchers have long raised serious concerns about the impacts of worsening air quality on public health and disproportionate burden on low-income communities of color who live along diesel thoroughfares and warehouse fence lines elsewhere in the Inland region.[9] In 2001, for example, the South Coast Air Quality Management District found that Mira Loma Village, a low-income Latinx community of 101 homes in what was then an unincorporated part of Riverside County, had the highest levels of particulate pollution in the nation.[10] Now part of the City of Jurupa Valley, the Mira Loma community essentially constitutes a residential island afloat among an ocean of warehouses and with more than 800 trucks passing by the Mira Loma Village each hour.  Similarly, in 2008, the California Air Resources Board ranked the San Bernardino Rail facility among the top five most polluting rail yards in California and “first in terms of community health risk due to the large population living in the immediate vicinity.”[11] Coupled with already existing air pollution blowing eastwards from Central Los Angeles, and the natural inversion effect created by the San Bernardino, San Jacinto, and Santa Ana mountain ranges, it is no wonder that Riverside and San Bernardino Counties have among the worst air quality and highest rates of asthma in the nation.[12]

Aerial of Mira Loma Village surrounded by warehouses, Jurupa Valley, California. Google Maps.

Finally, activists and scholars have questioned developer assertions about warehouses being a panacea for employment. Indeed, the WLC made a similar claim during its first phase of construction which saw the creation of a 1.8 million square foot Sketchers distribution center in Moreno Valley. Yet, that project resulted in a net zero job gain for the community and actually led to the loss of some 200 jobs when the facility moved from its original location in Ontario, California.[13] More recently, precarious labor conditions and the rise of automation within warehouse work itself have dampened claims that these facilities are a meaningful solution to address underemployment in the region.[14] In this context, the World Logistics Center is only the most recent and perhaps most egregious example of unfettered support for warehouse growth in the face of potential harm to people and the environment. 

Whether and when the WLC will come to fruition remains an open question. A coalition of land conservation and environmental justice groups have been working to challenge the project in court and, in August 2019, the Fourth Circuit Court of Appeals ruled that the development was not exempt from state environmental regulations.[15] California’s Attorney General Xavier Becerra and the California Air Resources Board also filed an amicus brief with the Fourth Circuit, challenging the WLC for disregarding the California Environmental Quality Act and failing to accurately capture the greenhouse gas emissions from the development. Most recently, in April 2021, litigating parties and the developer reached a $47 million settlement to help fund the electrification of trucks, on-site vehicles, and charging infrastructure. Iddo Benzeevi has spun the legal settlement as a “significant achievement of making the World Logistics Center the first net-zero (greenhouse gas) project in the nation and setting a new precedent for sustainable development.”[16] Yet, the legal challenges keep coming as other conservation organizations and environmental justice advocates fight the rising tide of warehouse development in Moreno Valley and elsewhere in the region.[17]

What all parties seem to agree upon, however, is a shared narrative of warehouse development and logistics in the Inland Empire as a relatively recent phenomenon, one dating back to the early 2000s. While the rapid rise of warehousing as a regional economic development phenomenon is certainly a post-2000 story, I argue that warehousing and logistics in themselves are not new to the inland region. Over the remainder of this essay, I extend Juan De Lara’s conceptualization of the “territorialization of race” even farther back in time to trace the production of the Inland Empire’s logistics industry to the development of military installations, differentially incarcerated Italian prisoners of war and Japanese American internees, and racialized warehouse work during World War II. In so doing, my aim is to understand the production of the inland region through various flows, both material and metaphoric, and how particular racialized groups have been partly sedimented in particular places and occupations.

Warehousing People and Provisions: Japanese American Internment

In the early 1940s, six decades before the 101 homes of Mira Loma Village in western Riverside County became infamous among public health practitioners and environmental justice activists for their veritable terrestrial containment by warehouses and exposure to high levels of fine particulate matter, this area comprised a bucolic landscape of open ranch lands growing grapes, barley, and pasture for horses and dairy herds. Twenty odd miles away, it was the City of San Bernardino which gave rise to the first mass storage facilities in the region when, on January, 16, 1942, the U.S. Quartermaster General (a branch of the U.S. Army) established the San Bernardino Depot. The establishment of this facility would soon impact land use in Mira Loma as well and can be viewed as constitutive of a larger logistics landscape shaped by warfare.

Also known as “Camp Ono,” the San Bernardino Depot was part and parcel of World War II mobilization efforts on the West Coast and addressed the need for space to house various military units including the Signal Corps, Corps of Engineers, Medical Corps, and the Chemical Warfare Corps. In 1942, the Depot operated 11 warehouses comprising approximately 100,00 square feet of floor space dispersed over an area of “approximately six miles in diameter” between Colton and San Bernardino.[18]  In addition to carrying out the supply functions for troops in the Southern California Sector— which included Armored Forces Troops that had assembled at the Desert Training Center near Indio, California— Camp Ono soon became central to the provisioning of Japanese American concentration camps between April and October 1942, and charged with supplying 60,000 “Japanese aliens” at its peak.[19] The storage and movement of goods for U.S. troops stationed in inland Southern California during World War II, and the transport and provisioning of Japanese American internees thus became the first seeds to germinate warehouse development in the region.

Camp Ono, San Bernardino, California. Los Angeles Times, Sunday, December 13, 1981. Photos provided by Perry Pugno.
Camp Ono, San Bernardino, California. Los Angeles Times, Sunday, December 13, 1981. Photos provided by Perry Pugno.

In May 1943, James Bennett, the Quartermaster Depot historian captured well the connection between warehouses, supply provisioning, and the internment of Japanese Americans at Camp Manzanar to the east.[20]  Bennett’s records reveal that the U.S. Government approached Japanese American internment as a logistical problem to be solved by military and civilian personnel alike.  While depot officials viewed the feeding and watering of Japanese ‘aliens’ as a “first class headache,”[21] Camp Ono soon became known for the efficiency and frugality of its operations under Commanding Officer, Colonel Chas E. Stafford. The accolades garnered by Camp Ono were primarily framed in terms of the good cheer and cooperation with which American civilians and military personnel endured the hardships posed by the evacuation effort, with nary a perspective into what it might have meant for the U.S. citizens of Japanese descent who were dispossessed and displaced as a result of internment.  In one letter, E.H. Fryer, Regional Director of the War Relocation Authority, lauded Stafford for his “cheerful cooperation, suggestions, and wholehearted interest.”[22] Another officer similarly praised U.S. civilians for their adaptation “to this new phase of work and laboring wholeheartedly to accomplish the end without regard to many hours of hard effort after the normal working day had expired.” [23] At the national level, too, the U.S. Army was hailed for its superb coordination of an involuntary internal mass migration.  None other than Carey McWilliams, then Chief of the Division of Immigration and Housing for the State of California noted: “the evacuation of 100,000 Japanese, men, women and children… has been accomplished on time, without mishap and with virtually no trouble… In effecting this vast movement of people in a brief time, the conduct of the Army has been wholly admirable.”[24]

Los Angeles, California. Evacuees of Japanese ancestry entraining for Manzanar, California, 250 miles away, where they are now housed in a War Relocation Authority center. NARA – 536765.jpg Clem Albers, Photographer (NARA record: 8452194) – U.S. National Archives and Records Administration
Santa Anita reception center, Los Angeles, California. The evacuation of Japanese and Japanese-Americans from West Coast areas under U.S. Army war emergency 
order. Registering Japanese-Americans as they arrive, 1942. Photographer: Russell Lee
http://historyinphotos.blogspot.com/2013/08/russell-lee-japanese-internment.html

How to move goods efficiently and on time? While behemoths like Amazon have perfected just-in-time delivery in the late 20th and early 21st centuries, military personnel in the 1940s faced supply chain challenges as they figured out ways to get fresh fruits and vegetables to Japanese American internees. The main supply center was in Los Angeles, which lay 220 miles to the southwest of Camp Manzanar.  Because fast freight was used to supply Army troops, the slow freight that transported goods to internees resulted in considerable spoilage. It was in this context that refrigerated trucks first began to transport perishable foodstuffs to internees, representing one of the earliest iterations of “goods movement” in the inland region.   The use of commercial truck lines reduced transit time and also led to considerable declines in spoilage.[25] 

Certainly, the irony of their situation was not lost on depot officials who noted that “the Japanese [sic] were ordered to abandon their thousands of truck farms—their produce left to wilt, unpicked— yet at the same time…they themselves were herded into camps where food must somehow be found for them.”[26] And Colonel Stafford and his staff were just as quick to hone the Depot’s operations by taking advantage of the plight of Japanese Americans in Los Angeles.  The expedited process of evacuation and internment forced Japanese American wholesalers and retailers to dump large stocks of “noodles, soy sauce, miso sauce, canned fish, dried shrimp and various marine products” to American middlemen at “probably half price.” Stafford aptly noted that the U.S. Army “would undoubtedly have to pay those jobbers the full price” in order to provision internees. To avoid the inflated prices imposed by opportunistic middlemen, Stafford suggested that the Japanese Chamber of Commerce in Los Angeles coordinate the purchase of goods from Japanese American suppliers at a fixed price, “before that food gets into the hands of jobbers.”  These goods were subsequently stored at the Depot and “saved the Government thousands of dollars.”[27]

By late March, the first barracks for Japanese-American internees had been erected at Camp Manzanar and a steady stream of internees from that point on—numbering in the thousands per day— dramatically increased the need for warehouse storage in the region.  Upon visiting the San Bernardino Quartermaster Depot, Colonel W.E. Waldron of the Western Defense Command and Fourth Army, ordered the erection of 50 theater-of-operations pre-fabricated buildings, each capable of being up in about 48-man hours, to alleviate the shortage of storage facilities.  The storage needs of the San Bernardino Depot during this period provide another window into both the sheer scale of evacuation and the basic needs of internees: 10,000 pounds of noodles, 80,000 pounds of rice, and 2000 pounds of tea…hair and bobby pins, baby clothes and diapers, infant bottles and nipples.  According to Bennett, “perhaps the strangest requisition of all was for 1000 of what Americans alternately call chamber pots or thunder mugs. The full quota of this item was procured, after a considerable search, from Sears Roebuck and Montgomery Ward mail order houses who in turn were forced to hunt at some length in the stacks of obsolete stock.”[28]

The cost cutting measures of the U.S. Army were primarily borne and subsidized by the internees themselves. Even the machinery for making miso sauce and pickled radish at the camps had been bought/taken from imprisoned Nissei (American-born Japanese), who then made miso sauce for the camps. Depot officials also scrutinized substitutions to food supply requests made by internment camp cooks and managers.  Indeed, the latter were viewed as being too extravagant in their orders. One officer, for example, complained: “In addition to the prime meat and 92 score butter, the camp managers were requisitioning quantities of canned pears and canned sliced peaches, and an ‘excess of jam: strawberry, raspberry, blackberry.’ And they were demanding it in small, uneconomical-sized tins. They were asking for whale meat and fancy tinned shrimp. Also, they demanded six to seven tons of pancake flour…Of course, we will see that they (i.e. the evacuees) be given good food, but they shouldn’t be given these extra items regularly—that is, better food than that which our soldiers receive.”[29] Similar tensions arose over public perception over “the siphoning off” of fresh milk to internment camps.  Not surprisingly, Colonel Stafford responded by defending “the Great American Pocketbook against what appeared to him unwarranted extravagance.”[30] Ultimately, this problem was solved by substituting half of the ration of fresh milk for canned or powdered milk.[31]  

Growing Supply Needs: The Birth of Mira Loma Depot

As demands to provision interned Japanese Americans and desert training troops increased, the U.S. Army formally activated the Mira Loma Quartermaster Depot on August 15, 1942. Located approximately 44 miles from the nearest metropolitan center Los Angeles, Mira Loma was considered ideal for the purposes of a military depot.  From a transportation-oriented point of view, it was close to the Union Pacific Railroad tracks, with necessary spurs and sidings, and near two railway division points: San Bernardino for the Santa Fe Railroad, and Colton for the Southern Pacific Lines. Key roadways also bordered the depot, including Mission Boulevard/ U.S. 60— the main truck highway between San Diego, Riverside and Los Angeles— to the south and, paralleling it, three miles to the north, U.S. 99—the Ocean-to-Ocean Highway known locally at the time as the Valley Boulevard. Charged with supplying a Desert Training Force of 67,000 troops with A rations on a daily basis, the Mira Loma Depot was considered “ground zero” for warehouse operations in the Inland region.  It vastly outsized the buildings at Camp Ono—all of which could be placed in one of several warehouses that were constructed at the new site.  In total, Mira Loma Depot constituted 2,162,706 square feet of warehouse and office space[32] and in January 1944 employed 2,646 civilian personnel.[33]

Mira Loma Quarter Master Depot hand drawn map of warehouses and buildings.  Record Group: 92 Records of the Office of the Quartermaster General Agency or Division: Mira Loma Quartermaster Depot Mira Loma, CA Series: Historical Diaries, Journals and Reports 1942-1954. Folder Title: The Storage Division M.L.Q.M.D.  A Historical Study [2/2] Box 9, National Archives at Riverside.

U.S. officials consistently praised the labor of white military and civilian personnel in supplying goods to Camp Manzanar, yet overlooked the ten percent of Mira Loma’s labor force made up of African American and Mexican workers.  Historian James Bennett’s racially fraught views about the depot workforce likely also reflected those of his superiors. Bennett, for example, mused about the forbearance of white managers and workers and viewed their contributions to Mira Loma as both singular and preferable to that of Black and brown labor:

“The officers and the labor foremen, from the very beginning of the Depot, have tried to treat their darker skinned laborers with scrupulous fairness. In fact, there have been an appreciable number of cases of slight unfairness to their white [emphasis in original] laborers, in disputes between white and colored, stemming from this determined bending over backwards attitude.

The white laborers, in fact, have made no objection to working with the colored races, and the work has been performed without resultant friction. In this willingness of the whites, the Mira Loma Depot is, possibly, unique.

The problem posed by the Mexicans is not so much that of racial pride—although that occasionally enters. It is inherent in their whole philosophy of life. They work—hard—make a little money. Then they slack, are absent without cause or actually resign. Their wants are few, and they deplore the American itch to get ahead and keep on working after one’s pocket is full of dollars. And this dolce far niente [emphasis in original] attitude is also held to a somewhat lesser degree by the Negroes. Consequently, from Mira Loma’s point of view, the darker races are none too dependable.”[34]

Overall, white civilians and military personnel in Southern California supply depots territorialized race and racialized labor through a variety of logistical operations that both expanded the social and spatial mobility of whites and restricted the movement of non-white groups. In the Inland Empire of the 1940s, logistics in particular aimed to efficiently manage the movement of incarcerated Japanese Americans, who were dispossessed of their property and herded into a high desert concentration camp at Manzanar.

“Those Were the Three Best Years of My Life:” Italian POWs and White Freedom

In contrast to the ordeal of Japanese Americans in California, Italian Prisoners of War brought to the United States faced distinctly different treatment at the hands of the Army. With Italy’s formal surrender to the Allies in September 1943, General Eisenhower, then Commander in Chief of Allied Forces in the Mediterranean, and Italy’s new, provisional leader Marshall Pietro Badoglio reached an agreement of cooperation. In December 1943, Badoglio issued a statement requesting all Italian prisoners of war held in the United States to assist the Allies in every possible way, excepting in actual combat.

A few weeks later, in January 1944, the War Department’s chief of the Army Special Forces put Badoglio’s call into action by creating Italian Service Units, or ISUs. Over the next several months, Italian POWs brought to and detained in the United States voluntarily enlisted in ISUs, which were structured almost the same as equivalent American units and whose members were paid about twenty-four dollars per month, the same as American GIs. In sharp contrast to the plight of Japanese Americans, ISUs had considerable social and spatial freedoms and the acceptance of local communities in which they labored.[35] Between 1944-46, 499 former Italian POWs turned ISUs were detained in inland Southern California. These soldiers were initially brought to Norfolk, Virginia, and then shipped by train to spend a summer picking cotton in the blazing fields of Florence, Arizona. As elsewhere in the United States, the war had resulted in agricultural labor shortages that were filled by foreign worker primarily through the Bracero Program.[36]

In January of 1944, as part of a deal brokered between the Southern California Farmers’ Association and the U.S. Army, 499 Italian soldiers signed up to go to the Italian American community of Guasti, near what is now Rancho Cucamonga in San Bernardino County. The Farmers Association agreed to house, feed, and compensate the soldiers in exchange for their pruning vineyards and working the fields of the Inland Empire. The Army agreed to provide a few military guards to ensure minimal safety. Again, the treatment of Italian POWs compared with the internment of Japanese Americans highlights the territorialization of race and labor in the Inland region. Of the arrival of Italian prisoners in Guasti, one media account notes:

“Handshakes and kisses were exchanged and inquiries made about relatives back in Italy… By the time the last of the prisoners was off the train and onto the waiting buses the entire group had begun singing Italian folk songs…Out in the fields the prisoners worked side by side with the farmers, many of them Italian, and their families. At noon meals were served by the women. Often there was a bottle of wine passed around.

There was never a shortage of food. Many of the grateful farmers, feeling 80 cents a day was not enough, donated chickens, eggs, vegetables, cheese and the like.”[37]

Italian Service Units sent to Camp Ono received similarly favorable treatment as recounted by a former unit member:

“The POW’s [sic] had many liberties regarding entertainment. In fact, on many weekends they were driven into San Bernardino to see a movie or to have dinner with their girlfriends’ families!

…on Sundays the prisoners were allowed to take walks into the surrounding vineyards, as this was a fond reminder of their homeland. They would casually walk out for hours at a time with no military escorts. Their only identification was a green arm band that each wore with “ITALY” spelled out in white letters.”[38]

Certainly, all 850 Italian Service Units put to work at the Mira Loma Quarter Master Repair Sub Depot on the outskirts of San Bernardino and the Main Quarter Master Depot in Mira Loma were considered a boon by Army officials faced with a “man-power shortage of major proportions.” The Italian units primarily repaired tents, machinery and appliances and were remarked upon by the Depot historian—in contrast to his less savory appraisal of Mexican and Black workers—for their productivity and focus:

“…For the month of January 1945, the Italians contributed 27,000 man-days. Their lost time record is remarkable- less than 1%- and this includes absence due to illness as well as confinement for disciplinary purposes.” [39]

Moreover, and in contrast to Japanese American internees’ experiences, Italian Service Units were generally afforded dignified and humanitarian treatment. They were taught by San Bernardino Junior College teachers of “university-caliber,” offered classes in English, job training, and military functions and operations, and given time for leisure and the upkeep of their spirits. Per depot historian, James Bennett:

In order to keep the moral of the Italians at the present high standard, they have been encouraged to utilize their dramatic talents in a series of plays which members of the Battalion write, direct and perform during off duty hours…

…the Italians are permitted a limited amount of off-duty athletics. Among their activities in this category they have developed an excellent soccer team. Games are scheduled for each Sunday with soccer teams in this area. To date, the Italians have won the major number of their contests.[40]

The Final Years: Weapons and Waste

After WWII, the Mira Loma Quarter Master Depot had a larger classification operation receiving shipments of material from overseas and the deactivation of military installations in the southwest. In addition, in 1947 and 1948, Mira Loma became a Distribution Center of American Graves Registration, participating in the return of remains program. By 1955, as Army operations declined, the Mira Loma Depot was transferred to the Department of the Air Force and became a storing and dismantling ground for 83 retired Titan 1 and Atlas missiles. About 33 of these relics were distributed to museums, parks and schools as static displays while the remaining 50 were scrapped on site in Mira Loma in 1966.[41] Unsurprisingly, such activities would lead to perchlorate contamination of the site. In 1966, approximately 2/3 of the land was sold to a private entity, the Mira Loma Space Center, which re-developed the site as an industrial and commercial office park, embodying the warehouse landscapes so characteristic of the Inland Empire of today.

Titan-I ICBM SM vehicles being destroyed at Mira Loma AFS for the SALT-1 Treaty Date: 2011-11-08. Credit: Leebrandoncremer License: http://www.wikiwand.com/en/HGM-25A_Titan_I
Titan-I ICBM SM vehicles being destroyed at Mira Loma AFS for the SALT-1 Treaty Date: 2011-11-08. Credit: Leebrandoncremer License: http://www.wikiwand.com/en/HGM-25A_Titan_I

The U.S. Army’s warehousing and transportation operations in Southern California during World War II laid the groundwork for cost-effective practices and time-saving measures that have new incarnations in the consumer warehouses of today.  Japanese Americans imprisoned at Camp Manzanar served a critical “proving ground” for such logistical operations in one iteration, and U.S. troops stationed in the desert were another. Finally, the contamination of the Depot’s original site, by perchlorate from dismantled weapons of war, echoes contamination of another kind—that of airborne, fine particulate matter emitted by diesel trucks in the Inland Empire’s contemporary logistics industry.

NOTES


[1] IMRAN GHORI, “Judge Sides with Moreno Valley in Challenge against World Logistics Center,” Press Enterprise, accessed March 13, 2017, http://www.pe.com/articles/environmental-810973-city-state.html.

[2] Martha Matsuoka et al., “Global Trade Impacts: Addressing the Health, Social and Environmental Consequences of Moving International Freight through Our Communities” (Occidental College and University of Southern California, March 2011), 30, http://departments.oxy.edu/uepi/publications/GlobalTrade.pdf.

[3] John Froines, “Exposure to Railyard Emissions in Adjacent Communities.”

[4] GHORI, “Judge Sides with Moreno Valley in Challenge against World Logistics Center.”

[5] Sheheryar Kaoosji and Penny Newman, “World Logistics Center Bad for Air, Won’t Bring High-Quality Jobs: Guest Commentary,” accessed March 13, 2017, http://www.dailybulletin.com/article/LH/20170106/LOCAL1/170109693; “State of Work in the Inland Empire,” Center for Social Innovation, accessed January 16, 2020, https://socialinnovation.ucr.edu/state-work-inland-empire.

[6] Daniel Flaming and Patrick Burns, “Too Big to Govern: Public Balance Sheet for the World’s Largest Store,” Economic Roundtable (Los Angeles County Federation of Labor, November 26, 2019), 25, https://economicrt.org/publication/too-big-to-govern/.

[7] “Amazon Says It Invested $4.7 Billion in the Inland Empire,” Daily Bulletin (blog), April 27, 2018, http://www.dailybulletin.com/amazon-says-it-invested-4-7-billion-in-the-inland-empire.

[8] Juan De Lara, Inland Shift: Race, Space, and Capital in Southern California (Univ of California Press, 2018).

[9] Penny Newman, “Inland Ports of Southern California: Warehouses, Distribution Centers, Intermodal Facilities” (Center for Community Action and Environmental Justice, June 28, 2012); Jeremy O’Kelley, “South Coast Air Quality Management District Monitoring and Analysis: Mira Loma PM10 Monitoring,” March 2001.

[10] South Coast Air Quality Management District, “Multiple Air Toxics Exposure Study (MATES-II),” March 2000, http://www.aqmd.gov/matesiidf/es.pdf.

[11] Rhonda Spencer-Hwang et al., “Experiences of a Rail Yard Community: Life Is Hard,” Journal of Environmental Health 77, no. 2 (September 2014): 8–17; Hector Castaneda et al., “Health Risk Assessment for the BNSF San Bernardino Railyard,” n.d., 124.

[12] “Key Findings | State of the Air,” American Lung Association, accessed January 16, 2020, https://www.lung.org/our-initiatives/healthy-air/sota/key-findings/.

[13] Laura Hines, “Moreno Valley: Residents Fear Being Surrounded by Warehouse Complex,” The Press Enterprise, May 6, 2012.

[14] Flaming and Burns, “Too Big to Govern: Public Balance Sheet for the World’s Largest Store”; “State of Work in the Inland Empire.”

[15] Plaintiffs on the lawsuit include the Center for Community Action and Environmental Justice, Center for Biological Diversity, Sierra Club, Coalition for Clean Air, and the San Bernardino Valley Audobon Society.

[16] Beau Yarbrough, “$47 Million Settlement Reached in World Logistics Center Lawsuit,” Press Enterprise, April 29, 2021, https://www.pe.com/2021/04/29/47-million-settlement-reached-in-world-logistics-center-lawsuit/.

[17] “When Your House Is Surrounded by Massive Warehouses,” Los Angeles Times, October 27, 2019, https://www.latimes.com/california/story/2019-10-27/fontana-california-warehouses-inland-empire-pollution; “Environmental Group Sues San Bernardino County, Developer over Warehouse Project in Bloomington,” San Bernardino Sun (blog), October 31, 2018, https://www.sbsun.com/environmental-group-sues-san-bernardino-county-developer-over-warehouse-project-in-bloomington; “Developers Sharing Environmental Findings for Warehouse Proposal in Upland,” Daily Bulletin (blog), January 4, 2020, https://www.dailybulletin.com/developers-sharing-environmental-findings-for-warehouse-proposal-in-upland; Steve Scauzillo, “Judge Requires Environmental Review for Proposed Upland Warehouse Rumored for Amazon,” Daily Bulletin, July 28, 2021, https://www.dailybulletin.com/2021/07/27/judge-requires-environmental-review-for-proposed-upland-warehouse-rumored-for-amazon.

[18] James W. Bennett, “Part A; Early Days” (Mira Loma Quartermaster Depot: Office of the Quartermaster General, July 27, 1943), Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[19] James W. Bennett, “Supplying Forty Thousand Japanese Aliens,” May 25, 1943, Record Group 92, Box 7, National Archives at Riverside.

[20] Bennett’s position represented a conscious decision by the US Army to hire military historians to document their institution’s efforts to address technical and administrative problems in order to serve as a resource for future personnel and situations.  The Army was mindful about recording lessons learned about goods movement during World War II and how these could benefit operations during peacetime as well.  Reflecting on the role of embedded historian’s, the Army noted: “This will provide a significant part of the education and orientation of future officers.  They will know what worked well and what worked badly during this war.  More than that, they will know why. Those officers, in the future must build an enormous supply system from a peace-time basis, will have an appreciable advantage over the men who were called upon to develop the administrative machine during the present conflict.  Obviously, industrial and social conditions will have changed. Officers, however, will know what will work well under a given set of circumstances, and many of these circumstances will be repeated.” Bennett.

[21] Bennett.

[22] Bennett.

[23] Bennett.

[24] Carey McWilliams, “Moving the West-Coast Japanese,” Harper’s Magazine 185 (September 1942): 359–69. While McWilliams admired the logistical execution of the relocation operation in 1942, he also later praised the loyalty of Japanese Americans and opined on the “democratic possibilities” of the relocation program. Carey McWilliams, What about Our Japanese-Americans?, Public Affairs Pamphlets, 91 ([New York]: [Public Affairs Committee, Inc.], 1944).

[25] Bennett, “Supplying Forty Thousand Japanese Aliens”; James W. Bennett, “Part B: The Sons of Dai Nippon Present a Problem” (Mira Loma Quartermaster Depot, July 27, 1943), Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[26] Bennett, “Supplying Forty Thousand Japanese Aliens.”

[27] James W. Bennett, “Transcript of Telephone Communication between Colonel Stafford and Major B.P. Spry, Ninth Service Command, Fort Douglas, Utah.,” March 19, 1942, Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[28] Bennett, “Part B: The Sons of Dai Nippon Present a Problem.”

[29] James W. Bennett, “Transcript of Telephone Conversation between Captain Emery D.K. Jackson at the San Bernardino Depot and Colonel E.A. Evans, G-4 Office, the Presidio of San Francisco.,” April 24, 1942, Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[30] James W. Bennett, “Transcript of Telephone Conversation,” October 30, 1942, Record Group 92, Box 7, Folder 1, National Archives at Riverside.(82-83) (Oct. 31, 1942 phone conversation)

[31] James W. Bennett, “Summary of Phone Conversation between Colonel Stafford and Colonel Webster.,” October 31, 1942, Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[32] The new Depot comprised several large warehouses, an administration building, a training building, infirmary, garage, officer’s quarters, sewage disposal plant, engine house, oil pump house, motor repair shop, paint shop, post restaurant, oil storage building, water storage building, and various sheds. James W. Bennett, “Part Three: An Engineering Feat” (Mira Loma Quartermaster Depot, August 28, 1943), Record Group 92, Box 7, Folder 1, National Archives at Riverside.

[33] By continuing improvement of methods, by June in 1945, the personnel was at 1,691 although the freight tonnage handled at this time was increased 40% over that handled in 1944. “History (of Mira Loma Depot),” n.d., Record Group 92, Box 7, Folder: Depot History 1950-51-52, National Archives at Riverside.

[34] James W. Bennett, “Labor at the Mira Loma Depot (an Interim Report), Part A: History and Problems” (Mira Loma Quartermaster Depot, n.d.), Record Group 92, Box 7, Folder: 314.7 Labor at the Mira Loma Depot (An Interim Report) by the Depot Historian, National Archives at Riverside.

[35] Jack Hamann, On American Soil: How Justice Became a Casualty of World War II, 1st pbk. ed (Seattle, WA: University of Washington Press, 2007).

[36] Nicholas, R. Cataldo, “City of San Bernardino – POW’s in San Bernardino,” City of San Bernardino, California, accessed March 18, 2018, http://www.ci.san-bernardino.ca.us/about/history/pows_in_san_bernardino.asp.

[37] T.A. Sunderland, “From Italian POWs to Citizens of the United States,” Los Angeles Times, December 13, 1981, sec. VIEW, http://www.ci.san-bernardino.ca.us/about/history/camp_ono_story___la_times.asp.

[38] Nicholas, R. Cataldo, “City of San Bernardino – POW’s in San Bernardino.”

[39] James W. Bennett, “Report on Italian Service Units” (Mira Loma Quartermaster Depot, 1945), Record Group 92, Box 7, Folder: Historical Items 1945, National Archives at Riverside.

[40] Bennett.

[41] “Mira Loma Quartermaster Depot (Mira Loma Air Force Station, Prisoner of War Camp),” accessed January 20, 2020, http://www.militarymuseum.org/MiraLomaQMD.html.

Dr. Brinda Sarathy joined the University of Washington Bothell as professor and dean of the School of Interdisciplinary Arts & Sciences in July 2021. Sarathy’s scholarly expertise includes U.S. environmental policy, California water politics, natural resource management, and environmental justice. Her books include Partnerships for Empowerment: Participatory Research for Community-Based Natural Resource Management (2008), Pineros: Latino Labour and the Changing Face of Forestry in the Pacific Northwest (2012), and Inevitably Toxic: Historic Cases of Contamination, Exposure and Expertise (2018). Her articles have appeared in a number of peer-reviewed venues including the Journal of Forestry, Society and Natural Resources, Policy Sciences, Race Gender & Class, and Local Environment. Sarathy’s current research examines the environmental history of the first Superfund site in California, the Stringfellow Acid Pits.

Reviews

Breaking Through, Breaking Free: A Review of Cassandra Lane’s We Are Bridges

Lynell George

Early in Cassandra Lane’s keen-edged, forthright memoir, We Are Bridges, she encounters an unexpected spiritual chasm: the gap between the person she has been, and the person she needs to become. 

Thirty-five and freshly linked with a promising new partner, she learns that she is pregnant. Instead of unmitigated enthusiasm, she feels curiously outside of herself. Motherhood is a reality for which she hasn’t prepared. It is, in fact, a role she vowed she’d never undertake. “I was witness to my mother’s failed romances and the hardships of child rearing,” she reveals, “I wanted to be free of all the chains and stains of motherhood.”

This new ambivalence, consequently, unsettles her. Her decision to not bear a child had been nothing less than a pact. Hadn’t she been clear? With everyone? Not least of all herself. 

Looking squarely into that deep breach, she realizes, might offer some necessary answers. Her fear of bearing a Black child into a world of antipathy was plenty enough. Yet, bringing that same child into the unaddressed legacy of family trauma was another daunting contract altogether. “The more folks bury a thing,” she reflects, “the more they sweep it under a rug, the bigger it becomes, the filthier it becomes—the more it demands to be raised.” 

In order to step forward, she would have to circle back. 

Lane grew up in her small-town Louisiana home with hand-me-down heartache circling around the household like ghosts: “Haints” that bumped in the night, spirits that seeped into the crevices and kept watch. For years, without questioning it, Lane found herself falling in-line with the family trait—stepping over and around the heaviness of its unspoken presence. And while she was not convinced of the power of the restless “disembodied,” she was coming to realize: “I do know the past is a ghost.”

The collective family disarray was formidable: Romantic relationships that slid out of grasp or off the rails; women and men boxing with free-floating pain stemming from systemic racism and attendant racial violence; and, most particularly, the quagmire of self-doubt or shame that the women in her family found themselves lost in. 

Lane discerned a wisp of herself floating there, too. While she’d imagined many scenarios for her life—journalist, teacher, and culture worker—the list of evolving roles formed the semblance of moving forward, yet in certain respects, emotionally, she was running in place. 

To break that cycle, to edge closer to new territory, a new self, she knew, her journey would have to begin with an ending: The lynching of her great-grandfather, Burt Bridges, and the breach left at the center of her great-grandmother Mary’s heart. This meant walking into a century-old, raw wound, and confronting the possibility that the journey may not offer up answers, but even more painful questions. Even still, the endeavor would allow her, perhaps, to offer her expectant child something more than she had—a framework and language to investigate the whys and hows. 

Who was Burt Bridges? Not the tragedy, but the person. How does he hover over the family? Lane knows a name and the outline of his story; who he was, as flesh and blood, exists only in fragments of passed-around family stories. What is clear is that he was all plans, pride and dreams.  Taken together, this made him a highly visible target to the small-town white powers-that be. His desire was to flee the Jim Crow South, and try his luck with California, a destination that seemed big enough to foster his dreams. He doesn’t make it, but more than a century later, Lane, his great-granddaughter, does. 

Lane’s narrative is fragmented; intentionally, so. We Are Bridges reads very much in the manner that generational stories are shared and received—in pieces, in tangents, in digressions. There are stories — or shards of them—that don’t come to you until they are intended, when you become of an age where it is appropriate to not just hear the story, but also fully apprehend it. You grow into it. 

Time here is not linear. The narrative slides, jumps, circles back on itself; in a vivid, experiential way, it is a commentary about how hurt tails us, leaps a generation, lies dormant and suddenly springs to life when we least expect—or want—it to. 

While the “Bridges” of the title speaks specifically to lineage, the symbolic “bridges,” in Lane’s account are two-fold: It is a tricky span she must navigate in order to cross into new life territory; as well, it is a new generation and its hope—to move from pain to healing.

Lane, with an expert seamstress’ finesse, weaves trauma and its legacy into the story’s backdrop. It is its own character, hanging back, weighting the atmosphere, as fulsome as Louisiana humidity.

Trauma lays in wait; it touches everything.  From the outset, Lane reveals that there isn’t much physical documentation or  family testimony left: Instead she confronts absence: a dearth of letters or intimate journals to discover or guide her; a paucity of legal documents to ground her, or point her forward. These were people that kept their secrets close. 

As a rule, the journalist’s way is to get as close to the truth as one possibly can, to look for a primary source–the person who bore witness. Consequently, Lane’s way of writing herself back into the moment is to “listen to the hurt,” the few family anecdotes—and the melancholy that shadowed them over generations. Then she could  imagine its effect, and name it.

At the narrative’s outset, Lane classifies the book as a “hybrid”: It’s memoir, yes, but it’s also a journey into the speculative, tunneling back into a series of what ifs and if onlys.  In so doing, she creates lush scenes and dancing, intimate dialogue, that pull the reader effectively into both the terror and the tenderness, and give her forebears’ ghosts flesh and form. As well, it hands them back their dreams and aspirations, but also sharply reanimates the hurt—making  it palpable and present. 

The fluid structure allows Lane the necessary breadth to animate and theorize, to move the fragments around, and in certain respects, to haunt the past. She is skillful at examining cause and effect, intimating how past and present bend and interact. In bridging the present to the past, her language is at turns lapidary and crisp: Of the disintegration of one her mother’s hopeful romantic liaisons she writes:  “The courtship ended just outside our house, where the plums were still light green the way I like them: tart and hard and begging for salt, an astringent against the teeth…”  

For all of the lyric language and her adroit ability to call up lost worlds, Lane does not dodge unpleasantness: She refuses to prettify or idealize; she does not sidestep the uncomfortable. Instead she lets the light in—illumination that is both astringent and purifying. She holds key subjects’ feet to the fire: the father who doesn’t appear to know how to love, the newspaper editors who undervalued her abilities, the graduate school classmate who advises her to hold-back, to censor her pain on the page, and not least of all herself, for her own blind spots and transgressions. 

Late in the book, Grandma Mary reflects: “Why are we [women] always the ones weeping and toting all the pain.” This question moves Mary, in another one of Lane’s invented scenes, to pull back and consider, for all the damage, pain and desolation that cycles back on itself:  “What is the purpose of black life?” 

What Lane’s book eloquently illuminates is that we all too often overlook the quiet victories along the path to survival. Not perfection, but endurance. The sturdy branches, reaching out. There’s not just damage, not just “a generational trail of broken people,”  Lane finds, but a specific type of fortitude and hopefulness that was buried back there as well. That too must be alive. This act of looking back? This act of reclamation? It is as much for her, as it is for her newborn.

At this life’s crossroad, what are the necessary tools and gifts that she might pass down to her child? Lane won’t allow an easy answer; she is more tough-minded than that. She’s come to know, you have to be ready for the truth. As it comes—shards, rough edges and all.  

“The world is not all bad Mary,” Lane ascribes these words to her great-grandfather Burt, who is making his case for the dream of California, its possibilities. But, perhaps, on reconsideration Burt’s words are not necessarily imagined, but received, over the bridge of time: “The world is full of beauty and potential. Full of life and second chances.”  Messages for the journey. A spirit’s nudge. Those sturdy bloodlines connect sons to grand daughters, to the next generation of great-grands and beyond. But even more—they offer a passage to brand new ways of seeing; to renewed opportunities, to not so much make things right, but, first and foremost, to make yourself free. 

We Are Bridges by Cassandra Lane. Copyright © 2021 by Feminist Press. Used by permission of the publisher. https://www.feministpress.org/

Lynell George is an award-winning Los Angeles based journalist and essayist. A former staff writer for both the Los Angeles Times and L.A. Weekly, she is the author of  three books of nonfiction: No Crystal Stair African Americans in the City of Angels (Verso/Doubleday); After/Image: Los Angeles Outside the Frame, a collection of her essays and photographs (Angel City Press) and  “A Handful of Earth, A Handful of Sky: The World of Octavia E. Butler” published by Angel City Press in 2020.

Reviews

The Hispanic Republican

Jerry González

[E-0026-013-39], San Antonio Express-News Photograph Collection, MS 360, University of Texas at San Antonio Libraries Special Collections

On August 28, 1970, a group of constituents penned a letter to Chester Holifield, California’s 19th District Congress member.[1] Comprised primarily of women, the authors asserted that welfare recipients in their suburban communities constitute a “burden on the taxpayer and the homeowner.” Decades of conservative angst over the New Deal state birthed nativism throughout suburban Los Angeles. “Aliens of any country should not be allowed in our country if they have no means of support,” they argued before asking rhetorically, “have you seen the cars these people drive?” And, in a move that became so emblematic of Ronald Reagan’s brand of conservatism, the authors pathologized women who depended on government assistance in arguing that “unwed mothers, divorcees, dope addicts…and aliens” deserved no public benefits.[2] This was not George Wallace’s Alabama; it was Reagan’s California. Latinx population increases in those suburbs, and others like them across the state, fueled local populist anxieties that nested in state and national Republican Party platforms. Spanish surnames like Andrade, Ochoa, and Saldivar,to name just a few, scrawled across the final page revealed an unsettling truth about the suburbs east of East Los Angeles; an emerging Hispanic conservative base had found its voice.

In The Hispanic Republican: The Shaping of an American Political Identity, from Nixon to Trump, Geraldo Cadava explains the origins of the GOP’s Hispanic constituency (Hispanic is the preferred identifier for most in this group). Hispanic support of the Republican Party has calcified over the last five decades and yielded considerable support for Donald J. Trump’s GOP despite its bombastic rhetoric and lethal policies. Since the early 1970s, Hispanic conservatives have influenced elections by siphoning off votes from Democrats and pointing a new direction in American racial politics. Even when the GOP loses, as in the 2020 presidential election where Trump lost to Democratic challenger Joseph R. Biden by a considerable margin, Hispanic support for the GOP remains steady. Polls show that Trump actually gained in Hispanic voter support from 2016 to 2020 — a concerning statistic for many. Indeed, Cadava argues that a principal objective of his book is to historicize and contextualize Hispanic support for Republicans, including Trump (336). Why there are Republican Hispanics is not so much the driving question, as that would presume a political authenticity that is not true of any group. As Cadava asserts, “Latinos aren’t naturally liberal or conservative. They aren’t naturally anything” (xvii). Rather, Cadava explores how Hispanic Republicans crafted collective identities within the conservative movement and to what extent they wielded real institutional power.

New York: ECCO an imprint of Harper Collins, 2020

Argued over ten chapters and divided into four sections, “Awakening,” Influence,” “Doubt,” and “Loyalty,” Cadava’s book is a sweeping survey of the leaders, organizations, and shifts that make up the Hispanic Republican leadership and the opening to an increasingly urgent conversation about the intertwined futures of Latinx politics and the evolution of the GOP. As Cadava writes, partisan issues such as border-wall funding, taxes and business regulations are a result of an electorates’ set of concerns in a given place and time. However, a significant contribution that he makes here is to extend “issues” into the past in order to expose the ideological foundations upon which they rest. More than any single problem, Hispanics have become loyal Republicans over the last seven decades based on a web of dogmas about U.S.-Latin American relations; the United States’ role in spreading democracy around the globe; government-supported capitalism; and a “contrarian identity politics that is every bit as pronounced as the liberal identity politics they’ve spent decades criticizing.” (xvi).

The first wave of Hispanic Republicans formed their political identities through the crucible of the Cold War in Latin America and its manifestations within the territorial boundaries of the continental United States. Prior to the 1950s, Hispanic partisanship vacillated between both major parties, but Cadava argues that World War II and national political realignment following Franklin D. Roosevelt’s presidency shaped Hispanic politics just as it did for other Americans. Cuban American exiles like Desi Arnaz of I Love Lucy fame, and Mexican American business leaders like Lionel Sosa, a graduate of Sidney Lanier High School in San Antonio’s West Side barrio, embraced the party’s tough stance against communism, its position on law and order on the domestic front, and its business-friendly policymaking laced with rhetoric of self-determination. For Cadava, Dwight Eisenhower’s presidential bid in 1952 proved a testing ground for the GOP’s appeal to Hispanic voters. The 1952 “Latinos con Eisenhower” campaign and its successor “Me Gusta Ike” in 1956 promoted Eisenhower’s Cold Warrior credentials and beckoned supporters who felt like the Democratic Party took Latinos for granted. Disaffected Latino Democrats proved a source of recruitment for Republicans during the Eisenhower years. John Flores and Manuel Mesa, both from California, created the institutional frameworks to recruit Hispanics to the Republican camp by tapping into the same disillusionment that spurred leftist community organizers both in the cities and in the fields. The Republican Party adopted a militant anti-communist platform and won Hispanic support, particularly from those with roots in regions touched by revolution, CIA-backed coup d’états, and draconian immigration enforcement policies.

In anti-communism Republicans readied the assault on domestic labor organizing and civil rights efforts. The 1950 deportation of renowned labor organizer and civil rights activist Luisa Moreno is testament to the emergence of Cold War maneuvers on the domestic front. However, rather than oppose such actions, Hispanic Republicans became more defiant in their racial politics. Democratic Party leadership, at least rhetorically, had taken up the mantle for civil rights. By contrast, conservatives such as Barry Goldwater innovated new modalities of anti-blackness by hanging their arguments for segregation on outcomes of the free market.

Barry Goldwater’s conservatism and anti-communism shifted the Republican Party further to the right. The racist ideologies underlying his platforms attracted like-minded blue-collar voters across the country, which included Hispanics who identified more with Anglo Americans than with non-whites. Perhaps because Hispanic Republican numbers were few in the early 1960s, they showed surprising unity despite regional and national-origin differences.

Cadava highlights the role that California Republican candidates played in pushing the party to recognize the Hispanic electorate. Richard Nixon grew the Hispanic Republican base because of his personal history in suburban southern California and because he recognized early on that Hispanics, particularly Mexican Americans, could potentially put Republicans over the top.

In the third chapter, “Nixon’s Hispanics,” Cadava recounts the stories of several influential Hispanic businesspeople. Romana Acosta Bañuelos, who immigrated from Chihuahua, Mexico, rose to success at the head of Ramona’s Mexican Food Products in Los Angeles, and became chairwoman of the Pan American National Bank located on First Street in East Los Angeles. Nixon selected Bañuelos to head the Treasury based on her hard scrabble background and the symbolism it offered for free market capitalism and rugged individualism. He also approved of the fact that she did not participate in the Chicano Movement, despite the décor of her bank adorned with imagery of Aztec civilization – a ubiquitous iconography of the movement (95-7). Even though many Chicanos considered Bañuelos a “tia taco,” or “vendida,” (Chicanx slang for sell-out) she would emerge as one of Nixon’s greatest ambassadors for courting Hispanics. Whether or not she truly represented a “token,” as her detractors argued, she wielded actual power and influence as the Treasurer of the United States appointed by a Republican president. Democrats had never come close to incorporating Latinos – let alone Latinas! – into serious positions of authority, despite the presidencies of John F. Kennedy and Lyndon B. Johnson whose popularity with Latinos far surpassed that of any Republican politician then or since. This fact was not lost on the community-at-large, nor on the Nixon surrogates who helped to orchestrate the nomination. Influence and visibility counted for a lot and Democrats lost the race in that respect.

[E-0022-067-27], San Antonio Express-News Photograph Collection, MS 360, University of Texas at San Antonio Libraries Special Collections

Bañuelos’s rise to prominence in the Nixon White House resulted from a strategy to attract Hispanics in greater numbers to the party’s orbit. However, an immigration raid on Bañuelos’s business in East Los Angeles in 1971 cast a pall around her nomination for Secretary of the Treasury because public opinion about undocumented immigrant workers circulated widely through the California press. Calls for employer sanctions on those businesses that knowingly employed undocumented labor culminated  in the Dixon Arnett bill that Gov. Reagan signed into law a mere one month following the Bañuelos raid.[3]

Nixon’s efforts to install Hispanics in government positions, regardless of their efficacy as politicos or of their community acceptance, helped to solidify a Hispanic base for the party well into the future. Even the dirty tricks embodied by the Watergate affair strangely shored up Cuban American support, particularly in Miami as 4 of the 5 men held close association with Cuba either through ancestry, anticommunism, or both. The effort to bug the Democratic Party offices in the complex was prompted by Nixon surrogates’ assertions that the Castro regime secretly funneled large sums of money to the George McGovern campaign. Thus, spying on Democrats was justified in the eyes of many everyday Cuban Americans whose disdain for Castro and communism ran deep. Many, in fact, wondered why the arrested “plumbers” were considered criminal at all given the Cold War context of the narrative. Under the Trump Administration, they might have been elevated to the level of national heroes and fully pardoned by the president. It was an ignominious contribution, but Cuban American participation in the Watergate break signified one of the most consequential events in modern Republican Party politics. Cadava shows that despite Nixon’s culpability, perhaps even because of it, Hispanic support of the GOP did not waiver. Rather than repel Cubanos, the event did the opposite by burnishing the Cold Warrior credentials of the GOP standard bearer. Also, by that time, an infrastructure had been built to expand Hispanic influence in the party. The Republican National Hispanic Assembly (RNHA) had emerged as force within the party and thus launched the efforts by members to reach further into the apparatus.

Cadava writes about the latter half of the 1970s as a period of doubt marked by a decline in Hispanic support that was triggered by uninspired leadership, the loss of the Vietnam War, a global recession, and increased undocumented immigration. Nixon’s downfall caused ripples across the rest of the Hispanic Republican world. Where Cuban Americans found a bedrock of anti-communist support in the party, Mexican Americans and Puerto Ricans in different parts of the United States waivered in their enthusiasm for the party’s direction.

[E-0022-067-39], San Antonio Express-News Photograph Collection, MS 360, University of Texas at San Antonio Libraries Special Collections

Into this void stepped Benjamin Fernandez, a Mid-Western born Mexican American with dreams of uniting all Hispanics under the GOP banner. As quixotic as any Hispanic Republican leader before or since, “Boxcar Ben” – as he was known because of his self-styled narrative about his birth in a railroad boxcar in Kansas City, Missouri – mattered because he was able to situate himself against the measures of his time: the Chicano Movement, immigration liberalization, and the government social safety net. The son of migrant workers from Michoacán who traversed the Midwestern states before settling in East Chicago, Indiana, Fernandez pulled hard on the bootstraps mythology that he believed colored his story. A lifelong Republican, he set out to become the first Hispanic president of the United States running in the 1980 primaries against the likes of Ronald Reagan, George H.W. Bush, and John Connally. Although he did not win even 1 percent of the national electoral vote, Cadava rescues this character from the historical shadows to demonstrate that the new militancy birthed by the Chicano Movement coincided with a smaller, but equally persistent, movement within conservative circles to tap into the working-class and family-oriented sensibilities of many Hispanics just as blue-collar whites began to leave the Democratic Party en masse.

Reagan reenergized the Hispanic constituency by reviving the Cold War, particularly in the face of retrenchment with Cuba. Additionally, he played his popularity as governor of California and the battles he waged against civil rights, to the Hispanics who supported him in his home state. Reagan’s landslide victory in November 1980 not only burst Ben Fernandez’s bubble, but also consolidated conservative politics at the national level. Reagan’s tough stance against Fidel Castro inspired Cuban Americans to support the newly elected president. Jorge Mas Canosa, a Miami-based Cuban American politico, helped to form the Cuban American National Foundation (CANF) modeled on American Israel Political Affairs Committee and laid the foundation for a reliable GOP constituency in South Florida that persists today. Reagan further garnered Hispanic support by usurping the immigration bill that existed in many draft forms since the early 70s (it lived for a time as the Carter Bill) to sign the Immigration Reform and Control Act of 1986. IRCA endeared Reagan to Hispanics because it opened a path for amnesty at the same time that it codified employer sanctions and drew limits around further legal immigration. It proved a Pyrrhic victory for the GOP as it would also throw fuel onto the kindling of nativism that had begun to emerge within party ranks as early as the 1970s.

The populist uprising within the party around Puerto Rican statehood and undocumented Latino immigration tested the loyalty of many Hispanic Republicans. Despite Ileana Ros-Lehtinen’s victory in a Florida special congressional election in 1988 which signaled a significant victory for Cuban American Republicans, the national appeal of the party faced jeopardy because of the swell in thinly veiled white nationalist rhetoric and policy priorities.

Cadava shines a spotlight on George H.W. Bush’s influence on Hispanic Republicans. With a naturalized Mexican American daughter-in-law and mixed-race grandchildren whom, H.W. notoriously referred to as Jebby’s “little brown ones” on the campaign trail in 1988, H.W. inspired hope as a moderating force within the GOP to continue to rally Hispanic voters. His victory in 1988 yielded strong support initially. He oversaw the confirmations of three prominent Hispanics to his administration, Lauro Cavazos as Education Secretary, Manuel Luján, Jr. as Secretary of the Interior, and Catalina Vásquez Villalpondo as Treasurer. He also flexed support for Puerto Rican Statehood and appeared to Cuban Americans as a battle-tested Cold Warrior by virtue of his eight-year tenure as Vice President under Reagan. However, not long into his term, he began to lose support as statehood died in Congress at the hands of fiscal conservatives in both parties. Also, the end of the Soviet Union and normalization of U.S.-Russia relations essentially removed Cuba from the foreign affairs priority list as national security concerns shifted from communism to terrorism and flipped the map from Latin America to the Middle East. Notably, the Department of Justice opened an investigation into Villalpondo’s activities in the Treasury Department where she faced accusations of improperly influencing the delegation of non-competitive contracts to her former employer. She was eventually convicted of tax evasion and destruction of evidence.

Pat Buchanan’s insertion into the debates around Puerto Rican statehood inflamed tensions between Hispanics in the Republican Party and their non-Hispanic fellows. Buchanan launched a tirade in the Washington Times early in 1990 that played overtly to strains of white ethnonationalism already strong in the GOP. He claimed that 50 percent of Puerto Ricans qualified for welfare and therefore posed a significant financial burden to the United States. Buchanan further asserted that including 6 million Spanish speakers would mark the end of the English-only United States and argued that the new proposed state would send six new Democratic house members and two new liberal senators to Washington (284-5). Prominent Hispanic Republican Luis A. Ferré responded vigorously, speaking  for the collective outraged Puerto Rican community that Buchanan’s  racist arguments were unfounded, and that the 51st state would contribute to the nation in taxes and military sacrifice, and that the language argument held no merit because 15 million Spanish speakers already called the U.S. home. He also wrote that although nobody on the island in 1898 asked to become a colony of the U.S., Puerto Ricans remained “loyal Americans” (286). Buchanan’s position ultimately won the day and marked a significant pivot from a longstanding GOP policy priority. On a more expanded level, it signaled the growing power of xenophobic discourse and white grievance politics as weapons against people of color and center-left and progressive advocates.

The would-be rupture between Hispanic Republicans and the party, although strained, failed to materialize even as Pat Buchanan blustered on a national stage. In California, former San Diego mayor and U.S. Senator Pete Wilson pushed the GOP immigration agenda further to the right as governor of the Golden State from 1991 to 1999. This creep in party discourse began during the Reagan years as the agendas in 1984 and 1988 insisted that the U.S. retained an “absolute right” to secure its borders by legislation, police enforcement, and even physical barriers. Cadava writes that Hispanic Republicans found themselves betwixt and between a party that grew in hostility towards people who looked like them and their compatriots who would be potential Republicans if the party toned down its rhetoric. One example Cadava offers that exposes the choppy waters Hispanic Republicans navigated came in 1992 during the GOP national convention agenda which  called for the erection of “structures” along the southern border. Rather than recognize the most common definition of that term, i.e. physical barriers, many surrogates, including Hispanics, described the phrasing as metaphorical (295-296).

Debates over fencing in the 1990s became a proxy for white nationalist, nativist, and anti-Latino sentiment. Far from an easily cordoned off set of camps, many Hispanics supported fencing and immigration restriction, and many non-Latinos opposed the same measures. Bill Clinton’s immigration agenda included some of the most militaristic efforts in decades, beginning with Operation Hold the Line in El Paso and followed by Operation Gatekeeper in California and Operation Safeguard in Arizona. So as the GOP drifted further into the nativist cesspool, Democrats followed as the Clinton White House established policy prescriptions that would prove even deadlier for migrants seeking to cross into the U.S.

This is perhaps the greatest strength of the book in that it demonstrates that an agenda built on fiscal austerity and small government was not the overriding raison d’etre for Republicans despite their claims to the contrary. Rather, demographic change, nativism, and racism were equally powerful drivers, if not more so, in shaping the modern Republican agenda. As one of the founders of the Save Our State initiative in California, better remembered as Proposition 187, recalled as she walked into a social services center in 1991 “with babies and little children all over the place,” speaking Spanish, she learned that they qualified for the same benefits as U.S. citizens and then and there transformed from a “political neophyte to a fiery crusader” (301-2). Such populist energy against demographic change fueled Governor Pete Wilson’s re-election platform in 1994. Running on anti-immigrant sentiment and championing Prop. 187 made Wilson a GOP darling for those on the far right such as Rush Limbaugh, at the time a burgeoning radio personality.     

Cadava highlights the 1990s as a watershed for immigration legislative debate. The far-right agenda focusing on restriction and removal became the center of the GOP, and likewise influenced Democratic positions (310). Support of anti-immigrant measures at the state and federal levels hurt the GOP and shook the faith of its longtime Hispanic supporters. As a presidential candidate, Bob Dole did not commit to cultivating Hispanic support for his candidacy, not out of any special enmity, but more likely because he was a rather terrible candidate. His poor showings in California and in Florida,where he was the first Republican candidate to lose the state since 1968, signaled to the national party that Hispanic support was slipping. Combining a bad candidate with bad politics sunk the national party in that decade. Additionally, the renewed nativism on the right prompted a groundswell of naturalization and permanent residency applications by Latinos in direct response. As Cadava notes, this was likely not a result of newfound patriotism for the U.S., but a pragmatic decision to protect themselves and their families from deportation or loss of benefits (311).

For Cuban Americans in Miami, the Elián González case confirmed their conservative partisanship. The Democratic Party’s adherence to Bill Clinton’s “wet foot, dry foot” policy for Cubans crossing into the United States sunk Al Gore’s chances in the state as Hispanics in Florida rallying around González punished him at the polls in favor of his Republican challenger, George W. Bush (321-2). Détente between nativist forces and compassionate conservatives was made possible by the Bush family’s influence and popularity with Hispanics. But the floodgates were blitzed and the peace lasted only as long as the PATRIOT Act and the unsupported popular perception that the southern border offered viable passage for would be terrorists.

Fifty years following the Holifield letter that opened this review, the city council in Whittier, California added a new member, Jessica Martinez, whose political identity aligns with the insurgency championed by Donald Trump. Social media posts that predated her election caused an outrage for what some viewed as their bald racism and bigotry. However, the mark of her trumpista GOP identity was confirmed on January 6, 2021 as she attended the “Stop the Steal” rally promoted by Trump and his boot lickers in an effort to overturn the 2020 Presidential Election results which Joe Biden won by more than 7 million popular votes. Although Martinez contends that she would not have gone to Washington, D.C. if she had known violence would rock the Capitol, she remains unrepentant in her political beliefs, despite narrowly escaping formal censure.[4] More well-known is Miami-born Enrique Tarrio, the Afro-Cuban leader of the fascist organization Proud Boys who have become an informal political army for Trump. Tarrio spent the day prior to the insurrection in a jail cell as law enforcement personnel arrested him upon arrival to D.C. for his role in burning a Black Lives Matter flag during a protest the previous month.[5] So what are we to make of these Hispanics, past and present, who continue their allegiance to a party that has long since proven to harbor anti-Latino agendas?

For all the answers that Cadava provides in this text, we are left to speculate how self-identified Hispanics like Martinez and Tarrio became contributors to the latest white supremacist surge. Here it is important to remember what George Lipsitz taught us about the power of whiteness as an identity that structures opportunities, benefits, and, as we consistently see, protection from accountability: “even nonwhite people can become active agents of white supremacy as well as passive participants in its hierarchies and rewards.”[6] As a condition predicated more on power than prejudice or pigment, whiteness “manifests itself through practices that create differential access to wealth, health, housing, education, jobs, and justice.”[7] Historically, people of color who have touted conservative populist causes have done so by aligning with taxpayers or homeowners groups concerned about declining property values. In our present day, the fascist rearticulation of the term “patriot” enables people like Martinez and Tarrio to nuzzle up to whiteness so long as they express outrage at undocumented immigration, or any immigration for that matter, denounce Black Lives Matter, and support a whole host of lies.

Similar to the internal struggles in the 1960s and 1970s,  brown participants in the GOP do not go unchallenged. As the Latinos Por Trump group ramped up efforts, Latinx opponents refashioned the epithets from an earlier generation that charged these actors as sell outs to their people. A popular insult – “tiene el nopal en la frente” – highlights the hypocrisy of being Latina/o/x and supporting white American conservative causes, particularly those that target Latino immigrants. Literally translated as “you have the cactus on your forehead”, the point it makes is that brown/indigenous/mestizo physical features belie the support of white supremacy. 

It is in these grittier social contexts that readers will ask more from this text than it delivers. It is not a social history of Hispanic Republicans, nor does Cadava frame it in such terms. Rather than a focus on everyday Hispanic conservatives, the focus is fixed primarily on the institutions that created access for Hispanics into the party, and the principal actors in this historical drama. Many will want an explanation for folks like Tarrio, Martinez from the Whittier City Council, and the signatories of the Holifield letter, but, for now, will have to analyze them and other grassroots conservatives through the prism of this institutional history. 

Perhaps a more peculiar absence in this book is an analysis of the Ayn Rand-style libertarian influence on the current GOP. The “greed is good” strain of conservative thought has arguably been as influential in the evolution of the post-Reagan machine as blue-collar conservatism and racism. How do Hispanic Republicans figure into the libertarian wing of the party? Certainly Ted Cruz, a renowned Rand acolyte and self-styled libertarian, enjoys a significant following of Hispanic voters (35% support in the 2018 Texas senate race versus Beto O’Rourke). The extent to which Hispanics subscribe to GOP-informed libertarianism is an open question and one that merits further research to understand how future pathways to whiteness channel through such conservative ideals.

Another condition of the modern GOP that is curiously absent in Cadava’s book is a focused analysis on space and how it contoured conservative politics at the metropolitan level. As Juan De Lara points out in Inland Shift (2018) places like Inland Southern California from 1978 to the 2000s supplanted the coastal regions as conservative bastions with large numbers of Republican Party voters and representatives. Indeed, as demonstrated in Adam Goodman’s essay  in East of East (2020) and in his monograph, The Deportation Machine (2020), suburban municipalities like South El Monte, California became new nativist fronts marked by Immigration and Naturalization Service raids and support for anti-immigrant legislation like Proposition 187 in 1994. Such efforts have steadily come to dominate the national Republican Party immigration agenda, but all began at local levels. Trump’s immigration czar, Stephen Miller, grew up in Santa Monica and came up through the ranks of southern California’s nativist machine, first by consuming conservative radio that in the 1980s included characters like Wally George and in the 1990s were dominated by figures like Rush Limbaugh, and Larry Elder, and then by making a name as an undergraduate provocateur at Duke University. The political positions he developed in Southern California eventually came to define the Trump Administration’s immigration agenda. 

I highlight the absences because, as a study with ambitions to forge new lines of inquiry within Latinx Studies, it is highly successful and will undoubtedly launch new and sorely needed research projects that deepen our understanding of the diverse political identities of this growing population. Traditional studies of Latinx politics focused on organizations and institutions to broaden access to the grassroots-level research on organizers and activists. Cadava has paved the way for such future studies by contextualizing the key organs of Hispanic power within the GOP. For one, the Republican National Hispanic Assembly receives considerable attention throughout the text for its role in shaping a constituency within the GOP. Founded in the late 1960s as the Republican National Hispanic Council by a group of war veterans and professionals, the organization would grow to wield significant influence. This vehicle for Hispanic participation embedded in the GOP network symbolized the party’s official recognition of “the little brown ones” in their midst – to borrow from George H.W. Bush’s lexicon – and opened pathways for future recruitment.

Additionally, Cadava highlights the gendered experiences of Hispanic women leaders who played fundamental roles both in the GOP apparatus and national politics. For example, Romana Acosta Bañuelos, Katherine Ortega, and Catalina Vasquez Villalpando, all Hispanic women, all Treasurers of the United States under Republican presidents, represent more than “tokens” but actual power brokers. The fact that Richard Nixon appointed a fellow Californian, Bañuelos, a Mexican American banker from East Los Angeles, meant that a Hispanic Republican and woman of color exercised actual authority over federal decisions. Cadava demonstrates that  the GOP has  implemented strategic efforts to  challenge the idea that their political agenda is racist and sexist by promoting women and people of color for national and state leadership.

The Hispanic Republican is a wake-up call for progressives, particularly white liberals, who uncritically believe that rising Latinx population numbers will naturally shift the political winds. We learn a lot about the machinations of Hispanic Republican power, how it is cultivated and seated, and why any liberal dreams of it evaporating are pure fantasy, given how embedded it is in the GOP apparatus.  There is nothing irrational in many Hispanics’ embrace of conservative causes and policies. Rather, the historical resonances with one-third of the messy conglomeration of peoples lumped into the category challenges us to think critically about the value they find in Republican Party platforms and promises.

One of the real gems of this book is how Cadava rescues monumental figures from the throwaway lines and endnote catacombs of so many Latino political histories prior. Bañuelos, for example, receives a full treatment, as does “Boxcar” Ben. Regardless of their brand of politics, they are significant figures in the grand tapestry of Latinx history and deserve to be adequately critiqued in the context of their counterparts. For example, Bañuelos faced protests by the United Farm Workers and Chicana/o activists as a result of her hiring practices  and for her loyalty to Nixon. These kinds of internal politics warrant closer examination and introspection for Chicanx scholars who seek to understand the ripple effect of the 1970s on our current politics. In the end, we learn that Hispanic Republicans are dogmatic about the principles that govern the GOP. Anti-communism paved the way for hostility towards any political philosophy left of center. Goldwater’s color-blind racism became the seed bed for a refashioned white supremacy, and the hero-worship that Nixon once enjoyed, and that Reagan still holds, created a condition that allows for a single person to shape the party agenda. In other words, Hispanic Republicans are just like the majority of Republicans, and they will not be so easily dislodged from the party apparatus.

Notes


[1] This letter is dated one day prior to the Chicano Moratorium that overtook Whittier Boulevard in East Los Angeles and infamously culminated in widespread abuse by Los Angeles County Sheriff’s deputies and the murder of Los Angeles Times columnist Rubén Salazar.

[2] Betty Lounsberry, et. al. to Holifield, 28 August 1970, Chester Holifield Papers, box 22, folder “Welfare Programs 1970,” Department of Special Collections, University of Southern California.

[3] For more about the political climate surrounding undocumented immigration in California see Jimmy Patiño, ¡Raza Si! ¡Migra No!: Chicano Movement Struggles for Immigrant Rights in San Diego (Chapel Hill: University of North Carlina Press, 2017, 104. The California Supreme Court eventually ruled the Dixon Arnett legislation unconstitutional.

[4] David Mendez, “Whittier City Council Split after Member Attends DC Rally that Turned into a Riot,” Spectrum News I, 18 January 2021, https://spectrumnews1.com/ca/la-west/politics/2021/01/18/whittier-city-council-split-after-member-attends-jan–6-rally.

[5] Peter Hermann and Martin Weil, “Proud Boys Leader Arrested in the Burning of Church’s Black Lives Matter Banner, DC Police Say,” Washington Post, 4 January 2021, https://www.washingtonpost.com/local/public-safety/proud-boys-enrique-tarrio-arrest/2021/01/04/8642a76a-4edf-11eb-b96e-0e54447b23a1_story.html.

[6] George Lipsitz, The Possessive Investment in Whiteness: How White People Profit from Identity Politics, Twentieth Anniversary ed., (Philadelphia: Temple University Press, viii.

[7] Ibid.

Jerry González is Associate Professor of History at the University of Texas at San Antonio, Director of the UTSA Mexico Center, and Principal Investigator on the UTSA Mellon Humanities Pathways Grant. His research interests in Latinx metropolitan history and identity, transnational and transregional migrations, and the U.S.-Mexico Borderlands inform the courses he teaches in history and American Studies. Prior to arriving at UTSA he spent 2009-2010 as a Chancellor’s Post-Doctoral Research Associate in the Latina/Latino Studies Department at the University of Illinois at Urbana-Champaign where he began work on his book, In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles published in 2018 by Rutgers University Press in the Series “Latinidad: Transnational Cultures in the United States.” His current research on San Antonio as a site of continuous Latin American migrations explores the intersection of Sunbelt and Borderlands political economies, cultural confluence, and grassroots organizing.

Articles

The Other Southland: Missions, Monuments, and Memory in Tovaangar

Catherine S. Ramírez

I come from the other Southland. Not the Southland of Lynyrd Skynyrd, plantations, Scarlett O’Hara, and monuments to Stonewall Jackson, but the Southland of The Beach Boys, missions, Ramona, and monuments to Junípero Serra. I’m from Southern California. Notwithstanding the historical, political, demographic, and cultural differences between the South and Greater Los Angeles, both are sites of struggle over how or whether to remember white supremacy and the peoples subjected to it. Both are also sites of settler colonialism and indigenous dispossession and survival.

Figure 1: Mission San Gabriel, San Gabriel, California. Photo by the author.

I also come from the other valley. Not The Valley of movie studios and Valley girls, but the San Gabriel Valley, a constellation of 47 cities and unincorporated areas that stretches some 200 miles from East LA in the west to the Pomona Valley in the east and from the San Gabriel Mountains in the north to Puente Hills in the south. Just as the San Fernando Valley takes its name from the mission that Spanish priests established there in 1797, my valley is home to Mission San Gabriel Arcángel (Figure 1). The fourth of California’s twenty-one missions, Mission San Gabriel was founded by Serra in 1771, ten years before the establishment of el Pueblo de Nuestra Señora de la Reina de los Ángeles. Also known as Tovaangar, the LA Basin, of which the San Gabriel Valley is part, is the ancestral and enduring home of the Tongva, the Native people the Spaniards called gabrieleños. In the twenty-first century, LA County has the largest indigenous population of any urban area in the US. While some of the peaks in the San Gabriel Mountains were named after white supremacists, the SGV, as the San Gabriel Valley is affectionately known, is now one of the least white places in the United States; the majority of its 1.4 million residents are Latinx and Asian. Masses at Mission San Gabriel are offered in English, Spanish, and Vietnamese.[1]

As a child in the 1970s and early ‘80s, I attended masses in Spanish in honor of the Virgin Mary at Mission San Gabriel. My family called these masses ofrecering, a Spanglish word that we invented for offering. Unlike the masses we attended every Sunday at St. Thomas More, our parish church in nearby Alhambra, ofrecering was a special occasion. St. Thomas More was housed in a mundane glass and concrete block dating back to what was then the proximate 1960s. In contrast, Mission San Gabriel was a simultaneously rustic and resplendent two-hundred-year-old historical landmark made by Tongva laborers of brick, stone, and adobe. Like some of the other California missions, it boasts a campanario, a wall with openings for bells. San Gabriel’s holds six bells, the oldest of which dates back to 1795. Yet what makes the mission architecturally distinctive is its strong Moorish style, a testament, in all likelihood, to the Andalusian origin of its designer, Father Antonio Cruzado. Cruzado hailed from Córdoba and the ten capped buttresses along the mission’s imposing, thirty-foot-tall south wall resemble those atop Córdoba’s famous cathedral, a mosque until 1236.[2]

Figure 2: The author (first on left) and her sisters outside Mission San Gabriel, early 1970s. Original photo by the author’s father.

Ofrecering mandated special attire. Not even our Sunday best was good enough. Girls, including my sisters and I, wore white dresses and veils (Figure 2). If my outfit was especially on point, I rocked a pair of white patent leather shoes as well. Boys wore shirts, jackets, and ties. Dressed like miniature brides and grooms, we children paraded up the chapel’s center aisle bearing flowers for the Virgin Mary. Ofrecering was both solemn and sensory. I marched to the altar and left my flowers at the base of a porcelain statue of the Virgin as I watched the light of the candles flicker on the mission’s walls, listened to the choir sing, and took in the scent of incense and fresh-cut roses and calla lilies.

Figure 3: The author in her San Gabriel Mission High School uniform, September 1983. Original photo by the author’s father

In 1983, I returned to Mission San Gabriel for a more prosaic reason: high school. In addition to an elementary school, the mission houses a girls’ high school. Instead of dressing like a bride, I was required to wear black-and-white saddle shoes, a white oxford shirt, a green or navy vest or cardigan, and a green, blue, white, and yellow plaid skirt as a student at San Gabriel Mission High School (Figure 3). Even though there were few students of Scottish descent — the vast majority were Mexican American — our uniform looked a lot like the Gordon Dress tartan, as registered in the Scottish Register of Tartans. Since the school’s founding in 1949, its mascot has been the Pioneer (Figure 4). What this mascot looks like is anyone’s guess. According to the school’s 2019 Official Branding Document, “No images should be used with the name ‘Pioneer’ as there is no official image chosen by the school in its history.”  

Figure 4: San Gabriel Mission High School, San Gabriel, California, August 2020. Photo by the author

Growing up in California, I learned in school that there were three peoples who’d inhabited my state: the Indians, who, I was told, had vanished eons ago; the Spanish explorers, padres, and soldiers, who, I presumed, had also gone away; and the white (sometimes called Anglo) pioneers who’d stayed and given us the present we inhabited. It’s unclear if San Gabriel Mission High School’s Pioneer is Spanish or Anglo. Notwithstanding this ambiguity, the true founders of modern California, I was taught, were white, whether they were from Spain or Scotland. Where, if at all, people of Mexican origin fit into the master narrative of California history was unclear. Until I got to college, I learned nothing about California’s Mexican period (1821-1848). And while I didn’t encounter the word Tovaangar until I was well into my 40s, I learned where Mallorca, Serra’s birthplace, was when I was in the fourth grade.

*          *          *

Figure 5: The author working on her model of Mission San Carlos Borroméo de Carmelo, 1979. Original photo by the author’s father

In California schools, state history is taught in the fourth grade. For generations, the mission project has been a hallmark of the fourth-grade curriculum.[3] Using two quart-size milk cartons for bell towers, homemade yogurt as plaster, and Fisher-Price Little People, my parents and I built a model of Mission San Carlos Borroméo de Carmelo (Figure 5). Like Mission San Gabriel, Mission Carmel was founded by Serra. Of the twenty-one missions, Carmel was reputed to be his “personal favorite.” With its tall, thick walls and high, narrow windows, Mission San Gabriel, the site of multiple uprisings by Native Americans, has the air of a fortress.[4] Carmel, in contrast, is the apotheosis of California’s Spanish fantasy. Its lush courtyard and blue tile fountain belie its role in the enslavement, starvation, torture, and decimation of the indigenous Ohlone and Esselen peoples.  

The Spanish fantasy, a conceit identified and named by journalist, author, and lawyer Carey McWilliams in 1946, is “a fictionalized past exploited by Los Angeles ‘Boosters’ bent on transforming the region into the cultural and economic capital of the West.”[5] In that fantasy, “the Indians were devoted to the Franciscans…their true friends,” while the lay colonizers, genteel dons and pretty señoritas, “lived out days of beautiful indolence.”[6] Poet Caroline Randall Williams reminds us that the South’s “prosperity and sense of romance and nostalgia were built upon the grievous exploitation of black life.” Likewise, the Spanish fantasy obscures and distorts the violence of indigenous and Mexican dispossession in California.

Figure 6: Gateway Plaza Monument, Alhambra, California, August 2020. Photo by the author.
Figure 7: Alhambra High School, Alhambra, California, August 2020. Photo by author.

While the missions have long been associated with the Spanish fantasy, they aren’t its only avatars. The Spanish fantasy permeates the very geography of the San Gabriel Valley. Alhambra, a municipality on the western edge of the SGV, offers a uniquely orientalist take on that fantasy. In 1874, Benjamin “Don Benito” Wilson, a white trapper and trader originally from Tennessee who’d married into a prominent Californio family, bought 275 acres of land about three miles southwest of Mission San Gabriel. He named his purchase Alhambra, after the storied Islamic fortress-palace in Granada, Spain. According to the city of Alhambra website, he chose this name not because of the nearby mission’s Moorish architecture, but simply because his daughter happened to be reading Washington Irving’s 1832 book Tales of the Alhambra. Today, the Gateway Plaza Monument (Figure 6), a replica of the eleventh-century Puerta de Elvira in Granada, sits near the corner of Fremont Avenue and Valley Boulevard.[7] The Gateway Plaza Monument also figures prominently in the Alhambra city logo. Alhambra High School’s mascot is the Moor (Figure 7). I learned to swim in the public pool at Granada Park and I attended quinceañeras, wedding receptions, memorial services and a concert by the ‘80s disco group Tapps at Almansor Court (Figure 8), a banquet hall in Almansor Park. (Almansor, a variation of Almanzor and al-Mansur, was the ruler of Islamic Iberia in the late tenth century.)   

Figure 8: Almansor Court, Alhambra, California, August 2020. Photo by the author.

In addition to erasing Native Californians, the Spanish fantasy erases Mexicans.[8] It replaces both groups with exotic and distant Moors or sanitized and proximate (vis-à-vis other Europeans) Spaniards. Thus, it should come as no surprise that some Mexican Americans have tried to insert Mexicans into the Spanish fantasy as a means of claiming a part of California’s past. Writing about conflicts in the 1960s and ‘70s over California’s fourth-grade mission curriculum, historian Zevi Gutfreund observes that accommodationist Mexican Americans “believed that teaching missions tied their heritage to state history in a powerful way….They believed that accepting the mission myth forged ties to white privilege.”[9] To further solidify the ties between eighteenth-century Spanish colonizers and twenty-first century Latinxs, Pope Francis declared Serra “special patron of the Hispanic people” when he canonized the Franciscan missionary in 2015. What’s more, the pope upheld Serra as “one of the founding fathers of the United States,” thereby rendering Mexicans and other Latinxs “worthy of inclusion as true Americans.”[10] Once again, the pioneer — a settler colonial, in other words — is cast as the true American. When displaced by the white pioneer, Mexicans are victims of settler colonialism. When we become the pioneer, we are agents of it.

*          *          *

Serra’s canonization and the reckoning over monuments that the Black Lives Matter movement has compelled have brought renewed scrutiny to the missionary and his likeness. On September 27, 2015, four days after his canonization, a person or group of people broke into Mission Carmel, where Serra died and is buried. The bronze statue of Serra in the courtyard was toppled and “Saint of Genocide” was scrawled across a stone. Statues of Serra have also been defaced or torn down at the missions in San Fernando, Santa Barbara, Monterey, and San Rafael, in San Francisco’s Golden Gate Park, in Capitol Park in Sacramento, and in Father Serra Park in downtown LA.[11]

Figure 9: The author’s parents and children at Mission San Gabriel, June 2020. Photo by the author.

On June 20, 2020, the day that indigenous activists felled the statue in Father Serra Park, I happened to take my elderly parents and teenage children to Mission San Gabriel. I’m not religious, but I have fond memories of the mission. Moreover, after three months cooped up at home because of the coronavirus pandemic, we were simply desperate to go somewhere. Unaware of what was happening at Father Serra Park, I wagered that driving past the mission was a relatively low-risk activity. The mission was closed, but I was able to take a photo of my family with the Serra statue near the chapel’s main entrance (Figure 9). Although my parents and kids are wearing masks, it’s evident that no one is smiling. Shortly after I snapped that photo, mission authorities moved the statue to an interior garden, away from public view. Then, in the pre-dawn hours of July 11, 2020, a day after $200,000 in renovations had been completed, a fire erupted at Mission San Gabriel. The fire damaged much of the chapel’s interior and destroyed its roof. After a nine-month investigation, the LA County District Attorney charged a man with arson and other counts. No motive for the fire was given.

When I first heard about the fire, I thought I felt ambivalent about it. I shared the outrage and triumph of the protestors in Bristol, England, who, in June of 2020, tore down and pounced on that city’s late-nineteenth-century bronze statue of the seventeenth-century slaver Edward Colston before hurling said statue into Bristol Harbor. Similarly, when I saw over the summer of 2020 how protestors in Richmond, Virginia, had transformed the late-nineteenth-century bronze Robert E. Lee Monument by covering it with images and “names of victims of police violence, protest chants, calls for compassion, revolutionary symbols and anti-police slogans in dozens of colors,” I felt a wrong had been righted, even if only for a moment. Then I admitted to myself that, irrespective of the cause of the fire at the mission, I felt more sadness and loss than ambivalence about it. Undeniably, Mission San Gabriel testifies to the violent past and present of settler colonialism and indigenous dispossession and displacement. So, too, do the White House, the Statue of Liberty, Alhambra’s Gateway Plaza Monument, and the post-World War II tract home in which I grew up. At the same time, Mission San Gabriel, not unlike these aforementioned sites, holds memories and meaning for many.

Above all, Tongva labor, artistry, and survival are manifest at Mission San Gabriel. As art historian Yve Chavez has pointed out,

My Tongva ancestors lived and died at Mission San Gabriel….A visitor unfamiliar with the true history of the missions…may not recognize the Native labor that made this church and other mission buildings….These structures are not just about Spanish colonization…they also reflect the accommodations that Native peoples made under very difficult circumstances: they learned new skills to construct buildings that were not adapted to California’s earthquake-prone environment; they attended mass in the churches either against their will or maybe reluctantly; and they also made these spaces their own. 

Chavez has identified mission museums in particular as troves of “archival materials….made by our ancestors” and has called for increased access to those collections for Native scholars. In September 2020, she noted that “only one of the twenty-one missions has a Native curator.” “The recent fire at Mission San Gabriel,” she stressed, “…is a reminder of the fragility of the historic churches and other buildings that remain at these sites….The missions need Native scholars.” The fire at Mission San Gabriel wrecked not only a living place of worship — of baptisms, quinceañeras, weddings, funerals, and ofrecering — but an irreplaceable primary source and a living connection to the past.

If, as the folks at Monument Lab remind us, a monument is a statement of power and presence in public, then the missions were and are monuments. The Spaniards forced Native Californians to build them, accommodationist Mexican Americans have embraced them, and protestors target them precisely because these structures were and remain statements of power and presence in public. Yet Chavez’s call to “indigenize mission narratives” underscores the need to rethink our, including and especially Chicanxs’, relationship to monuments.

Like lots of people of Mexican origin, I’m of indigenous North American and Iberian descent. While I’m a beneficiary of settler colonialism and indigenous dispossession — I write these words in my house in Santa Cruz, unceded territory of the Awaswas-speaking Uypi Tribe — I reject monuments of Serra and other colonizers, such as Juan de Oñate and Christopher Columbus. These men, problematic in their own time and today, aren’t my heroes. Inviting or compelling me, other Latinxs, and immigrants to identify with and to celebrate them lays bare the violence of assimilation and settler colonial erasure. Rather than reproduce that violence, I seek new ways of remembering and new relationships among past, present, and future.   

*          *          *

Figure 10: Rendering of the Sleepy Lagoon Memorial’s Meditative Sitting areas. Illustration used with the permission of Sandra de la Loza and Arturo Romo.

With the Sleepy Lagoon Memorial, artists Sandra de la Loza and Arturo Romo offer a new vision of the matrix of history, society, and environment. They also offer a new way to link past, present, and future. At the time of this writing (July 2021), funding for the construction of the memorial hasn’t yet been secured, so it’s unclear if it will ever be built. Still, the time is nigh for a new kind of monument in the United States. Because we are, as journalist Mychal Denzel Smith reminds us, Americans “through force, choice, or happenstance,” we need monuments that confront the complex and contradictory roles we play as displacers and displaced.[12] We need monuments that grapple with what critical Latinx indigeneities scholar Maylei Blackwell calls “layers of coloniality,” such as Spanish, Mexican, and U.S. colonialities.[13] We need monuments that rethink power and presence, including indigenous presence. And we need monuments that allow us to heal without forgetting.

The Sleepy Lagoon incident took place in the early morning hours of August 2, 1942, about eight miles southeast of downtown LA, near the intersection of what are now South Atlantic and Bandini Boulevards. The incident involved a couple of fights between groups of Mexicans and Mexican Americans: the first at Sleepy Lagoon, a quarry pit that doubled as a swimming hole, and the second at a party at nearby Williams Ranch. José Díaz, a twenty-two-year-old Mexican immigrant, attended that party. After his bloody and battered body was found outside the hosts’ house, police rounded up hundreds of Mexican American youths as suspects in his murder. Twenty-two young men from the nearby 38th Street neighborhood, all but one of whom were of Mexican descent, were tried and convicted of conspiracy to murder. Ten girls and young women ranging in age from thirteen to twenty-one were held as witnesses in what came to be known as the Sleepy Lagoon case. At least five of those girls and young women were incarcerated at the Ventura School for Girls, while their male counterparts entered the California prison system. Teachers, cops, academics, social workers, the mainstream Angeleno press, and the judge and district attorney in the Sleepy Lagoon case branded Mexican American youths gang members. The zoot look, a style of dress popular among not only some of the participants in the Sleepy Lagoon incident, but among young, working-class Americans in general, was declared the uniform of the Mexican American delinquent.[14]

The Sleepy Lagoon incident catapulted the figure of the Mexican American gangster into the American imaginary. It also foreshadowed the Zoot Suit Riots, clashes in LA between white servicemen and people of color over the first two weeks of June 1943. During the so-called riots, white servicemen attacked Mexican American zooters and people of color in general. The police did nothing or they arrested the servicemen’s victims.  

The Sleepy Lagoon incident and its aftermath exemplify state-sanctioned violence against people of color. In these events, we see elements of the carceral state, such as racial profiling, stop and frisk, and the gang injunction. We see heightened xenophobia and jingoism, the destructive power of yellow journalism, and bitter contests over public space in a city rapidly morphing into an industrial, highly segregated metropolis. And in the zoot suit, we see a syncretic, interracial, urban youth culture with roots in African American jazz. The Sleepy Lagoon incident, Zoot Suit Riots, and World War II-era zoot subculture loom large in Chicanx cultural production. They’re also a part of many family histories, including my own. My uncles and aunts, for example, wore variations of the zoot look, such as baggy trousers and high bouffants, and my father remembers the Sleepy Lagoon case and the Zoot Suit Riots. However, there are no markers in LA (or anywhere else) commemorating Sleepy Lagoon, the Zoot Suit Riots, or the zoot subculture. As Los Angeles Times reporter Carolina A. Miranda has observed, these “oversights…speak volumes about the histories our city considers worth honoring and those it has chosen to overlook.”

The Sleepy Lagoon Memorial would help remedy these oversights. However, as de la Loza informed me, it wouldn’t “exalt” a particular individual or “a singular event.”[15] Instead, it rethinks the very idea of the monument. Spanning approximately 150 yards in Riverfront Park in the city of Maywood, the memorial would consist of multiple parts, including a path; a swale containing native plants, such as California Sagebrush, milkweed, and prickly pear cactus; works of art, such as concrete sculptures and designs on the ground; and seated elements, such as a bench and sculptures in the form of tree stumps (Figure 10). In homage to the Tongva and “current indigenous diasporic communities in Bell, Maywood and surrounding communities,” the tree stump seats would be modeled after trees “native to one of the many cultures that have inhabited Southeast Los Angeles, past and present.” For example, some would be modeled after the California Oak and the Ceiba of Mexico and Central America. Similarly, signage would be in English, Spanish, Tongva, Nahuatl, and Mayan.[16]

To design the memorial, de la Loza and Romo consulted archives, community members, plant experts, historians, and Tongva cultural leaders. They also collaborated with DakeLuna, a landscape architecture firm focusing on “local and regional conservation and watershed issues,” and East Yard Communities for Environmental Justice, an organization that works toward “a safe and healthy environment for communities that are disproportionately suffering the negative impacts of industrial pollution” in East LA, Southeast LA, and Long Beach.[17] The city of Bell and the San Gabriel and Lower Los Angeles Rivers and Mountains Conservancy, a branch of the California Resources Agency, underwrote the cost of the design.[18] 

Riverfront Park is located on the western edge of the Los Angeles River, about two miles southwest from where Sleepy Lagoon and Williams Ranch used to be. The 7.3-acre park opened in 2008 as part of the LA River Master Plan, a vision of “shared public open space and parks, stewardship of precious water resources, improved ecosystem function, and continued flood management” along the river from the San Fernando Valley to Long Beach. Riverfront Park was selected as the site for the memorial because, as Romo explained, “People wanted a monument that they could visit in a place that was accessible already.”[19] Warehouses, parking lots, and the 710 freeway occupy what used to be Sleepy Lagoon and Williams Ranch. Not unlike Dodger Stadium, former site of the vibrant Mexican American neighborhood of Chavez Ravine, these structures concretize historical erasure.  

In addition to undoing that erasure, the Sleepy Lagoon Memorial would offer “ecological remediation.”[20] The area where Sleepy Lagoon and Williams Ranch used to be was once somewhat rural. Today, it’s one of the most densely populated and polluted corners of LA County. Riverfront Park is roughly three miles from Exide Technologies, the source of one of the worst environmental and public health disasters in California and a textbook example of environmental racism. From 1922 until its closure in 2014, the smelter and battery recycling plant at Exide spewed lead, arsenic, and other toxins known to cause cancer, respiratory problems, and learning disabilities into the communities of Bell, Boyle Heights, Commerce, East LA, Huntington Park, Maywood, and Vernon. These communities are predominantly Latinx and about one-third of their residents live in poverty.[21] In October 2020, a federal judge approved Exide’s bankruptcy plan, effectively punting the cost of cleaning up its former facility and its environs to taxpayers.   

Figure 11: Rendering of the mural on the back of the Sleepy Lagoon Memorial’s Whispering Wall and Bench. Illustration used with permission of Sandra de la Loza and Arturo Romo.

Intertwining past, present, and future and the social and ecological, the Sleepy Lagoon Memorial reckons with the violence committed against the peoples, plants, and animals in and around what used to be Sleepy Lagoon. The memorial also celebrates the persistence and resilience of human and non-human life. Parts of the memorial resemble what de la Loza described as “more formal” monuments.[22] For example, the bas-relief mural on the back of the Whispering Wall and Bench (Figure 11) features images of pachucas and pachucos. Meanwhile, the swale that the bench overlooks evokes Sleepy Lagoon, the “gravel pit” that Mexican American youths transformed into a swimming hole because they were often denied access to segregated public pools.[23] The native plants filling the swale were selected not only in honor of “the ecologies that have been displaced through development,” but also because they help with stormwater filtration and soil remediation.[24]

Like the missions and statues of Serra, the Sleepy Lagoon Memorial would be a statement of power and presence in public. Yet rather than projecting white supremacy and inspiring terror, the Sleepy Lagoon Memorial sets out to heal historical, social, and physical wounds. It remedies the omission of Latinxs from dominant narratives of Angeleno history while acknowledging LA’s past and present indigenous peoples. It reminds us of the ongoing need to address profound social problems, such as police violence against communities of color and struggles over space, especially between poor, racialized communities and more powerful forces. And it beckons all of us to pay attention to the health of our planet, beginning with a corner of a park in a brown and working-class neighborhood.    

About a year after I photographed my family in front of a shuttered Mission San Gabriel, my parents and I visited Riverfront Park. The scene couldn’t have been more different from the stillness, solitude, and severity of the previous year. People were enjoying the Saturday-afternoon sun and one another’s company. Children scampered in the playground and on the basketball court, men hurled balls against the walls of the handball courts with the intensity of Olympians, and friends and families picnicked under the pavilions and on the grass. Some picnickers napped in hammocks they’d hung beneath the pavilions and between trees. A paletero competed with an ice cream truck playing “Turkey in the Straw” over and over and an occasional light breeze carried the scent of weed. As we strolled along the park’s path, my father told me about living in Maywood as a small boy in the 1920s. He and his family moved there from Arizona because his father got a job with Standard Oil. My father wasn’t sure what his dad did for Standard Oil. However, in all likelihood, my grandfather, a hardscrabble Mexican immigrant, found work after the Huntington Beach Oil Field, a string of oil pools stretching from Orange County to Santa Barbara, was tapped in 1920. Although I grew up in the SGV, I learned during our visit to Riverfront Park that I, too, am connected to Southeast LA’s braided histories of displacement, extractivisim, migration, exploitation, survival, and resilience.  


Figure 12: Rendering of the path and bridge in the Sleepy Lagoon Memorial. Illustration used with the permission of Sandra de la Loza and Arturo Romo.
Figure 13: Rendering of the front of the Sleepy Lagoon Memorial’s Whispering Wall and Bench, with a tree stump seat in the foreground. Illustration used with the permission of Sandra de la Loza and Arturo Romo.

Traditional monuments, like those of Serra, Oñate, Columbus, Colston, and Lee, are objects. In contrast, the Sleepy Lagoon Memorial would be an ecosystem, a system in which all parts are connected. Above all, it would be an alternative ecosystem to those of el Camino Real, the Spanish fantasy, and toxic capitalism. With its path and scattered seated elements, the Sleepy Lagoon Memorial brings together motion and stillness. The path (Figure 12) is an invitation to enter and to move through the memorial. Indeed, the life-size foot patterns on the bridge crossing the swale – a reference to jazz and the zoot-suiter’s dancing feet — instruct us to “move there” (“MUEVELE ALLI”). Meanwhile, the memorial’s seated elements are an invitation to stay. That the Whispering Wall, the memorial’s most monument-ish component, doubles as a bench is significant (Figure 13). A bench is a resting place. It gives us the opportunity to be still. In addition to transferring “the cultural and environmental knowledge and history of the area,” the Sleepy Lagoon Memorial seeks “to provide space for reflection and regeneration for present and future generations.”[25] Put another way, this expansive, dynamic, and living memorial invites us to stroll, to shake a leg, and then to sit down, to learn about what went down in and near where we’re seated, and to marvel at the living beings that have made and continue to make Tovaangar their home.

Acknowledgements
I thank Sandra de la Loza and Arturo Romo for sharing information and materials about the Sleepy Lagoon Memorial with me; my colleagues, Chris Benner, George Bunch, Ernesto Chavez, Yve Chavez, Sylvanna Falcón, Dana Frank, Dan Guevara, Rebecca Hernandez, Kate Jones, and Veronica Terriquez, for our conversations about missions, monuments, and the SGV; and Carribean Fragoza and Romeo Guzmán for their keen editorial skills. All errors and oversights in this essay are my own. 


Notes

[1] Wendy Cheng, The Changs Next Door to the Díazes: Remapping Race in Suburban California (Minneapolis: University of Minnesota Press, 2013). East of East: The Making of Greater El Monte, ed. Romeo Guzmán, Caribbean Fragoza, Alex Sayf Cummings, and Ryan Reft (New Brunswick, NJ: Rutgers University Press, 2020).

[2] Hubert Howe Bancroft, The Works of Hubert Howe Bancroft, Volume XIX: History of California, Vol. II, 1801-1824 (San Francisco: The History Company, 1886), 113.

[3] Zevi Gutfreund, “Standing Up to Sugar Cubes: The Contest over Ethnic Identity in California’s Fourth-Grade Mission Curriculum,” Southern California Quarterly 92, no. 2 (2010): 161-197.

[4] As early as 1771, the Tongva resisted the Spaniards’ incursions and abuses. As the Catholic News Agency has put it, “At the time [1771], Spanish soldiers in the area were occasionally provoking serious conflicts with the indigenous Tongva population. On one occasion, a Spanish solider raped two indigenous women….The indigenous community, angered by the soldiers’ abuses, at one point confronted the mission.” John Dietler, Heather Gibson, and Benjamin Vargas add, “At Mission San Gabriel, five major uprisings were documented through trial transcripts and missionary correspondence.” Perhaps the most celebrated revolt was the one planned and led in 1785 by Nicolás José, a neophyte, and Toypurina, a medicine woman. See Jonah McKeown, “Our Lady of Sorrows Painting Recovered from Burned California Mission Church,” Catholic News Agency, October 15, 2020, https://www.catholicnewsagency.com/news/our-lady-of-sorrows-painting-recovered-from-burned-california-mission-church-55051. John Dietler, Heather Gibson, and Benjamin Vargas, “’A Mourning Dirge Was Sung’: Community and Remembrance at Mission San Gabriel,” in Forging Communities in Alta California, ed. Kathleen L. Hull and John G. Douglass (Tucson: University of Arizona Press, 2018), 69; Steven W. Hackel, “Sources of Rebellion: Indian Testimony and the Mission San Gabriel Uprising of 1785,” Ethnohistory 50, no. 4 (2003): 643-669; and Cecilia Rasmussen, “Shaman and Freedom-Fighter Led Indians’ Mission Revolt,” Los Angeles Times, June 10, 2001, https://www.latimes.com/archives/la-xpm-2001-jun-10-me-8853-story.html.

[5] Rosa-Linda Fregoso, MeXicana Encounters: The Making of Social Identities on the Borderlands (Berkeley: University of California Press, 2003), 103.

[6] Carey McWilliams, Southern California Country: An Island on the Land (New York: Duell, Sloane & Pearce, 1946), 22.

[7] Thanks to Ernie Chavez for pointing out the Gateway Plaza Monument’s resemblance to Puerta de Elvira.

[8] William Deverell, Whitewashed Adobe: The Rise of Los Angeles and the Remaking of Its Mexican Past (Berkeley: University of California, 2004). Phoebe Kropp, California Vieja: Culture and Memory in a Modern American Place (Berkeley: University of California Press, 2008).

[9] Gutfreund 180-181.

[10] Baron L. Pineda, “’First Hispanic Pope, First Hispanic Saint’: Whiteness, Founding Fathers, and the Canonization of Friar Junípero Serra,” Latino Studies 16 (2018): 287.

[11] Carolina A. Miranda, “Father Serra’s Fall from Grace: The Toppling of the Sainted Friar’s Statue in L.A. Signals Hope for a Reframed State History,” Los Angeles Times, June 22, 2020: E1.

[12] Mychal Denzel Smith, Stakes Is High: Life after the American Dream (New York: Bold Type Books, 2020), 37.

[13] Maylei Blackwell, “Indigeneity,” in Keywords for Latina/o Studies, ed. Deborah R. Vargas, Nancy Raquel Mirabal, and Lawrence La Fountain-Stokes (New York: New York University Press, 2017), 100.

[14] Catherine S. Ramírez, The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory (Durham, NC: Duke University Press, 2009). Elizabeth R. Escobedo, From Coveralls to Zoot Suits: The Lives of Mexican American Women on the World War II Home Front (Chapel Hill: University of North Carolina Press, 2013).

[15] Author’s interview with Sandra de la Loza and Arturo Romo, December 3, 2020 (in author’s possession). I base my descriptions of the Sleepy Lagoon Memorial on this interview and on the design materials the artists generously shared with me.

[16] Arturo Romo and Sandra de la Loza, “Final Concept Design Narrative: Sleepy Lagoon Memorial,” June 25, 2020 (in possession of author).

[17] Carolina A. Miranda, “Goodbye, Guy on a Horse: A New Wave of Monument Design Is Changing How We Honor History,” Los Angeles Times, July 23, 2020, https://www.latimes.com/entertainment-arts/story/2020-07-23/momument-debate-honor-history-new-design-goodbye-guy-on-a-horse

[18] Author’s interview with de la Loza and Romo.

[19] Ibid.

[20] Ibid.

[21] According to 2019 Census data, 98.4% of the residents of Maywood, for example, are Latinx.

[22] Author’s interview with de la Loza and Romo.

[23] Carey McWilliams, North from Mexico: The Spanish-Speaking People of the United States, 2nd Edition (Westport, CT: Praeger, 1990), 207.

[24] Romo and de la Loza, “Final Concept Design Narrative.”

[25] Ibid.

Catherine S. Ramírez, chair of the Latin American and Latino Studies Department at the University of California, Santa Cruz, is a scholar of Mexican American history; race, migration, and citizenship; Latinx literature and visual culture; comparative ethnic studies; gender studies; and speculative fiction. She is the author of Assimilation: An Alternative History and The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory and she is a co-editor of Precarity and Belonging: Labor, Migration, and Noncitizenship. She has also written for the New York TimesThe Atlantic, and Public Books

Postcards Series

In Rancho Santa Fe, We Were Orientals

With “Postcards,” creative non-fiction stories grounded in place, we aspire to create a new cartography of California. For us, literature and language are as much about marking and representing space, as they are about storytelling.


Courtesy of Fernando Mendez Corona

Wendy Cheng

In 1986, when I was nine and my brother was ten, my parents moved us to a place I have never claimed; a place that has never claimed me. Rancho Santa Fe, California: former land of the Santa Fe Railroad, whose twisted experiments created 100-foot tall stands of rare eucalyptus across the wealthy community. Lilian Rice’s Spanish fantasy utopia. A golf course and a tennis club. The place I spent the better part of my youth; the place I first saw a ghost; the place my father died. The place where we were aliens, and alienated. And yet: it was home.

In Rancho Santa Fe, houses were full of pastels and light and high, arched entryways; they were pristine and cool as tombs. Dirt trails flanked the two-lane asphalt roads, and there were no sidewalks, mailboxes, or streetlights. The trails were made for people on horseback, an element in the landscape that might have made it feel rural, except that they led to the nearby, members-only golf course. Residents were proud of the rural fiction, though, and liked to refer to the town as “The Ranch.”

In 1986, my mother and her business partners (a trio of Taiwanese immigrants) sold their first biotech company, and there was money to move up in the world. The house we bought was modest for the area: a four-bedroom ranch house built in the 1950s decorated with old linoleum; faded, pastel-striped wallpaper; and mustard-and-brown-colored tiles in the room that would be mine. The only thing I remember from when we went to look at the house is the earthy smell of ground beef frying in a pan, a smell that to me was exotic and slightly nauseating in its plainness – devoid of the sweet pungency of sizzling garlic, ginger, and soy sauce that infused most of the meat cooked in our house.

When our parents-to-be left Taiwan for graduate school in Detroit, Michigan and Madison, Wisconsin – taking the only pathway available to them out of an island under martial law – they severed their future children’s connection to land, to our relatives, to our ancestors; to culture, customs, and language. We were born, my brother and I, as stunted blank slates, both over- and under-determined by the racial and cultural identities we would never be able to fully grasp, while those were all most other people could see.

We lost the daily fish and vegetable and fruit market in Lotung, where my mother’s mother went since she was a child in the 1930s, where everyone knew her and the fishmonger knew exactly which fish she would want; where she could walk and speak with ease.

We lost the cracked land in Pingtung, where my father’s father was an architect, and whose streets my father could traverse without a map even decades later, when he himself was an old man. (Watching him eat slices of sticky honeyed yams with a toothpick in the warm glow of the nightmarket stalls at the age of 60, I saw him become a child again.)

All my brother and I had was what we could see in front of us, every day: the graduate student family apartment at the University of Wisconsin with the red carpet and creaking metal swing set outside where we were each born and took our first steps. The small house with the brick fireplace in the Clairemont neighborhood of San Diego. The slightly larger house in Del Mar, where we became best friends with our neighbors’ friendly freckled children, who ran barefoot with dirty feet. And then the ranch house on the big land in Rancho Santa Fe.

Courtesy of the author.

In Rancho Santa Fe, even though by then it was already 1986, we were Orientals. We were Orientals because there were so few of us at first: just ___ ___, in my brother’s grade, whose family was so ridiculously rich they owned a pet monkey, and ___ ___, in my grade, whose father was white and wore a toupee. We were Orientals because my brother’s big white athletic friends decided it would be fun to call him “Yang” (this was not our last name). We were Orientals because I was afraid to invite friends to eat dinner at our house, because they were grossed out and said so about things like squid ink on rice. We were Orientals because our parents never made friends with our friends’ parents, not really, but only other Taiwanese people, who usually lived at least a half-hour drive away. We were Orientals because the local security patrol would slow down and tail my father when he was out walking by himself, and because my grandfather – who did not speak English and whose face was brown – was always assumed to be the gardener.

I didn’t find out until much later that one of the reasons there were so few of “us” was because up until the 1970s, people of color were prohibited from living in Rancho Santa Fe unless they were servants.

“Rancho Santa Fe an unusual undertaking: New Colonization Project,” La Times, March 4, 1923

As in so many places, the land tells the history. But we couldn’t see – didn’t know – the Native people, the colonizers, the proselytizers, the developers, and workers who had made it so: The Kumeyaay-Ipai, who knew and stewarded every plant, animal, and season. The first exploratory incursions by the Spanish. The brutal mission period, which irrevocably transformed the land and decimated its peoples. The relatively brief Mexican rancho period, before Anglo settlers insinuated themselves into the landholding Californio families and reduced them to relics of a romanticized past. And then the coming of the railroad conglomerates and Anglo developers, who cloaked their proprietary violence with romantic fantasies of “gentleman” farming and the Spanish past.[1] The Santa Fe Land Improvement Company (SFLIC). Developer Ed Fletcher. SFLIC vice president William Hodges. They imprinted their names on the landscape: Rancho Santa Fe (the “town” in which we lived). Fletcher Cove (the beach we went to most often). Lake Hodges (the lake 10 miles inland where we once tried and failed to catch fish; where, as a teenager, I went with friends to try to see shooting stars; and where, in 2010, a 17-year-old female jogger was raped and murdered).

In the early 1900s, the SFLIC found the alien eucalyptus wood they had planted all over the former Osuna ranch too soft for railroad tracks. By the 1920s, they had decided to convert the land into an exclusive housing development; an embodiment of the Spanish fantasy past. They consulted with Ed Fletcher, who would later be instrumental in developing neighboring, racially exclusive Solana Beach, and ended up working with architect Lilian Rice of the firm Requa and Jackson. Rice traveled to Spain and modeled the architecture of Rancho Santa Fe’s “town” after rural villages in Spain. Instead of a village well, though, there was a gas station designed to look like a well. Instead of peasants, Rancho Santa Fe’s developers sought to recruit wealthy, white, “family” and leisure-oriented residents.

Ed Fletcher also leased some of the land to Chinese and Japanese farmers “and directed them to prove the effectiveness of the land for cultivating fruits and vegetables” (a trick that would repeated twenty-some years later by the U.S. government when it strategically incarcerated skilled Japanese American farmers on sparsely populated lands they wished to develop for agriculture). In 1923, the farmers’ leases expired, and California’s recently passed alien land laws made it difficult for them to renew.[2] The citrus groves Asian American farmers were forced to abandon later became a hallmark of Rancho Santa Fe’s brand of luxurious country living. (“Such plans did not include Asian farmers.”[3]) Mexican and Native American workers contributed their expertise, too, and did the heavy lifting. But they – we – couldn’t live there unless they (we) served a white person.

Cheng’s parents. Courtesy of the author.

While the house was plain, its grounds were not: the backyard featured a long, rectangular pool accompanied by a floral-tiled fountain that spewed water from the cement mouth of a satyr. In front of the house, along the curved, gravel driveway, was a citrus grove with fifty fruit-bearing trees, a remnant of the SFLIC’s hubristic experiments on the land.

Our parents bought the house because of the orange trees, or at least that’s what they told us. The fifty citrus trees included Valencias, Navels, Tangelos, Satsuma tangerines, Meyer lemons, and limes. (Another benefit, my father said, was that we could not see our neighbors and they could not see us.)

To the roses and palm trees, our parents added pomelo trees, guava trees, night-blooming cereus (smuggled on an airplane from Taiwan by family friends), camellias. Formosan azaleas. In the garden area, they planted yam leaves, garlic chives, and later, kale and chard. Kyoho grapevines wound across the trellis of the front entrance, shading low bushes of Formosa azaleas. When my grandparents came to stay with us, my grandmother spent long hours in the garden while my grandfather tended the orange grove.

We put crawfish, captured from the golf course creek, in the fountain. We drove to the beach and caught grunion during their nighttime mating runs, when the beach became alive with wriggling silver life.

Once, my grandfather killed a four-foot-long snake slithering close to the house with a shovel to the head; my brother kept its heavy coiled body, still twitching, in a plastic bag in his room overnight. Coyotes left their scat on the front walkway and in the backyard, and great horned owls hooted and swooped at twilight from the hundred-foot stand of eucalyptus trees that loomed over our backyard. Another time, I found a dead bunny on the driveway, probably hit by a car but looking entirely pristine. Within minutes, though, its luminous black eyes were picked out by crows.

After my brother and I left for college, one after the other, I didn’t come back with any regularity for twenty years to this house, to this land, to my parents (and my brother never really did). For me to come home, it took my father becoming terminally ill, learning how to be present during his slow decline and subsequent death; and then after that, a renewed and transformed relationship with my mother, which grew with strength and beauty and joy through our shared love of my young child. Through him, she took care of me once again; and finally, I began to take care of her, too.

During the long months of the covid-19 pandemic, the house and land brought us peace and renewal. Isolation became safety, room to breathe. The luxury to breathe, when so many could not, and still cannot, amidst this time of immeasurable suffering and murderous neglect.

Now, my mother has decided to sell the house and with it, the land. It is time. It’s all too big for just her, and my brother and I can’t – won’t – move back with our families. We will leave some of my dad here – under the camellias, in the orange grove. The places he loved the most. The trees that nourished us with their fruit and beauty for more than thirty years might be bulldozed by the next owner. The perfume of the lemons, the tart sweetness of the Satsumas – these trees that have borne witness to four generations of our family – gone in an afternoon.

A couple is very interested. They write a letter. The husband owns a business. The wife is an expert equestrian and looks forward to bringing her horse to The Ranch. (I instantly see the orange grove uprooted for a horse stable.) The husband wants to be close to the golf course. They have two young sons. (“I worked so hard to make this house perfect for a family,” my mother says.) They love The Ranch. I know they will fit in instantly, in a way we never did.

What is land when it is property?

We buy it (if we are among the fortunate). We sell it. We leave parts of ourselves in it. We move on and start all over again, until we are gone, too. And yet the land endures.


Notes

[1] In 1946, Carey McWilliams described the “Spanish fantasy heritage” as a key fiction upon which Anglo Americans settlers in California based their claims of rightful succession to a European past (Carey McWilliams, Southern California: An Island on the Land (Kaysville, UT: Gibbs Smith, 1946; 1980).

[2] Information on the Asian American farmers is from Phoebe Kropp, California Vieja: Culture and Memory in a Modern American Place (Berkeley, CA: University of California Press, 2008),p. 162.

[3] Kropp, p. 163.

Wendy Cheng is an associate professor of American Studies at Scripps College. She is the author of The Changs Next Door to the Díazes: Remapping Race in Suburban California (University of Minnesota Press, 2013) and coauthor of A People’s Guide to Los Angeles (University of California Press, 2012). Her creative nonfiction essays have been published in Tropics of Meta and the Cincinnati Review.

Postcard Series

  1. Jenise Miller, “We are our own Multitude: Los Angeles’ Black Panamanian Community”
  2. Toni Mirosevich, “Who I Used To Be”
  3. Myriam Gurba, “El Corrido del Copete”
  4. Jennifer Carr, “The Tides that Erase: Automation and the Los Angeles Waterfront”
  5. Melissa Hidalgo, “A Chumash Line: How an old email and five PDFs revealed my Native Californian Roots” 
  6. Brynn Saito with Photographs by Dave Lehl, “Acts of Grace: Memory Journeys Through the San Joaquin Valley”
  7. Nicolas Belardes, “South Bakersfield’s Confederate Remains”
  8. Ruth Nolan, “Cima Dome, East Mojave National Preserve”
  9. Marco Vera, “My Tata’s Frutería”
  10. George B. Sánchez-Tello, “Oh Salinas! Song, Story and Punk Rock Behind the Lettuce Curtain
  11. Kenji C. Liu, “To eat a fig is to swallow ghosts”
Articles

Deeply Rooted: Immigrants and the Hidden Histories of California’s Wine Industry

Julia Ornelas-Higdon

California’s contemporary wine industry has the allure of an exclusive product created by and for privileged populations. Mediterranean-inspired wineries and gentle rolling hills covered with lush vineyards dot landscapes across the state. California boasts varied wine regions extending from Napa and Sonoma, to the Central Coast, to Temecula, and to the Central Valley and beyond. Often portrayed as the purview of Italian-Americans, the state’s twentieth-century wine industry rose to prominence in the post-WWII decades and made some of California’s most storied wine houses, such as Mondavi, Gallo, and Sebastiani, household names. Further, the industry’s focus on its postwar development has built a romantic veneer around California wine that obscures its diverse, working-class roots. By looking backwards to the origins of the California wine industry, historians can claim a space for the racialized groups who built the industry and who have been rendered invisible in its most recent iterations. This history also destabilizes race and class boundaries, ultimately questioning and redefining what it means to belong in the contemporary wine industry.  

In the last twenty years, prominent Mexican-American wineries have emerged to challenge stereotypes about who represents the “typical” California winemaker. Media coverage about Robledo, Mi Sueño, Mario Bazan Cellar, Maldonado Vineyards, and Ceja in Napa and Sonoma has celebrated the growth of these wineries, which collaborated to organize the Mexican-American Vintners Association (MAVA) in 2010.[1] Many of the MAVA member wineries were founded and directed by working-class Mexican immigrants and their Mexican-American children.[2] They developed from their respective families’ Mexican immigrant roots as well as from decades of expertise as vineyard workers. As L. Stephen Velasquez has argued, “The transnational migrants’ sense of cultural identity and the traditions they brought from various regions in Mexico helped build Napa-Sonoma wineries and enabled these families to move from vineyard workers to winemakers and vineyard owners. The stories of these families’ migration, hard work, and success illustrate the American dream….” In doing so, Mexican-American winemakers have used their work to achieve “economic and social inclusion.” [3] Despite this, their histories are relatively limited within the literature on the contemporary wine industry, with the exception of scholars like Velasquez who have begun to explore this work.[4]

Mexican-American winemakers also have been featured in recent cultural productions.The 2019 documentary, “Harvest Season” profiled Mexican-American winemakers and migrant workers within the California wine industry. The Smithsonian National Museum of American History highlighted the contributions of Mexican-Americans to the wine industry in its exhibit, “Food: Transforming the American Table, 1950-2000.”[5] The Smithsonian exhibition of “La Familia Robledo” displayed items from the Robledo Family Winery, including family patriarch Reynaldo Robledo’s hat, tools, and a wine label from their 2004 vintage of Los Braceros. This red wine honors the Mexican migrant workers who labored in the Bracero program in the 1950s and 1960s. Significantly, Los Braceros puts vineyard workers—who are usually relegated to the background and rendered invisible to the consumer—prominently on display and implicitly recognizes their contributions in creating the finished product, wine. Los Braceros challenges contemporary stereotypes about California wines by highlighting the reality of who is working behind the scenes to produce the beverage in that bottle. (And yes, I have personally sampled Los Braceros—for research purposes, of course—and it is sublime.)

Despite the success of Mexican-American wineries like Robledo, and their families’ long histories in Napa and Sonoma, they are still portrayed as novelties and atypical wineries. And, wine labels similar to that of Los Braceros thatpresent farmworkers as the public face of the industry remain the exception. The continued success of Robledo and other MAVA wineries challenges dominant, white-only narratives about the wine industry in the twenty-first century. Their visibility within the industry helps assert the right of Mexican immigrants, especially agricultural workers, to be in the United States during a period where these rights are continually violated and challenged.

Los Braceros Wine Label

By ignoring the industry’s history before the twentieth century, we obscure the multiethnic, working-class roots of California’s historic wine industry that reframe the novelty of Mexican-American family wineries as part of a more complex and varied legacy. If we look to the origins of winegrowing in California during the eighteenth-century Spanish colonization of Alta California and move forward into the wine industry’s commercialization in the nineteenth century, it becomes apparent that California’s wine industry was born out of the labor of multiracial, working-class immigrants. These included California Indians and Mexican-Californios, as well as EuroAmerican, Chinese, and German migrants. Between the 1780s and the 1880s, these laborers and winegrowers transformed regional landscapes by importing foreign grape varietals, planting new vineyards, and producing California’s first vintages. Along with Native Californians, these racialized immigrant groups were fundamental in building the nascent wine industry all while they were largely excluded from citizenship in California. As such, the wine industry emerged as part of a larger system of race-making and citizenship formation at play in nineteenth-century California.  

This article reveals the importance of these groups, and not just Italian-Americans, in establishing one of California’s most storied agricultural industries. Although popular books about the twentieth-century wine industry predominate in comparison to scholarship about the  pre-World War II wine industry, historians have begun to explore the complex roots of winegrowing in California.[6] This article builds on this existing literature by examining the wine industry’s varied immigrant and working-class growers and laborers, and by claiming a place for California Indians, who are often left out of contemporary conversations about the region’s history. Although Italian-Americans certainly were instrumental in shaping the wine industry we know today, they did not actually enter the scene in large numbers until the late nineteenth century, roughly one hundred years after winegrowing was first established in California. More importantly, their successes in the late nineteenth and early twentieth centuries grew out of the foundation built by the laborers and winemakers who preceded them. Thus, while wineries founded by immigrant laborers and their children might seem like a novelty in the twenty-first century wine industry, in actuality, they are far from anomalous when situated within the broader scope of its historic origins. I argue that exploring its nineteenth-century roots reveals a complex wine industry. This hidden history challenges elite, white-only narratives that predominate within the contemporary California wine industry and highlights the historical erasure of Native Californians and other ethnic agricultural workers.

Mission Origins, Immigrant Roots: Historical overview of the California Wine Industry

As with many other agricultural ventures in California, the roots of viticulture and winemaking lie in the mission system. Under the leadership of Junípero Serra, the Franciscans constructed mission outposts up and down the coast of Alta California beginning with San Diego Alcala in 1769. After the construction of mission churches, the Franciscans’ key priority was to establish formal agricultural cultivation. First, instructing Indians in the agricultural arts were part of the process of Hispanicization, which furthered the Spanish conquest and colonization of Alta California.[7] Second, doing so would secure a regular supply of food that could sustain the missions. Still, scarcity plagued the missions throughout the 1770s. In his frequent letters to government officials and church leaders in Mexico City, Junípero Serra frequently pleaded for materials, especially religious and liturgical goods to furnish the new missions and allow for further expansion.[8] Without fundamental religious items—such as candles, crucifixes, and  eucharistic hosts—the Franciscans could not carry out their primary objective, to convert and baptize Indian neophytes. These shortages included sacramental wine, which was of paramount importance to the Franciscans. They could not say the mass without access to a regular supply of wine, which had to be shipped from Mexico; this threatened to hamper their evangelization.[9] To remedy these shortages, the Franciscans directed mission Indians to begin planting the region’s first vineyards in the late 1770s at San Juan Capistrano and San Gabriel, with the first mission wines produced in the mid-1780s.[10]

The success of mission vineyards relied on the migration of plants, ideas, and, most significantly, of people. Because native California grape varietals are not suitable for wine, the Franciscans imported vitis vinifera grape vines from the Iberian Peninsula via Mexico.[11] More importantly, the Franciscans relied heavily on the expertise and labor of Indians from Baja California, who migrated north with the Franciscans.[12] These campesinos serve as liaisons between the Franciscans and local Indians, teaching and supervising their labor in constructing mission buildings and in clearing fields, planting, irrigating, and harvesting crops.

At its core, winegrowing was established for the sole purpose of furthering the conquest and colonization of Alta California. Wine was not simply a beverage, but rather was a tool of conquest. The Franciscans used viticulture to Hispanicize California Indians, and they used wine produced from mission grapes to convert them to Christianity. Indian laborers planted vineyards, brought in the harvest, and crushed the grapes. In doing so, mission Indians literally sowed the seeds of viticulture and wine in California. Because the Franciscans used agricultural labor to further conquest, they often eschewed modern farming methods that had the potential to make vineyard labor easier on Indian farmworkers. For example, they implemented recommendations from an antiquated Spanish agricultural manual, which meant that Indians pruned grape vines using the “head-pruning” method, essentially training vines to grow into low bushes instead of along wires, trellises, and posts.[13] This did lessen the labor initially required to plant vineyards, but the bending required to prune and harvest the grapes was especially strenuous. This was in keeping with labor across the missions, which consisted of backbreaking stoop labor and other farm work that was not mechanized until the 1820s, long after mechanized cultivation reached other regions of North America.[14]

During the Franciscans’ fifty-year tenure in Alta California, winegrowing remained a largely non-commercial venture. Although there was limited trade of wine between the missions, presidios, and pueblos of Alta California, and evidence of illicit alcohol sales (particularly to Indians, who were prohibited by law from enjoying the fruits of their labors outside of the mass), Spanish colonial laws restricted the wine trade. Winegrowing took a commercial turn following a series of political events that dramatically altered California. First, Mexico’s independence from Spain in 1822 opened California to foreign traders. Second, the Mexican government passed the Colonization Act of 1824 to entice colonists to its northwestern frontier.[15] Finally, in 1833 the secularization of the missions opened up vast tracts of land originally intended for Indians, but which ended up in the hands of large-scale land owners.[16]

Together, these legal changes directly led to the expansion of viticulture around the southern missions and the Pueblos of Los Angeles.[17] Plentiful lands were available on which newcomers could plant vineyards, as were markets to trade in wines and aguardiente.[18] The vineyardists and vintners driving this commercial turn included Mexican-Californios of the elite ranchero class and immigrants from Europe and the United States. In addition to their work as cattle ranchers, Californios Tomás Yorba and Vicenta Sepúlveda Yorba produced wine and aguardiente from their vineyards at Rancho Cañon de Santa Ana. They traded their ranch goods, including hides, tallow, wine, and aguardiente, with Americans like William Heath Davis.[19] Likewise, French immigrant Jean Louis Vignes arrived in Los Angeles in 1833. He purchased one hundred acres in the center of the Pueblo of Los Angeles near the river, naming his land El Aliso and renaming himself Don Luis Vignes to assimilate into Mexican-Californio culture. While his previous ventures in France and the Sandwich Islands have failed, in California he found success. Vignes planted extensive vineyards and orange orchards and built a winery and brandy distillery. Vignes likely produced his first vintage in 1837; by the early 1840s, he was shipping his wines across California.[20]

One aspect of winegrowing that did not change after secularization was that former mission Indians continued to labor in vineyards and wineries on lands previously belonging to the missions, but that were now owned by Californios and other immigrant landowners. In short, these two groups benefited from the continued racialization and exclusion of Indians outside the parameters of citizenship and landownership in Mexican California. At Rancho Cañon de Santa Ana, Tomás Yorba and Vicenta Sepúlveda Yorba relied on former Mission Indians who had previously lived at San Gabriel and San Juan Capistrano.[21] By mid-1830s, they employed nearly seventy Indians across their ranch.[22] Likewise, Don Luis Vignes hired Gabreliño Indians from the nearby San Gabriel Mission to tend his orchards and vineyards. Although Indians continued to work in a state of servitude on newly expanded vineyards, their lives were not as regimented as they had been in the missions. Landowners did not force Indians to live according to prescribed religious programs, nor did they control every aspect of Indians’ lives.[23] As with Spanish law, Mexican laws ostensibly prohibited Indians from legally purchasing alcohol, but this did not prevent winemakers from selling wine and aguardiente to Indians. Thus, this second generation of Mexican-Californio and immigrant winegrowers was responsible for forging California’s first commercialized wine industry, which continued to be driven by Indian labor. Yet, they found ways to categorize Indians as second-class citizens, including their continued exclusion from the privilege of enjoying wine, the product of their labor.  

The wine industry evolved yet again between the 1850s and 1880s following the American conquest of California. Scholars have demonstrated how American legal and economic systems, the racial exclusion of former Mexican citizens, and violence all functioned to reorganize the power and wealth in California, ultimately dispossessing Mexican-Californios of their land and property rights.[24] A new influx of EuroAmerican immigrant vineyardists and winemakers were part of this group of new landowners that emerged in the decades following the Mexican-American War. They further commercialized and professionalized the industry by organizing trade groups and lobbying for government assistance.[25] As they did so, these American newcomers helped to redefine the boundaries whiteness and citizenship away from their previous understandings in Spanish and Mexican California. Beginning in the 1860s, German immigrants emerged as a group of influential winegrowers in the Los Angeles area, which continued as the state’s hub of winegrowing. In 1854, German musicians John Frohling and Charles Kohler left San Francisco to become winegrowers in Los Angeles.[26] There, they purchased a vineyard and founded Kohler & Frohling Winery. By 1858, their wines were earning prizes at state agricultural fairs.[27] The winery was so successful that the firm collaborated with George Hansen, a Los Angeles surveyor, to establish a vineyard colony, which could sell grapes to their winery and allow for increased production.[28] Incorporated in 1857, the Los Angeles Vineyard Society was formed as a joint-stock company by a group of German immigrants from San Francisco. The company purchased land along the Santa Ana River, planted vineyards, and built a town, Anaheim.[29]  Within ten years, Anaheim’s winegrowers claimed that their vineyards were producing six hundred thousand gallons of wine annually; although this was likely an overestimation, Anaheim’s growers were recognized among the most productive in the state.[30] Likewise, German immigrant Leonard J. Rose arrived in Los Angeles in the early 1860s. He settled in the San Gabriel Valley on a ranch he called Sunny Slope and soon established himself as a vineyardist and horse breeder. By the 1880s, his winery was producing four hundred thousand gallons of wine and one hundred thousand gallons of brandy annually.[31]

This period also witnessed the continued influence of other European immigrants. Mathew Keller, an Irish immigrant, established a productive vineyard in Los Angeles.[32] Pierre and Jean-Louis Sansevain (nephews of Jean Louis Vignes) had purchased their uncle’s vineyard and winery, El Aliso, in the early 1850s. They expanded production, built new wine cellars, and were known for their award-winning, unadulterated wines.[33] A Hungarian immigrant with a colorful past, Agoston Haraszthy was a well-known winegrower in Sonoma.[34] Haraszthy emerged as a vocal leader within agricultural trade groups, even traveling to Europe on behalf of the California State Agricultural Society to gather grape varietals and learn about best practices from the continent’s best wine regions.[35]

At the same these time new immigrants replaced Mexican-Californio winegrowers and landowners, the decline of California Indians in the 1860s brought different groups of racialized workers to the state’s vineyards and wineries—groups whose race and class status continued to render them ineligible for citizenship in American California.Many growers hired working-class Mexicans and Indians from other parts of the southwest. For a period, Anaheim’s vineyardists employed Yaqui Indians from Arizona and northern Mexico who had fled the Sonoran borderlands to escape war with the Mexican government.[36] Leonard J. Rose regularly hired crews of “Mexican peons” from the nearby rancheria to work in his vineyards at Sunny Slope.[37] Chinese immigrants also worked in vineyards, particularly as they came off working on the transcontinental railroad in the 1870s. Even in the wake of growing anti-Chinese sentiment in California during the 1870s, and with the rise of federal Chinese exclusion in 1882, winegrowers sought out crews of Chinese vineyard workers.[38] Between the 1850s and 1870s, the colonists at Anaheim sent for Chinese workers from San Francisco several times and eventually established a segregated Chinatown in town. [39] For Anaheim’s growers, the Chinese “proved to be good farmers, were industrious, sober, clean, peaceful and in every way a welcome contrast to the Indians.”[40] At Sunny Slope, Leonard J. Rose employed Chinese workers because they were “absolutely dependable and honest, rarely losing a day and seldom quitting their jobs.”[41] Agoston Haraszthy hired crews of Chinese workers to clear land and plant over seventy thousand vines at Buena Vista Vineyard.[42] Using their experience with dynamite from the railroads, they dug hundred feet of tunnels to construct wine cellars at Buena Vista.[43] Leland Stanford also relied on Chinese laborers to tend his vineyards at Vina Ranch in the Sierra Nevada foothills and faced angry pushback from anti-Chinese nativists in the surrounding areas.[44]Growers favored the Chinese because they stereotyped them as being more docile than other populations, and because they could pay them lower wages.[45] Indeed, these presumed characteristics which excluded the Chinese from access to landownership and citizenship rights made them ideal workers from the perspective of vineyard owners.

At its core, these first iterations of the California wine industry emerged from the labor of diverse groups. This historic wine industry drew from the various populations of immigrants—Chinese, German, and Irish, among others—pouring into nineteenth-century California, and put them side-by-side with California Indians and Mexican-Californios. From landowners to vineyard workers, vineyards and wineries were unique spaces where diverse groups interacted and worked together. Most importantly, racialized vineyard and winery workers built the industry.They cleared land for vineyards, planted grape vines, harvested the grapes, and crushed them with their feet. At the same time they engaged in this important work, racialized Indian, Mexican, and Chinese laborers were largely excluded from the boundaries of citizenship in nineteenth-century California. As such, their contributions to building the wine industry have been largely forgotten and ignored.

In the late nineteenth century, a series of environmental and economic catastrophes nearly crippled the California wine industry, marking another pivot in the business.[46] At this juncture, a group of enterprising Italian-Americans based in San Francisco reorganized and modernized the wine industry, helping to save it from demise. Within the complex racial hierarchies of California, immigrant winemakers and entrepreneurs from northern Italy were able to capitalize on their ambiguous racial status in ways that Chinese and working-class Mexicans in California, and even southern Italian immigrants working in the eastern industries were not.[47] As Simone Cinotto has argued, these immigrant winemakers had access to “rights from which Asian immigrants were legally deprived, such as naturalization and landowning, and that were de facto denied to Mexicans by virtue of their colonized status,” which, in in turn, allowed Italian immigrants to “envision a path of mobility to independent occupations as farmers and winemakers—a social condition so deeply entrenched with the notions of freedom and whiteness in the United States.”[48] Ultimately, these northern Italian immigrants occupied a racial “middle-ground” that provided access to the privileges associated with whiteness in California, such as landownership and capital, that enabled them to pursue wine cultivation not as wage workers, but as vineyardists and wine entrepreneurs.

The Italian-Swiss Colony was founded by prominent Italian-American merchants in San Francisco under the leadership of Andrea Sbarboro, who spearheaded the purchase of their land, Asti, in Sonoma County. Although the company struggled in its early years, it took off in the late 1880s when Pietro Carlo Rossi took over management of the company. Rossi implemented modern winemaking techniques that enabled the Italian-Swiss Colony to standardize bulk production of wine and ship its product to national and international markets.[49] In 1894, Sbarboro and Rossi also helped found the California Wine-Makers’ Corporation, a syndicate of winemakers who organized to compete with the California Wine Association monopoly of the wine markets.[50] The CWA and the CWMC subsequently engaged in a “wine war” over market control. Eventually, the CWA absorbed the CWMC, with Rossi becoming a director within the CWA.

California Wine Association Headquarters before 1906 earthquake

Similarly, Secondo Guasti founded the Italian Vineyard Company in 1900, planting vineyards on a former Mexican ranch in Cucamonga. His proximity to the new Southern Pacific Railroad afforded Guasti easy access to distant markets. At the turn of the twentieth century, Italian-American winemakers helped to inaugurate a modern wine industry—more corporate and funded by investors, like the Bank of Italy—built on the foundation established by the diverse growers who preceded them. Unlike their predecessors, these growers preferred to hire Italian-American workers, and not racialized vineyard laborers, as had their predecessors. Guasti occasionally hired temporary Japanese workers, but Sbarboro went so far as to ban Asians.[51] Guasti and Sbarboro’s antipathy towards Asian workers was not unique given the context of the period. They were operating in the decades after the Chinese Exclusion Act of 1882 amid growing public outrage against Asian farmers that would, ultimately, lead to California Alien Land Law of 1913 targeting Japanese immigrants. However, their exclusion of non-Italian-American farmworkers was uncommon. Consequently, over time the wine industry became less diverse. These winegrowers flourished for the next twenty years, but Prohibition coupled with the Great Depression ultimately weakened California’s wine industry until its renaissance in the post-war period

The Contemporary California Wine Industry

Moving forward to the late twentieth and early twenty-first centuries, winegrowing has expanded to occupy an outsized role in California agriculture. Currently, wine grapes and wine occupy an important role in the state and national agricultural economies. Wine grape acreage in California grew steadily from just over 100,000 acres in 1960 to nearly 600,000 acres in the most recent statistics, with considerable spikes in production during the 1970s and 1990s.[52] More recently, the number of bearing acres of wine grapes increased by 70,000 acres between 2008 and 2017.[53] Casual observers across the state can note these changes in land use as orchards along Interstate-5 in the Central Valley have been replaced with vineyards. Within the state agricultural economy, over 590,000 acres of vineyards were harvested in 2018, producing over 4,285,000 tons of grapes with a total value of over $4.3 billion.[54] In 2018, California wine was a top export commodity for the United States, ranking fourth among all agricultural products.[55] Nationally, California wines made up over 91% of US exports of wine, with a value of nearly $1.5 billion in 2018.[56] California wines ship all over the world, with top-receiving countries in the European Union, Canada, Japan, and China. Wine drives trade, and it serves as a cultural ambassador for California, drawing tourism dollars in wine regions across the state.

Clearly, the wine industry occupies an important place in contemporary American society and for California itself. The story California wine does not conform to the mythology of Thomas Jefferson’s yeoman farmer, nor is it solely Italian-American. It is a uniquely American story in that the industry was built on the model of commercial, large-scale growers who relied on racialized wageworkers. But, why should we care about the historic origins of the wine industry, particularly since there is not a linear history between its birth in the missions and contemporary industry?

By historicizing the wine industry’s deep immigrant roots and racial diversity, we can challenge contemporary narratives about the wine industry as an exclusive and predominately white space. First, wine cultivation in California grew from the labor of mission Indians, California’s first farm workers. This history claims a space for California Indians within this lauded industry. Second, this history also challenges contemporary arguments about immigration, belonging, and citizenship by unveiling the California wine industry’s deep immigrant roots. These hidden histories contests the erasure of racialized groups from the wine industry. In doing so, this article underscores the longevity and historical significance of immigrant agricultural laborers, who are largely ostracized outside of the body politic as outsiders or temporary sojourners across the United States. There is no linear line connecting nineteenth-century winemakers and vineyard laborers to contemporary Mexican-American vintners and agricultural workers. However, by putting these groups in conversation with each other and framing them within the historical trajectory of the wine industry, we begin to challenge and disrupt exclusionary racial and class stereotypes about the contemporary California wine industry.This hidden history challenges the erasure of these groups from contemporary narratives about California wine, and about the immigrants who built the wine industry. In the twenty-first century, immigrants and their descendants continue their legacy, reshaping this industry and challenging what it means to belong in the contemporary United States at a moment when immigrants are facing historic levels of nativism, exclusion, and detainment across the country. Exploring the roots of the wine industry makes a space for Mexican-American winemakers and vineyard workers to claim their stake in the rich valleys of Napa, Sonoma, and beyond.

Notes

[1] “Our Rich History,” MAVA, accessed 8/8/19, http://nsmava.org/about/.

[2] Henry Lutz, “Napa Valley’s Mexican-American Vintners have a Story to Tell,” Napa Valley Register, August 21, 2018, https://napavalleyregister.com/news/local/napa-valley-s-mexican-american-vintners-have-a-story-to/article_9845ea3e-1df1-56f9-8680-b3faa1549244.html.

[3] L. Stephen Velasquez, “Doing it with ‘Ganas’: Mexicans and Mexican Americans Shaping the California Wine Industry,” Southern California Quarterly 100: 2 (Summer 2018): 217-218.

[4] For example, see Frances Mollno, Deep Roots and Immigrant Dreams: A Social History of Viticulture in Southern California, 1769-1960 (PhD Diss., Claremont Graduate University, 2008) and L. Stephen Velasquez, “Doing it with ‘Ganas’: Mexicans and Mexican Americans Shaping the California Wine Industry.”

[5] The exhibit, which opened in 2012, documents American winemaking in the post-WWII period. For discussion of the Robledo Family winery, see https://americanhistory.si.edu/food/wine-table/la-familia-robledo. Accessed August 6, 2019.

[6] For discussion of the wine industry’s early history, see Erica Hannickel’s Empire of Vines: Wine Culture in America (Philadelphia: University of Pennsylvania Press, 2013), which demonstrates how nineteenth-century viticulturists across the United States shaped continental expansion, empire, as well as ideas about race and miscegenation. Similarly, Linda Frances Mollno, Deep Roots and Immigrant Dreams: A Social History of Viticulture in Southern California, 1769-1960 (PhD Diss., Claremont Graduate University, 2008), Thomas Pinney’s History of Wine in America Volume I: From Beginnings to Prohibition (Berkeley: University of California Press, 2007),Victor W. Geraci’s “Fermenting a Twenty-First-Century California Wine Industry,” Agricultural History 78, no. 4 (October 1, 2004), 438–65, and Vincent P. Carosso’s The California Wine Industry: A Study of the Formative Years (Berkeley: University of California Press, 1951) have documented the evolution of California’s historic wine industry.

[7] For further discussion of the Hispanicizing goals of the Franciscan missionaries, see Steven W Hackel, Children of Coyote, Missionaries of Saint Francis: Indian-Spanish Relations in Colonial California, 1769-1850 (Chapel Hill: University of North Carolina Press, 2005), 280-287; David Sweet, “The Ibero-Aerican Frontier Mission in Native American History,” in The New Latin American Mission History, ed. Erick Langer and Robert H. Jackson (Lincoln: University of Nebraska Press, 1995), 4; Robert H. Jackson, “The Formation of Frontier Indigenous Communities: Missions in California and Texas,” in New Views of Borderlands History, ed. Robert H. Jackson (Albuquerque: University of New Mexico Press, 1998), 134.

[8] Junípero Serra, Writings of Junipero Serra, Volume I, ed. Antoinin Tiber, O.F.M. (Washington, D.C.: Academy of American Franciscan History, 1955), 62-63, 221.

[9] Junípero Serra to Father Francisco Palou, written at Monterey, June 21, 1771, Writings of Juniper Serra, Volume I, ed. Antonine Tiber, O.F.M. (Washington, D.C.: Academy of American Franciscan History, 1955), 243.

[10] Some scholars date the first Mission vintage between 1781 and 1784 at San Juan Capistrano, but likely the first wines were produced a few years later. Thomas Pinney, History of Wine in America, 238.

[11] Later generations of growers named this the Mission grape. See Thomas Pinney, “The Early Days in Southern California,” in The University of California/Sotheby Book of California Wine, ed.  Doris Muscatine, et al. (Berkeley: University of California Press, 1984), 4.

[12] Richard Steven Street, Beasts of the Field: A Narrative History of California Farmworkers, 1769-1913 (Stanford: Stanford University Press, 2004), 19.

[13] Alonso de Herrera, Agricultura General (Madrid: Don Antonio de Sancha), 1777. Originally published in the 16th century, this treatise underwent multiple revisions by various authors well into the 19th century. Several missions, including Santa Bárbara and Santa Clara, owned copies of the reference book. See Mission Santa Clara (Mission Santa Clara Archives, R.G. 1, Series V: Secularization and the Formation of California’s First Diocese, 1833-1851, Box 17, Folder 14: Mission Santa Clara Inventory of 1851 (Reproduction, Transcription, and Translation), 1851; Thomas Pinney, “The Early Days in Southern California,” in The University of California/Sotheby Book of California Wine, 2.

[14] Richard Steven Street, Beasts of the Fields, 28.

[15] Doyce B. Nunis, Jr. “Alta California’s Trojan Horse: Foreign Immigration,” in Contested Eden: California before the Gold Rush, ed. Ramón A. Gutiérrez, and Richard J. Orsi (Berkeley: University of California Press, 1998), 305; Douglas Monroy, “The Creation and Re-creation of Californio Society,” in Contested Eden, 180-181.

[16] After 1833, large land grants were redistributed to Californios at a rapid pace. Relatively few Indians received title to land, and those who did got small plots of land. See Steven W. Hackel, 388-389; Miroslava Chávez-García, Negotiating Conquest: Gender and Power in California, 1770s to 1880s (Tucson: University of Arizona Press, 2004), 62.

[17] Los Angeles was the winegrowing hub of California until the 1880s. 

[18] Aguardiente was distilled grape brandy. It was the most common distilled alcohol in California before the Gold Rush. Pinney, A History of Wine in America, 238.

[19] William Heath Davis, Seventy-five Years in California (San Francisco: J. Howell, 1929), 222.

[20] Scott Macconnell, “Jean-Louis Vignes: California’s Forgotten Winemaker,” Gastronomica: The Journal of Food and Culture 11, no. 1 (April 2011): 90-91; Vincent P. Carosso, 8.

[21] Wayne Dell Gibson, Tomas Yorba’s Santa Ana Viejo, 1769-1847 (Santa Ana, CA: Santa Ana College Foundation Press and Rancho Santiago Community College District, 1976), 79; Testimony of Jose Dolores Sepulveda, The Anaheim Water Company, et. Al., Plaintiffs and Respondents vs. The Semi-Tropic Water Company, et al., Defendants and Appellants, Transcript on Appeal in the Superior Court of Los Angeles, State of California, Quoted in George Harwood Phillips, Vineyards & Vaqueros: Indian Labor and the Economic Expansion of Southern California, 1771-1877 (Norman: Arthur H. Clark Co., 2010), 162.

[22] Terry E. Stephenson, Don Bernardo Yorba (Los Angeles: G. Dawson, 1941), 32-33.

[23] Steven W. Hackel, 369.

[24] For further discussion of American conquest in California, see Linda Heidenreich, “This Land Was Mexican Once:” Histories of Resistance from Northern California, (University of Texas Press, 2007); John Mack Faragher, Violence and Justice in Frontier Los Angeles (New York: W. W. Norton & Company, 2015); Tomás Almaguer, Racial Fault Lines: The Historical Origins of White Supremacy in California (Berkeley: University of California Press, 1994); Lisbeth Haas, Conquests and Historical Identities in California, 1769–1936 (Berkeley: University of California Press, 1995); Chávez-García, Miroslava, Negotiating Conquest Gender and Power in California, 1770s to

1800s (Tucson: University of Arizona Press, 2004.

[25] Between the 1850s and 1870s, newly organized trade groups lobbied the state legislature to support research, education, and the distribution of plants and materials among viticulturists throughout the region. For example, see M.G. Gillette, Report of Special Committee on the Culture of the Grape-Vine in California: Introduced by Mr. Morrison Under Resolution of Mr. Gillette, to Examine into, and Report Upon, the Growth, Culture, and Improvement, of the Grape-Vine in California (Sacramento: Charles T. Botts, State Printer, 1861), 3-10.

[26] “An Account of the Wine Business in California, from Materials Furnished by Charles Kohler,” MSS C-D 111, Bancroft Library, University of California, Berkeley.

[27] “Native Wines,” Los Angeles Star, October 23, 1858.

[28] Leo J. Friis, Campo Aleman: The First Ten Years of Anaheim (Santa Ana: Friis-Pioneer Press, 1983), 15.

[29] Dorothea Jean Paule, “The German Settlement at Anaheim” (Master’s Thesis, University of Southern California, 1952), 10, 175; Leo J. Friis, 15-17

[30] Anaheim Wine Growers’ Association, Anaheim: its People and Products, 1869, 3.

[31] L. J Rose, Jr., L. J. Rose of Sunny Slope, 1827-1899: California Pioneer, fruit Grower, Wine Maker, Horse Breeder (San Marino: Huntington Library Press, 1959).

[32] California State Agricultural Society, Third Annual Fair, Cattle Show, and Industrial Exhibition, Held at San Jose, October 7th to 10th, 1856 (San Francisco, California Farmer Office, 1856), 21.

[33] “Report of the Visiting Committee,” in Transactions of the California Agricultural Society During the Year 1858 (Sacramento:C.T. Botts, State Printer, 1859), 286.

[34] AHungarian who claimed a dubious noble heritage, Haraszthy had already left his mark on Wisconsin, San Diego, and San Francisco where he was charged with fraud in his management of the U.S. mint. Possibly to rebuild his reputation, Haraszthy abandoned his business and moved to Sonoma to take up winegrowing in 1857. For further discussion see Thomas Pinney, A History of Wine in America, 273.

[35] Agoston Haraszthy, “Report on Grapes and Wine of California,” in Transactions of the California State Agricultural Society During the Year 1858, 313; “California Commission on the Culture of the Grape-Vine” in Report of Commissioners on the Culture of the Grape-Vine in California, (Sacramento: Benj. P. Avery State Printer, 1861), 7. 

[36] Nicole Marie Guidotti-Hernández discusses the violence against Yaqui Indians along the US-Mexico border in Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries (Durham: Duke University Press, 2011).

[37] Leonard John Rose Papers, MSSHM 70724: Box 1, 25, Huntington Library, San Marino.

[38] For discussion of anti-Chinese public discourse and laws, see Sucheng Chan, This Bittersweet Soil: The Chinese in California Agriculture, 1860-1910 (Berkeley: University of California Press, 1989), 370 and Natalia Molina, Fit to be Citizens? Public Health and Race in Los Angeles, 1879-1939, (University of California Press, 2006), 12.

[39] Minutes of the Los Angeles Vineyard Society, September 20, 1857, Los Angeles Vineyard Society Vertical File, Anaheim Public Library; Mildred Yorba MacArthur, Anaheim: The Mother Colony (Los Angeles: The Ward Ritchie Press, 1959), 30.

[40] Lucile Dickson, “The Founding and Early History of Anaheim, California,” Annual Publications, Historical Society of Southern California (XI, 1919), 30-31.

[41] L. J Rose, Jr., L. J. Rose of Sunny Slope, 1827-1899: California Pioneer, Fruit Grower, Wine Maker, Horse Breeder (San Marino: Huntington Library, 1959), 81-82.

[42] Sucheng Chan, 242.

[43] Agoston Haraszthy, The Father of California Wine (Santa Barbara: Capra Press, 1979),28.

[44] “Chinese Argonauts,” Bulletin of the Chinese Historical Society of America, VII, No. 4 (April 1972), 7.

[45] For example, see comparison of wages paid to L.J. Rose’s workers according to their race. Leonard J. Rose, Jr., L. J. Rose of Sunny Slope, 1827-1899: California Pioneer, fruit Grower, Wine Maker, Horse Breeder (San Marino: Huntington Library, 1959), 107.

[46] The phylloxera epidemic of the 1880s and the overproduction of grapes in California destabilized the grape and wine markets. For further discussion, see Erica Hannickel, 161-167; Thomas Pinney, A History of Wine in America, 343-355.

[47] Simone Cinotto, Soft Soil, Black Grapes: The Birth of Italian Winemaking in California, (New York: NYU Press, 2012), 23.

[48] Simone Cinotto, 15.

[49] Simone Cinotto, 25-28, 157-158.  

[50] The CWA would control the California wine market until Prohibition. For further discussion see Ernest P. Peninou and Gail G. Unzelman, The California Wine Association and its Member Wineries, 1894-1920, (Santa Rosa, CA: Nomis Press, 2000), 72-80; Thomas Pinney, A History of Wine in America, 358-363.

[51] Simone Cinotto, 3, 139, 143

[52] J.M. Alston, J.T, Lapsley, and O. Sambucci, “Grape and Wine Production in California,” in California Agriculture: Dimensions and Issues ed. R. Goodhue, P. Martin, and B. Wright, (Giannini Foundation of Agricultural Economics, Berkeley, CA, 2018), 4-5, https://s.giannini.ucop.edu/uploads/giannini_public/a1/1e/a11eb90f-af2a-4deb- ae58-9af60ce6aa40/grape_and_wine_production.pdf.

[53] California Department of Food and Agriculture, “California Agricultural Statistics Review, 2017-2018,” 63, accessed July 25, 2019, www.cdfa.ca.gov/statistics.

[54] California Department of Food and Agriculture, “California Agricultural Statistics Review, 2018-2019,” 68, accessed July 27, 2020, https://www.cdfa.ca.gov/statistics/PDFs/AgExports2018-2019.pdf.

[55] California Department of Agriculture, “California Agricultural Exports 2018-2019,”4, accessed July 27, 2020, “California Agricultural Statistics Review, 2018-2019,” 8,12, accessed June 24, 2020, https://www.cdfa.ca.gov/statistics/PDFs/AgExports2018-2019.pdf.

[56] “California Agricultural Statistics Review, 2018-2019,” 114.

Julia Ornelas-Higdon is an Assistant Professor of History at California State University, Channel Islands. Her research and teaching focuses on the intersections of race, agriculture, and labor histories. She received a Faculty Fellowship from the National Endowment for the Humanities for the 2018-2019 academic year. Her forthcoming book, The Grapes of Conquest: Race, Labor, and the Industrialization of California Wine, 1769-1920, explores California’s 19th century wine industry as a site of conquest and racialization.

Postcards Series

To eat a fig is to swallow ghosts: A postcard for Little Tokyo

With “Postcards,” creative non-fiction stories grounded in place, we aspire to create a new cartography of California. For us, literature and language are as much about marking and representing space, as they are about storytelling.


Courtesy of Fernando Mendez Corona

Kenji C. Liu

zuihitsu*

*

A fig fruit is composed of hundreds, sometimes thousands of tiny flowers, florets, hidden inside a fleshy covering.

This inside-out world is why we never see fig flowers.

*

Some might think of oranges when quizzed about Southern California fruit, but oranges originate in China.

*

In science fiction, a Dyson sphere is a massive shell built to completely enclose a star in order to capture its total energy output. By containing the star, the sphere completely blocks all outgoing visible light, altering the way it appears to outside observers.

This hidden, inside-out world is why we might never be able to see advanced extraterrestrial civilizations.

*

Without the knowledge and experience of immigrant Chinese agricultural workers, California’s orange industry would have died quickly.

*

Los Ángeles has been the site of many science fiction stories, most notably Blade Runner. It is notable for how thoroughly it enacts an orientalist fantasy of a 2019 where “Asian-ness” has saturated society, but without any actual Asian people. We are an implied threat, but without us there is no future.

*

There’s an orchid (ophrys apifera) that looks like a certain female bee in order to attract certain male bees. But the bee is extinct. The orchid continues to testify to a bee that no longer exists. The bee is implied.

*

Some fig trees require a special female wasp to pollinate its flowers and grow fruit. In return, the fig offers the wasp a place to lay its eggs and reproduce.

*

Spanish missionaries introduced figs to California. But the fig wasp hadn’t been brought to the colonization, and the fig kept waiting for her. The Mission fig (ficus caricia) was bred to produce fruit without the wasp. The wasp is missing in our Blade Runner future.

*

The fig is the third tree to be mentioned in the Bible. Adam and Eve used its leaves to cover their nakedness after Eve supposedly messed things up for them.

*

It’s just like a colonizer to think he should cut female fig wasps out of the picture.

*

The self-pollinating fig is the ghost of conquest. It’s a memory of colonization. Does it remember the wasp? It might not, colonization is like that.

But when we eat a Mission fig, we eat the fruit of conquest.

*

In the fig community, there are different family arrangements. Some types of fig trees are monoecious which means they grow both “male” and “female” flowers. Others are dioecious in which some trees offer “male” and “female” flowers and other trees only have “female” flowers. All need special “female” wasps to facilitate pollination. Nature is naturally queer.

*

There’s a giant Moreton Bay fig tree (ficus macrophylla) in the heart of Little Tokyo, planted around 1920 by Reverend Shutai Aoyama of the Koyasan Buddhist congregation in front of its temple many years ago. The temple has moved, but the tree remains, watching over the block.

*

In some Buddhist traditions, contemplating the impermanence of the body is a way to develop equanimity and compassion for self and others. A person is basically a fig, thousands of flowers inside a fleshy covering, growing, opening, closing, passing away.

*

Close the eyes, turn inward. Notice the weight of our bodies on the earth. Watch the breath enter and leave the body. Watch feelings, thoughts, and sensations flower and pass.

*

It is hard to see what’s happening inside a person, just as it is with a fig or a Dyson sphere.

*

The Japanese word for fig tree, 無花果, is composed of the kanji for “no” (無)―a particle of negation—“flower” (花), and “fruit” (果). This refers to a tree that bears fruit without flowering. The ancient pictogram for 無 was a person holding something in both hands, but since then it has come to denote not having.

*

無 can be read as “mu,” which means nothingness, or a response to a Zen koan that has neither a yes or no answer. Rather than divide into a binary, “mu” refutes the question.

*

The problem with a Dyson sphere is it has a huge surface area, which makes it vulnerable to comets and meteorites. A meteor impact could throw the whole thing off-center, or burst through to the interior. An alternate vision is a tight network of stations weaving around the sun.

*

The ancient root of the word “wasp” is possibly related to “weave.” Weave can refer to interlacing a material together, but also to devising.

*

A strangler fig grows and envelops a host tree. Once the host tree dies and decomposes, it leaves a long hollow inside the fig tree.

*

Early Spanish missionary colonization established itself near Native American towns and villages, tried to envelop and strangle them.

*

The Aoyama fig tree is located in a parking lot, it grows straight up from asphalt and concrete. It is one of the only direct connections to the actual dirt below. It is also a strangler fig. What lives in its center? An entrance and exit for ghosts.

*

The fig’s response: 無 (mu).

*

If the star inside a Dyson sphere was to die and vanish, what would be left?

*

The Buddha was enlightened after sitting in meditation under a fig tree (ficus religiosa) for many days in Bodh Gaya, India. Though the original tree was destroyed and replaced, a branch from the original was rooted elsewhere, in Sri Lanka.

*

The problem with people is that we are vulnerable to everything. Almost anything can throw us off center.

*

The Buddhist insight of anatta or no-self reminds us that although we may have an experience of the self as continuous, when you get down to it, we are constantly changing, without a solid center. Empty of a true self.

*

The adjective “empty” evolved from the Old English word for “leisure.” The modern Greek word for “empty” evolved from a word meaning “freedom from fear.”

*

In Shinto, giant trees are often sites for local gods. Properly embued with sacred ropes and paper streamers, they become indistinguishable from gods.

*

There is an infamous black and white photo of the corner of First and Central, a block south of the Aoyama fig tree. It shows MPs forcing Japanese Americans onto buses headed to horse stalls at Santa Anita racetrack, then concentration camps.

*

Only a few more blocks away, next to the historic founding site of Los Ángeles, is where an 1871 race riot took place in which dozens of Chinese people were shot and hanged by a mob of hundreds.

*

Los Ángeles without Asians seems speculative, but they already tried to make it happen.

*

Gods, too, are implied by the empty spaces present in the everyday, leaving us wondering what or who could possibly have created this world.

*

The adjective “hollow” is said to originate in an ancient Proto-Indo-European root word meaning, “to cover, conceal, save.”

*

A Dyson sphere would only be possible because of extremely advanced technologies, which for us would probably be indistinguishable from magic or deities.

*

Next to the site of the 1871 massacre of dozens of Chinese is a park dedicated to Father Junipero Serra, who oversaw the system of California missions. Under the missions, Native Americans were decimated by disease, torture, forced labor, and starvation.

*

In the Bible, Jesus curses a fig tree for having no fruit for him. He goes on to Jerusalem where he drives out capitalists from the temple. The next day, they pass the same fig tree, which has withered. Some scholars say this symbolizes his fight against a lack of righteousness. Others say this is an example of a miracle wasted in service to a bad temper.

*

The fig’s response: 無 (mu).

*

Freeman Dyson, who came up with what’s now called a Dyson sphere, was a climate change skeptic who served on an advisory board for a conservative climate change think tank.

*

Figs and wasps have been helping each other out for about 65 million years, since dinosaurs were thumping around Los Angeles.

*

In Los Ángeles 2020, indigenous activists toppled the statue of Junipero Serra. In the social media video, someone can be heard yelling, “this is for our ancestors!”

*

Some fig wasps live up to two months, others only live one to two days. Research indicates that an increase of 3 degrees in global temperatures would dramatically decrease the lifespan of fig wasps.

*

Climate change skepticism rings hollow in the face of actual weather.

*

Things a female fig wasp probably hates:

  • Burrowing into a fig and finding another wasp already there.
  • Male wasps not acknowledging the immense amount of labor involved in pollinating and laying eggs.
  • When another wasp comes calling in the middle of the night and overstays their welcome in the morning.
  • Figs who act superior because they don’t need a pollinator.
  • Dying inside the wrong fig.

*

Some female figs can pretend to be male figs in order to seduce the female wasp. The wasp enters and pollinates, but cannot lay her eggs. She dies, and the fig digests her. Her ghost gives life to the fig.

*

Wasps and trees don’t actually give a fig about gender.

*

In Los Ángeles, there are a lot of fig trees, though you have to know what they look like. Usually, they aren’t just out in the open, waving their figs around. But they haunt the city’s corners, occasionally you meet one.

*

I hadn’t tasted a fresh fig before moving to California. I did really like Fig Newtons.

*

When eating a fig, we are also eating the ghost of a female wasp.

*

If fig wasps went extinct, could the remaining fig trees testify to the memory of its insect partner?

*

The old saying, I don’t give a fig, implies that figs are of low value.

*

The fig’s response: 無 (mu).


*A zuihitsu is a Japanese contemplative literary form characterized by loosely associated fragments of text.

Kenji C. Liu is author of Monsters I Have Been (Alice James Books, 2019), finalist for the California and Maine book awards, and Map of an Onion, national winner of the 2015 Hillary Gravendyk Poetry Prize (Inlandia Institute). His poetry is in numerous journals, anthologies, magazines, and two chapbooks, Craters: A Field Guide (2017) and You Left Without Your Shoes (2009). An alumnus of Kundiman, the Djerassi Resident Artist Program, and the Community of Writers, he lives in Los Ángeles.

Postcard Series

  1. Jenise Miller, “We are our own Multitude: Los Angeles’ Black Panamanian Community”
  2. Toni Mirosevich, “Who I Used To Be”
  3. Myriam Gurba, “El Corrido del Copete”
  4. Jennifer Carr, “The Tides that Erase: Automation and the Los Angeles Waterfront”
  5. Melissa Hidalgo, “A Chumash Line: How an old email and five PDFs revealed my Native Californian Roots” 
  6. Brynn Saito with Photographs by Dave Lehl, “Acts of Grace: Memory Journeys Through the San Joaquin Valley”
  7. Nicolas Belardes, “South Bakersfield’s Confederate Remains”
  8. Ruth Nolan, “Cima Dome, East Mojave National Preserve”
  9. Marco Vera, “My Tata’s Frutería”
  10. George B. Sánchez-Tello, Oh Salinas! Song, Story and Punk Rock Behind the Lettuce Curtain
  11. Kenji C. Liu, To eat a fig is to swallow ghosts
Excerpts

We Are the Land: A History of Native California

Damon B. Akins and William J. Bauer Jr.

In May of 1928, Congress passed an enabling act to allow the “Indians of California” to sue the federal government for the land lost because of the eighteen unratified treaties signed in 1851 and 1852. To limit the scope of the action and consolidate lawsuits, the act provided the first legal definition of the Indians of California: “all Indians who were residing in the State of California on June 1, 1852, and their descendants now living in said state.” Lawmakers hoped this would prevent a flood of lawsuits parcel by parcel, rancheria by rancheria, village by village, tribe by tribe. The act authorized the lawsuit, which became known as the California Indian Claims Case, often referred to by its docket number: K-344. The case wound its way through the courts until a 1944 decision.

There have always been Indians in California, and despite their distinctiveness, the conditions they faced often shared important characteristics. But the idea of a category, much less a legal category encompassing all of the state’s far-flung and various Indigenous Peoples, was a new and contested notion. The “Indians of California” resulted from decades of activism and various networks of education and mutual support in response to attacks on their existence and livelihood in the late nineteenth and early twentieth centuries. The Indians of California increasingly pressed their collective issues through the courts, laws, at state fairs, and the state capital, and in defense of the land itself. The category did not subsume individual, village, rancheria, reservation, or tribal identities. Instead, the name provided yet another aggregate conceptual category to organize and strengthen local activism.

Mrs. Ruby Snyder, Chemehuevi Indian, Poston, Arizona. Created by Clem Albers. Photo courtesy Bancroft Library, University of California, Berkeley.

In the middle of the twentieth century, the various people that the federal government subsumed under the moniker “Indians of California” responded to and shaped the ebbs and flows of federal Indian policy. Across the state, officials clamored to dam rivers and flood reservation lands in the name of urban development. During the Great Depression, the federal government initiated what it considered a new phase of federal Indian policy—the Indian Reorganization Act. The government promised the new act ensured the independence of California Indians and other Indigenous People in North America. In Southern California, Indigenous People questioned those beliefs. Finally, in the 1950s, policies swung back toward those of the 1920s, attempting to absorb Indigenous lands and sovereignty through the ominously titled “termination” policies. Throughout the era, California Indians charted their own path to secure land and sovereignty.

Indigenous People were bound up in California’s image of itself, which was one of the state’s most valuable export commodities in the 1920s and 1930s. The region’s Mediterranean climate, landscape, and architecture, as well as its increasing prominence in the global economy, contributed to the production of the “Spanish fantasy past.” Business, culture, and political leaders highlighted California’s imaginary Spanish past to promote their vision of nostalgia for a vaguely European heritage and the tourism it supported. That story also helped to erase the diverse present by relocating people of color to the past. The gauzy stories of happy and orderly early California featured prominently at inter- national expositions held around the region. These expositions announced California’s promising future, yoked to an imaginary past. The Panama-Pacific International Exposition of 1915 in San Francisco and the Panama-California Exposition of 1915–16 in San Diego celebrated California’s growth, especially because of the increased maritime trade brought about by the completion of the Panama Canal in 1914. Both expositions presented to the world a highly idealized version of California as paradise, with its Indians an important part of that past, not the present. Later expositions and fairs, such as the Long Beach Pacific Southwest Exposition of 1928 and San Diego’s California-Pacific International Exposition of 1935–36, continued this theme.

Indians from around the state and region found work at the fairs and expositions, building the Painted Desert exhibit in San Diego in 1914–15 and performing as “show Indians” in the pageants recounting California’s history. They also produced items for display and sale. In the 1910s and 1920s, the market for California Indian baskets changed. As the collector’s craze for baskets declined, Wiyot-Hupa Louise Hickox and Washoe Lena Dick led the way to finding retail outlets to sell their baskets and to promote their work at fairs and expositions. Hickox learned weaving from her mother, Elizabeth, and her grandmother, Polly Conrad Steve, who survived the notorious Indian Island massacre in 1860, when she was twelve years old.

Pomo-Patwin Mabel McKay appeared at the California State Fair and at various times at the California State Indian Museum, where she displayed her exquisite work. At the state fair in 1929, fair officials forced her to wear a skimpy beaded and fringed buckskin dress. After McKay reluctantly put it on, she asked wryly, “Do I look like an Indian yet?” In 1934, she appeared in the Sacramento Union, again dressed in a stereotypical Indian costume that bore no resemblance to Pomo culture. McKay displayed some of her well-known laconic wit when asked, what, besides basket weaving, the Pomos do. “Just live,” she answered.

In McKay’s case, tensions between “traditional” and “market” considerations revealed themselves. McKay was a Dreamer and a sucking doctor in the Bole Maru religion. Her great uncle, Richard Taylor, led the revivalist religious movement that became Bole Maru in the nineteenth century. While McKay grew up around very accomplished basket makers, including her aunt Laura Somersal, she learned weaving in her dreams. Baskets served a critical function in her healing practice, and McKay steadfastly refused to sell those baskets. At the same time, she often took commissions at demonstrations such as the 1929 State Fair.

Indians saw attending the fair as work—perhaps unsavory at times but work that had value. Margaret Harrie, a Karuk basket maker, single mother, and pikváhaan (storyteller), wrote to Grace Nicholson:

I send you this little red basket just for [a] present. . . . My little girl made it. . . . I sell my baskets to you very cheap. [T]hat black basket cost very high [b]ut I send it to you very cheap [b]ecause I think you are my friend. . . . We do not get our straw to fix the basket with up here. We get our straw down the Klamath River they do not grow up here so we have a hard work in get- ting them I have a hard living Because I have childrens to take care of all by myself. P.S. I forgot to tell you that my baskets were all $28.75 worth.

Harrie established a trade relationship with Nicholson for very practical economic reasons and pointed out the importance of site-specific har- vesting. She pursued a similar strategy later when the anthropologists began to show interest. Around 1930, Harrie worked with Hans Uldall, a Danish linguist, reciting the story of “Coyote and Old Woman Bull- head.” Whether it was baskets or stories, Harrie recognized the value of her culture, to herself and to others.

California Indian baskets are ecologically sensitive and site specific. While weavers have adapted new plants and forbs into their baskets, the sedge, redbud, willow, and other materials that formed the core of the craft were susceptible to environmental change. Urbanization pushed increasingly complex water projects farther into the state’s interior. California’s map is dotted with sites where urban, industrial, or agricultural demand for water came at the expense of Indian communities: Hetch Hetchy Valley was flooded to provide water to the city of San Francisco; Owens Lake was drained to provide water to the city of Los Angeles; Capitan Grande was flooded to enable the city of San Diego to grow.

California Indians sat at the center of some of the most well-known histories of water disputes in the state, but they are commonly sidelined in the narratives constructed about them. For example, long a staple case study in environmental history, the story of the flooding of the Hetch Hetchy Valley is often depicted as a victory of conservationists over preservationists and an important step in the beginning of the modern environmental movement. The valley, however, was also Miwok land. Both the Ahwahnechee and the Tuolumne Bands of Sierra Miwok claimed the valley in summer and fall. John Muir praised the valley’s “natural” beauty, calling it an “acorn orchard.” Orchards are not natural, and neither was the valley’s landscape, which Ahwahnechee and Tuolumne managed through controlled burns to increase seed output and fern growth. In addition to increasing the deer population, regular burning also reduced underbrush and contributed to the growth of the black oak trees, whose acorns formed a critical component of the Miwok diet.

The actors in the story, as it is normally told, are San Francisco city officials, the secretary of the interior, President Theodore Roosevelt, and John Muir. They all wrestled for control of the valley throughout the first two decades of the twentieth century. Some saw in it a solution to the city’s growing water problem, while others saw it as a place of great natural beauty deserving protection. That distinction pitted a reflective, aesthetic use of the valley for leisure against the “daily comfort and welfare of 99 percent.” The Miwok absence in the story highlights a central tenet of the environmental movement in California—namely, that preservation often, if not always, involved removing Indians from their land or severely reducing their ability to use it. In 1919, construction of the dam began, and within a few years, waters submerged the vast “acorn orchard.”

One of the most dramatic examples of urban infrastructure intervening in the Indigenous landscapes occurred in the Owens Valley in the eastern part of the state. Owens Lake lives on as a vestigial legacy on digital street maps, but it has long since disappeared. The lake dried up in 1926 (see fig. 24). The Owens River flows south through the slender valley, fed from the Sierra Nevada on its west and the White Mountains and Inyo Mountains on the east. Owens Valley Paiutes built a comprehensive irrigation system with lateral aqueducts running off of the east- west flowing creeks to grow seed grasses and edible tubers. As a result, before American settlement, the valley supported a Paiute population of between one thousand and two thousand people.


View of the dry lake bed of Owens Lake, looking north, with cracked pink clay due to high amounts of halophilic archaebacteria. Photo by Vahe Martirosyan, April 2019. Licensed under Creative Commons Attribution-ShareAlike 2.0 (CC BY-SA 2.0).

Beginning in the mid-nineteenth century, American settlers, attracted by the valley’s suitability for ranching, encroached on Paiute settlements. In a familiar pattern, settler cattle destroyed grasses and tubers, and ranchers increasingly appropriated the water, without which the valley floor would become a semiarid dustscape. In 1862, tensions exploded into violence when settlers pushed Paiutes to the north end of the valley. Owens Valley Paiutes and Shoshone Bands from the east united under the leadership of Joaquin Jim and pushed the settlers back, reclaiming the valley for a brief time in the spring. By summer, the US Army moved in to starve the Paiutes out. They destroyed grain stores and ditches and forced the Paiutes into the mountains. Fighting continued through a peace treaty, eventually leading to the forced removal of almost one thousand Paiutes from the valley to the Sebastian Indian Reserve near Fort Tejon.

Ultimately, the war cost the lives of more than two hundred Paiutes and around thirty American settlers. The army remained in the valley for more than a decade to defend settler possession. By the beginning of the twentieth century, Paiutes made up around 20 percent of the local population but a majority of the labor force in the valley’s ranching economy. Ranchers depended on Paiute labor and mountain water and therefore resisted efforts to remove Paiutes to reservations farther south or to give them a solid legal claim to control their own resources.

All of this changed when the city of Los Angeles came to the valley. Beginning in 1905, the city, desperate for additional sources of water to accommodate its rapidly growing needs, began to surreptitiously purchase land in the valley to get control of the water rights attached to it. Within a few years, the LA Department of Water and Power (LADWP) began to construct an aqueduct to carry the river water more than two hundred miles south to the growing city. By 1913, the city had fully diverted the river into the aqueduct. As much as settler society dispossessed the Paiute residents of the valley, the LADWP effectively dispossessed the dispossessors, who themselves depended on Paiute labor. By the mid-1920s, resistance by valley residents again turned violent, and they dynamited the aqueduct on several occasions. Nonetheless, by 1926, the lake dried up, leaving a toxic salt flat and layers of animosity and anger. The story, often told as a fight between small farmers and ranchers and the city of Los Angeles, took place on Paiute land and reinscribed the colonial process as it erased the wage labor that enabled Owens Valley Paiutes to retain a tenuous grip on their homeland.

Beginning in 1925, Paiutes who received individual allotments, and were able to sell their land, recognized the value of their water rights as Los Angeles attempted to increase the volume of water it took from the valley. But rather than selling their land and water rights individually, Paiutes banded together and proposed a land exchange. They proposed giving up allotted individual plots of land in return for community tracts. At first, the city of Los Angeles resisted the proposal and attempted to pressure individual owners into selling. Paiutes persisted, and as a result, Los Angeles officials abandoned the plan.

By 1932, the city agreed to the land exchange, and in 1937, Owens Valley Paiutes traded Los Angeles previously allotted land for the land that became the Bishop, Big Pine, and Lone Pine Reservations, allowing Paiutes to retain tribal land in the valley. The land exchange did not include water rights, which Paiutes retained to be negotiated later when the city of Los Angeles secured necessary approval. In the interim, Los Angeles promised to deliver water to the Paiutes. That has yet to hap- pen. As of August of 2020, the Owens Valley Indian Water Commission is still fighting for the rights guaranteed by the 1937 legislation.

A map of reservoirs in California follows the contours of Indigenous land. Nowhere is this clearer than in San Diego County. In 1919, Congress authorized the construction of a dam on the San Diego River through an agreement with the city of San Diego and the BIA. The dam was designed to create a reservoir to store water for the city’s growing needs. The Capitan Grande Indian community opposed the dam. Their resistance prolonged but did not prevent the construction, which began in 1931. Members of the Capitan Grande community split into three groups over their forced removal: approximately 35 percent of the 153 members of the community moved in early 1932 to newly constructed, architect-designed “model” cement block houses with indoor plumbing at Barona. Approximately 15 percent of the community, the shaahook (or “ten”), took their per capita shares in cash and left the reservation. The remaining 50 percent held out, refusing to move or allow officials to relocate their graveyard unless the BIA purchased a nearby ranch for their relocation. With the dam completed in October of 1934, the BIA relented and purchased the land that became the Viejas Reservation. Bureaucratic delays hampered their move. Ventura Paipa complained, “Here it is 1936, winter is upon us, and through unnecessary delay and lack of attention to our planning by the Bureau, we are facing a chance for a POOR CROP next year [with families] still living in barns with little or no protection from the winter snows sure to come.” By 1938, water filled the El Capitan Reservoir, and the former residents of the lake bed relocated to new reservations. Residents at Barona and Viejas successfully pushed to retain control over the portion of their former reservation that remains above water as a nature preserve.

This pattern of flooding Indian lands for the “greater good” of non-Indian peoples repeated itself across California time and time again. Between 1923 and 1961, major dams built on the Colorado, Feather, Merced, Sacramento, San Joaquin, Stanislaus, Trinity, and Tuolumne Rivers flooded lands of the Chemehuevi, Hupa, Maidu, Miwok, Paiute, Wintun, Yokuts, and Yuroks, among others. The state left few rivers untouched. Forty of the fifty largest lakes in the state are man-made reservoirs, and every one of them flooded Indigenous land. A hydro- logical map of the state is a map of Indian dispossession. In the 1950s, the Bradbury Dam on the Santa Ynez River created Lake Cachuma. In her poem “Indian Cartography,” Ohlone-Costanoan-Esselen poet Deborah Miranda describes the dam’s effects:

Lake Cachuma, created when they
dammed the Santa Ynez, flooded
a valley, divided
my father’s boyhood: days
he learned to swim the hard way,
and days he walked across the silver scales,
swollen bellies of salmon coming back
to a river that wasn’t there.
The government paid those Indians to move away,
he says; I don’t know where they went.

Most poignantly, Miranda points to the land under the surface of the water, “not drawn on any map.” A map of California highlighting reservoirs is a map outlining theft and erasure of Indian land.

Notes: Excerpt taken from We Are the Land: A History of Native California (UC Press, 2021)

© 2021 by Damon B. Akins and William J. Bauer Jr.; used with permission by University of California Press. This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/.

Reviews

Forgotten Pasts, Remembered Futures: Sesshu Foster and Arturo Romo’s ELADATL

Janet Sarbanes

You’re listening to a live broadcast on Ehekatl 99.9, a pirate radio station named after the Aztec god of the wind, whose mission is to “advance the proletarian interest of the community and to counteract the military-industrial propaganda of the oppressor government.” A pilot-trainee has just taken the wheel of a “700-foot long state-of-the-art post-modern dirigible,” a master pilot by her side, and this Report in Progress is tracking their attempt to find Sky City, “a conglomeration of debris in the stratospheric rings – agglutinated by force—careening through the upper atmosphere, encircling the planet.” What they expect to find there: “enough plant and animal life and atmospheric water to have sustained a totally marginalized and invisible population, in spite of the occasional 1979 Pontiac El Caminos, delivery vans, old tires and broken water heaters that fall out of the sky at approximately 145 miles an hour terminal velocity, landing in school yards and shopping mall parking lots, which the government blames on Muslims and maintains is yet another thing soon to be fixed by tax cuts.”

Reader, welcome to ELADATL, a mind-blowing book collaboration between poet and novelist Sesshu Foster and artist Arturo Romo that brings forth a whole other past, present and future within the space-time continuum we (think we) know as Southern California. Billed as “a fictional history of an actual company,” ELADATL traces the rise and fall and rise again of the East Los Angeles Dirigible Air Transport Lines, a local addition to the long history of unsung ventures in U.S. airship transport by those “marginalized and disappeared” by capitalism, white supremacy, settler colonialism and patriarchy. These include, among others, the Bessie Coleman Aero Club, founded by real-life black aviator William Powell, and the East L.A. Balloon club, founded by the fictional Ericka Llanera. Building on his longstanding practice of personae-based artmaking, Romo gives this history/historical fiction a captivating visual form in détourned photographs, collages, etchings and mixed-media prints dispersed throughout the book, which blend the factual (incorporating photographs of real people, places and artifacts) and the fictional (assigning them captions that correspond to events and characters in the story).

One of the many pleasures of reading – or sifting through – ELADATL derives from the interplay between Romo’s and Foster’s sensibilities. As Romo describes their process, which includes the co-creation of characters and events, “sometimes the text would match the image, sometimes the text would fill in the gaps in the image, and sometimes the text would float away from the image. The relationship was dynamic.”[1] With this project, and other related ones, such as a series of walking tours of East L.A. collected at elaguide.org, he and Foster feel they hit upon “an alternative to colonial, capitalist and white supremacist constructs of art-making,” working in a way that “wasn’t privatized or individualized or attuned to the market, that wasn’t restricted by hierarchy of medium, and that didn’t believe in the legitimacy of non-fiction over fiction or vice-versa.”

Another of the book’s pleasures lies in how it activates the relationship of part to whole, whether that be fragment to narrative, neighborhood to city/region, or individual to collective. The story of the dirigible lines themselves is not one of seamless coordination, but of hit-or-miss connections within a crumbling infrastructure that must constantly be made and re-made, imagined and re-imagined. In the chapter titled “Following Years Without Communications from Downtown, This Was What Our Agents Reported,” the company responds to an unfavorable customer review by organizing teams of agents to serve as inspectors, “sending them out to check on all the lines, our ships, stations, and maintenance and ancillary facilities. The reports we received back were like a slap in the face by an octopus. Twice maybe.”  

Throughout the book, characters appear, disappear and reappear unexpectedly, with no one “character arc” predominating—though the on again/off again romance between Sergio, a world-weary dirigible builder, and Mel, a fearless young dirigible pilot, causes things to gel just enough before it, too, comes apart. And here, too, the lines between fiction and reality are blurred: another character, Swirling Alhambra, seems to function as a surrogate for the writer, who’s been awarded a Poet of the Universe residency “located in a remote area of City Terrace” (the East L.A. neighborhood where Foster grew up and the subject of his influential poetry collection City Terrace Field Manual). Swirling is a humorously unreliable member of ELADATL, and a source of annoyance to many, but he is committed to the collective enterprise. In this fundamental orientation he resembles both Foster and Romo themselves (who are LAUSD teachers and activists), and the novelist Oscar Zeta Acosta, author of the legendary Revolt of the Cockroach People, who was a Chicano movement lawyer.

Acosta makes several cameos in the text, and ELADATL is animated throughout by a rasquache sensibility similar to Acosta’s own, a bricolage aesthetic with an underdog spirit and sense of struggle that is “down but not out,” to borrow Tomás Ybarra-Frausto’s memorable formulation.[2] Another rasquache forebear, Noah Purifoy, the L.A. Black assemblage artist and founder of the Watts Towers Art Center, also puts in an appearance –or his legendary desert “junk art” environment does, as an abandoned dirigible station. Nothing is thrown away, everything is repurposed — the form, or many forms, of ELADATL mark “an ongoing process of dodging erasure or denial,” in Foster’s words, “and individually, personally, reinventing community in order to survive.” As Romo observes, “the very way the book was created comes out of a particular political way of being.” Don’t be fooled by its wry, irreverent tone; this is a work of serious social imagination.

Given ELADATL’s rich texture and many layers, one must ask the question, can there even be a central storyline to a work like this? Perhaps it’s more accurate to say that there is what’s happening with the dirigibles, up in the sky, and there is what’s happening down below, an archaeology of everyday life in East L.A., with its own “mysteries,” also documented in the book, which includes over seventy pages of appendices. One overarching goal of the project, Foster tells us, “was to float the figure of the imagination over the historical landscape of the ordinary everyday and ask people to look.” The dirigible, with its slow-moving heft, drifting along erratic pathways, is the perfect incarnation of an imagination always in sight but just beyond reach of the predictable circuits of daily life (work, eat, sleep, repeat).

As we read on in ELADATL, the struggle to reactivate the dirigible lines begins to merge with the climate crisis, and the very real possibility that that there are no more possibilities to be had. Even as Mel and Tina, another young agent, hustle to get the ships back in the air, dirigible stations throughout Southern California are being repurposed by anarchist mutual aid groups and other community members to house climate refugees. At the South Gate station, Food Not Bombs “was showing Salt of the Earth and Buster Keaton’s Steamboat Bill over and over for refugees from the most recent firestorm . . . [and had] set up the vegetarian buffet for people who hadn’t had hot food in days, José Uriarte brought in his taco truck and set out the salsa, and even Ray Palafox mobilized Los Quemados to blast out cumbias or whatever they call it in a free concert.” ELADATL shows us what climate collapse looks like in the everyday:

That’s just how it is (when it’s not worse), everybody driving with their lights on even if it doesn’t help much to cut the blowing clouds of particulate and debris, pedestrians wearing face masks and head wraps, hunched over against it like a desert sandstorm, now there’s a haboob for you, everything glowing orange from sunlight refracted through carbon dioxide, they say, and the wind tearing through the streets . . . a telephone pole in an intersection, people driving around it, shipping container on top of a store, a billboard on top of parked cars.

In an eerie parallel to Marjorie Taylor Greene’s Jewish-lasers-from-space-caused-the-California-wildfires conspiracy theory, “experts and spokespersonifiers” insist that all of this is not, in fact, due to climate change, but the work of Hair Balls from Outer Space blasting Europe and the United States with Death Rays. While “white guys with automatic rifles” drive around “firing at anything suspicious,” the official response is the same old non-response: “trillions of spending on rockets” and “nukes to rain down on enemies and terrorists and stuff.”

Unabashedly experimental, ELADATL resists linear narrative at every turn, knocking time out of joint by bringing invisible histories to light and to life, not content to let the past be the past, nor the present be the present. This strategy reveals its full power in the moving scene where Mel and Tina briefly exit “the blasted smoke and particulate atmosphere” of full-on societal and climate apocalypse and “[descend] in actual sunshine and [merge] with the crowd into the infinitely forgetful city.” They suddenly find themselves marching towards downtown L.A. in the middle of something that looks a lot like the recent protests for George Floyd, or an immigrant rights protest, or a teachers’ strike—or as it happens these days, all three–running into old friends (who also happen to be Foster’s and Romo’s real-life comrades, fellow artists, writers, educators and activists), everyone glad to be there and be there together. Is this all in the past now, only a memory? Or is it a glimpse of what C.L.R. James called “the future in the present,” a way out of the nightmare – if, like Foster and Romo, we know where and how to look.

Sesshu Foster (left) Arturo Ernesto Romo (right)

Janet Sarbanes is the author of the short story collections Army of One and The Protester Has Been Released. Her book of essays, Letters on the Autonomy Project in Art and Politics, will be published by Punctum in 2021. She lives in Los Angeles and teaches in the MFA Creative Writing Program at CalArts.

[1] “Q & A with Sesshu Foster and Arturo Ernesto Romo, authors of ELADATL: A History of the East los Angeles Dirigible Air Transport Lines,” City Lights.

[2] Ybarra-Frausto, Tomás. “Rasquachismo: a Chicano sensibility.” In Chicano aesthetics : Rasquachismo, 5-8. Exh. cat., Phenix, Aruz. : MARS, Movimiento Artiscico del Rio Salado, 1989.

Postcards Series

Oh Salinas! Song, Story and Punk Rock Behind the Lettuce Curtain

With “Postcards,” creative non-fiction stories grounded in place, we aspire to create a new cartography of California. For us, literature and language are as much about marking and representing space, as they are about storytelling.


Courtesy of Fernando Mendez Corona

George B. Sánchez-Tello

The long white buses are unmarked. The paint job on the bus panels looks thin and cheap. If I stare long enough, I could probably make out the name of the school district or church or factory under that white layer of cover. The buses idle in an empty parking lot which is pockmarked with potholes partially filled with drainage. The gravel is crumbling. The people boarding the buses stand in single file. Their informal uniform consists of jeans and sweatshirts, baseball hats, bandanas and other shards of cloth fashioned into face masks.

In the distance, mist hovers over the fields. The buses will carry them to those fields. Soon the workers will be silhouettes in the distance, bent over and picking, working themselves up and down the rows of lettuce, strawberry and spinach.

Every one of them has a name. A home they come from. A language they were born into and another adopted for work. Most of those people have children. I always wondered who they were and what was their story. None of this is new. There was no “news peg to hang it on,” as an editor would say. So I wrote a song.

In the pre-dawn dust of the parking lot the workers form a line
They board the long white transport bus and hope the kids are fine
Left home alone with the little ones
The cousins will take care
Mom wraps a t-shirt around her face to filter out the filthy air
No food to wake the little ones
Pop tarts will do just fine
Gonna’ make do with what we got
Gotta’ stretch every single last dime
Why?
Cause that’s where we’re at.

A few miles away, on a given Friday night, the children of those workers sing along. In a small café or the back room of a Mexican restaurant, bodies pack together, in their own uniform of jeans, faded black t-shirts with band logos, jackets or vests quilted with small square patches. Everyone joins in to sing:

Another song about the Salad Bowl
About the place that we live
This valley can be a prison
Just ask the kids!

Where We’re At” is a song I wrote for Rum & Rebellion, a punk rock band from Salinas, a farm town in Monterey County on California’s Central Coast. We were one of many: from Salas, Chole, Prunetucky, Watson and King City. We played in cafes, backyards, apartments, community centers, storage sheds, bars, restaurants, parking lots and clubs.

Rum & Rebellion songs were a refuge for stories. A place to safely express my voice – literal and literary. During the day, I worked as a newspaper reporter, first for the Salinas Californian and later the Monterey County Herald. I often wrote newspaper articles about crime, education and local politics. I wrote songs about what I witnessed: The tired paletero. The teenager walking to school. The father of a lifer. The campesino. Portraits of the people, stories and moments between me and the farm fields that surrounded a town known for labor, e. coli and, of course, Mr. Steinbeck. What was otherwise setting in an article became a story in a song.

Salinas Valley V.2 courtesy of Álvaro Marquez (linocut-based serigraphy from the series Al Norte y P’atras/North and Back)

For being a small, farm town, Salinas has a population of about 150,000, making it the largest city in Monterey County. Someone once said the population doubled during the harvest season. Of course, it was exaggeration, but the harvest – or more like the people harvesting – was inherent in all aspects of life in Salas. Education officials coordinate with districts in Washington and Arizona as families migrate to work the harvest elsewhere. The school districts start later in the winter to account for families returning from Mexico. For many years the town was segregated: Whites to the west, Mexicans to the east, or the Alisal, as it was called. The annual César Chávez march is not a relic from a Chicano Studies class, but a testament to community, organizing and the continuing ability to mobilize in support of one another.

Image courtesy of Scott MacDonald 

Not all Rum & Rebellion songs were high-minded: I wrote about crushes on an older woman and colleagues. And drinking.

I wrote angry responses:  as in the song “No Charity

Don’t need no charity
Got my own pair of lungs
There are no voiceless
there’s only repression

And songs – “Hey Armando!”, “No Folk Song (New DA Blues),” “Not Down”, “Four Years” – about prisoners. All of whom I’d met and spoken with.

If there was a news peg, I filed an article. But the daily, almost taken for granted, became song. I think one of my favorite compliments of Rum & Rebellion lyrics was the disappointment from one person after she learned I was from Los Angeles and not Salas.

Rum & Rebellion came together after a freelance assignment for Punk Planet, one of the national punk ‘zines at the time. Scott MacDonald, a photographer for the Salinas Californian, and I spent a weekend with Against Me! and Lucero. Scott also played drums. I could play guitar. I could write. And yell.    

Image courtesy of Scott MacDonald 

As a reporter, there were stories I carried with me, stories I’d witnessed, that would never get past my editors. Like the quiet dignity of campesinos lining up for work in the early morning: a sight so familiar in East Salinas it had become a regular backdrop. Or the ritual of family members waiting in line outside county jail on visiting day. Stories that required more nuance than I could fit into a 12-inch print article. Or stories that required a different worldview than most of the papers’ readers and editors.  

There were subtle reminders, like the “news from home” section that carried articles from the Midwest. Maybe it was because I was from Los Angeles and I had plenty of co-workers from other parts of California, or simply knowing home for many in Salinas was Mexico. Sometimes they were blatant: like a red faced, irate white editor telling me “everybody knows Latinos are the most macho people.”

I can’t pin it on a single editor, though there were certainly a few that reminded me. Because I think I learned lessons about what to share and what to withhold long before I became a writer. Lessons about the sense of security in silence.  Lessons learned by parents who, in turn, transmitted them to me. Lessons of “Americanization” taught by the Sisters of Loretto across the southwest two generations before my birth. Lessons of silence wrought by the onset of the Guatemalan Civil War. Lessons of hiding in plain sight after my family arrived in Los Angeles after the mass deportation of Mexican and Mexican-Americans during the Great Depression. Lessons of obedience when my father began working for the Los Angeles Police Department. And the lesson that no matter how I spoke, what I wore or where I lived, I’d never fit comfortably into an affluent white suburb.  

When I wrote my entrance application essay for Saint Francis High School, I took seriously the invitation to write about someone I admired. I wrote about Steve Clark, Def Leppard’s founding guitarist. I still go back and forth about whether that was one time when I should have kept a story to myself. By the time I wrote my entrance essay for Loyola High, I had “learned” better.

As a reporter, I had my own uniform: I wore a collared shirt and necktie. With my black and white Doc Marten brogues, I had a distinct, pachuco-inspired style. But it was still a shirt and tie. A shirt and tie I wore purposefully to access what Nolan Cabrera calls “white immunity,” or the protection from disparate treatment. Day in and day out, sitting on the press bench in a courtroom, I couldn’t help but notice that the people who looked like me also wore uniforms: either orange jumpsuits for inmates or green and khaki of the sheriff’s deputies. Those with ties were attorneys, the judge and, on the rare occasion, a defendant. And me.  

I learned to wear a tie at Loyola, an all-boys high school. By that point, I had learned to be careful of what I said in front of who. To be aware of authority. Eventually writing became the place where I could express myself freely.     

When my editor caught a Rum & Rebellion acoustic set at the Cherry Bean and he asked me to write more articles like my songs, I appreciated the compliment, but I couldn’t simply shrug off the decades and generations of learned and practiced silence. Thankfully there were those who wouldn’t remain silent.

Touring punk bands typically bypass Salinas, heading north to Santa Cruz or San Jose. The exception were those that were connected through the Razacore network of punks who could put up bands and shows in farm towns outside the bigger cities. Thanks to Eduardo of the band Outraged in Watson, Limp Wrist came through. Argentina’s Boom Boom Kid did a show in Salas. But there were two bands – La Plebe and Los Dryheavers – with roots in Salas who always returned from San Pancho and San Jo to play periodically. Those shows were the best.

Salas punk shows meant 50-100 young, sweaty bodies squeezed up against the walls, counters and the band itself. Shows with booze were at the Penny, an English Pub, and all-ages shows were up the street at the Cherry Bean, a local café.

When the Dryheavers played, the guitarists, bassist and singer encircled the drummer. They usually had to play with their backs to the crowd to ensure the space to strum and, in the singer’s case, make sure the crush of the crowd didn’t lead to teeth getting knocked out.   

There is a story about the Dryheavers. It is too good to ruin by finding out if it’s true. The Dryheavers “played” the Warped Tour. Except Warped’s Kevin Lyman didn’t invite Los Dryheavers. They simply packed up their van and drove along with the Warped caravan. At each stop, the Dryheavers set up outside the festival and played. With the exception of Kory, all the Dryheavers were big, heavy Chicanos. Not even Warped security wanted to bother them, or so the story goes. 

Image courtesy of Scott MacDonald 

One Salas show, in between songs, the Dryheavers’ singer, Hector, took a moment to speak. First, he needed to catch his breath. Not uncommon.

“My family works hard. They work the fields, like your families,” said Hector, slightly gasping from screaming and trying to breathe through the humid air thick with sweat and body odor.  

Hector turned to Felix, one of the Dryheavers’ guitarists, and asked what his parents did.

“Big pimpin,” he responded.

The sudden pivot from vulnerable self-admission and statement of solidarity to crude humor: I laughed. That was Salas punk – irreverent, political by imposition and impatient for the next song. It was Chicano Punk Rock. It was Immigrant Punk. It was Los Dryheavers, La Plebe, Outraged, Uzi Suicide, The Gunslinger, The Kings Kids, Dear Avarice, The Achievement, Cali Nation, Bound to Break, Madtown Mulligan, Darktown Rounders, Chainsaw Death Squad, Toxic U.S. and so many others.


“juntado” from the album i am plotting my way out
“no folk song” from the album i am plotting my way out
“desesperados” from the album i am plotting my way out
“boulevard” from the album i am plotting my way out
“hey fucker” from the album i am plotting my way out
“witness” from the album i am plotting my way out

Notes:

George B. Sánchez-Tello lives, writes and teaches in Los Angeles.

For Mark Cantu: El mejor recuerdo es una simple canción para alguien que ya no está.QEPD.

Thank you: Scott MacDonald, Claudia Meléndez-Salinas and Clarissa Aljentera, colleagues from the Salinas Californian and Monterey County Herald who added valuable suggestions and edits.

Postcard Series

  1. Jenise Miller, “We are our own Multitude: Los Angeles’ Black Panamanian Community”
  2. Toni Mirosevich, “Who I Used To Be”
  3. Myriam Gurba, “El Corrido del Copete”
  4. Jennifer Carr, “The Tides that Erase: Automation and the Los Angeles Waterfront”
  5. Melissa Hidalgo, “A Chumash Line: How an old email and five PDFs revealed my Native Californian Roots” 
  6. Brynn Saito with Photographs by Dave Lehl, “Acts of Grace: Memory Journeys Through the San Joaquin Valley”
  7. Nicolas Belardes, “South Bakersfield’s Confederate Remains”
  8. Ruth Nolan, “Cima Dome, East Mojave National Preserve”
  9. Marco Vera, “My Tata’s Frutería”
  10. George B. Sánchez-Tello, Oh Salinas! Song, Story and Punk Rock Behind the Lettuce Curtain